Theology and the Scientific Imagination from the Middle Ages to the 17th Century. Amos Funkenstein

1989 ◽  
Vol 69 (1) ◽  
pp. 107-108
Author(s):  
Seymour Feldman
2013 ◽  
pp. 987-1002
Author(s):  
Bojan Miljkovic

There were two ways of the clerical tonsure in the Orthodox Church during the middle Ages. The cutting of four locks of hair in the shape of cross and circular tonsure. The wreath of hair around the shaved top of the head symbolized Christ?s crown of thorns. The archpriests of the Serbian Orthodox Church were practicing circular tonsure, from its founder Sava until the middle of the 17th century.


Author(s):  
Arkadiusz Wagner

The article is a response to the extensive review by Maria Cubrzyńska-Leonarczyk concerning the first Polish monograph of superexlibris from the Middle Ages to the half of the 17th century, which I published in 2016. Primarily, it contains rectifications of numerous concealments and mistakes that the Reviewer has made in her article. According to the author of the response to the review many of them are the consequence of a doctrinaire and anachronistic interpretation of the notion of superexlibris, which origins from the opinions of Kazimierz Piekarski (1920s – 1930s). Moreover, the author points out a range of interesting and inspiring remarks and discoveries of the Reviewer.


Transilvania ◽  
2021 ◽  
pp. 91-96
Author(s):  
Carmen Oprișor

In the present article we pointed out the historical context in which our culture came into being. We also showed what social and cultural conditions of the Middle Ages influenced the evolution of our civilization. Miron Costin`s work, a Romanian historian from the 17th century, was imbued with literary features. He was educated in Poland and he became an important scholar. Costin was very concerned with writing a chronicle with a complex structure and with elaborate sentences. He created memorable human portraits in vivid colours, and his remarks upon history and human nature are still relevant to us today. He was also the first writer whose chronicle proved to be the work of a gifted memorialist.


Viatica ◽  
2015 ◽  
Author(s):  
Devika VIJAYAN ◽  

In the 17th century, the theme of monster gods is recurrent in accounts of French travel to the East Indies. Faced with translating iconography of Indian reality, which was foreign to outsiders, artists of the Middle Ages and of the Renaissance illustrated these images yet painted them with a Western imagination. However, despite the vision of an India divided between Greco-Roman heritage and Christianity and hybrid representations, the illustrations of Hindu religious scenes and monster gods also demonstrate the attention that travellers paid to this new reality.


2021 ◽  
Vol 24 (2) ◽  
pp. 41-45
Author(s):  
Sevda Abdullayeva ◽  
Samira Gasimova

At the beginning of the 16th century, due to the establishment of the Safavid Empire of Azerbaijan, the culture of the people also developed significantly, especially due to the strengthening of the centralized political structure. “Language commonality, which is one of the factors of the national stage of public unity” was a reality that closely united the people of Azerbaijan in the 17th century.In the 17th century, Azerbaijan was remaining one of the most important cultural centers of the Near and Middle East. The ongoing Safavid-Ottoman wars at that time dealt a crushing blow to the cultural development of the people. Many famous Azerbaijani scientists were captivated and taken to Istanbul, and some were transferred to Qazvin and Isfahan. Only in the middle of the 17th century there was a certain revival in the development of science and education in Azerbaijan. There were various educational institutions in the cities of the country, which were the centers of crafts, trade and culture. In the Middle Ages, all educational institutions, including madrassas, neighbour schools, tekyehs, were, of course, religious in nature.A careful analysis of the information provided by medieval historians and travelers leads to the conclusion that book printing was not only known in Azerbaijan in the middle of the 17th century, but even a printing press was brought here. The French traveler Chardin writes that the Safavid Empire, aware of the benefits of printing, was in favor of bringing it to Iran.Generally, the history of Azerbaijan in the Middle Ages (as well as in the XVII century) had the character of a scientific chronicle. However, even the mere recording of real events served to develop the historical thinking of the people, to ensure the connection of inheritance. The expansion of folk art, the spread of cultural potential in the Near and Middle East was one of the features of the development of Azerbaijani culture in the 17th century. Unfavorable socio-economic and political processes had a negative impact on the development of culture in the country.


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