A Series in Social HistoryThe First Americans, 1607-1690. A History of American Life, Volume II. Thomas Jefferson WertenbakerProvincial Society, 1690-1763. A History of American Life, Volume III. James Truslow AdamsThe Rise of the Common Man, 1830-1850. A History of American Life, Volume VI. Carl Russell FishThe Emergence of Modern America, 1865-1879. A History of American Life, Volume VIII. Allan Nevins

1928 ◽  
Vol 36 (6) ◽  
pp. 471-474
Author(s):  
Howard E. Wilson
2008 ◽  
Vol 9 (03) ◽  
pp. 491-506 ◽  
Author(s):  
Robin L. Einhorn

The history of slavery cannot be separated from the history of business in the United States, especially in the context of the relationship between public power and individual property rights. This essay suggests that the American devotion to “sacred” property rights stemsmore from the vulnerability of slaveholding elites than to a political heritage of protection for the “common man.”


2020 ◽  
Vol 3 (1) ◽  
pp. 71-85
Author(s):  
Gabriela Chiciudean

In his novel, “The Deadline”, Horia Liman depicts the history of an authentic world governed by unwritten laws belonging to the morality of the common man, especially to the honour code. In a poor isolated community from Oaș, placed on a rocky hill, where only the nettles grow, the knapsack and the knife are held in high esteem. The atmosphere of the novel, its characters and their features, the difficult life and the unwritten laws are gradually unveiled through significant events.


1959 ◽  
Vol 18 (3) ◽  
pp. 343-355 ◽  
Author(s):  
R. P. Dore

It seems impossible anywhere in this century of the common man for history to remain a mere matter of recording and analysing the deeds of uncommon men. The most traditional of historians finds himself obliged to assess not only the influence exerted on the course of events by individual statesmen and generals, but also the collective influence of the wishes, the fears, the interests, or the prejudices of large numbers of anonymous individuals, grouped generally, for purposes of convenience, under such rubrics as “the urban middle classes,” “the city,” “the workers,” “the farmers,” “the discontented intellectuals,” or “the electorate.” Sometimes the statistical implications of such terms are recognised, as by the English Namierites, in the use of openly statistical methods of approach. Other historians use less tedious, and it must be admitted less convincing, means of summation. In any case, the business of writing history has become more complicated. The purpose of this paper is to give some account of the treatment Japanese historians have afforded one such large category of individuals who can no longer be ignored in recounting the history of Meiji Japan, namely “the landlords.”


1988 ◽  
Vol 21 (2) ◽  
pp. 175-195 ◽  
Author(s):  
Roy L. Vice

The historiography of the Peasants' War is currently dominated by Peter Blickle's The Revolution of 1525. Blickle builds upon Günther Franz's Der deutsche Bauernkrieg, long the standard history of the Peasants' War. Blickle uses the concept of “the Revolution of the Common Man” to describe the Peasants' War. The common men in both the towns and villages were united in a revolutionary effort to establish the “communal Reformation.” Blickle writes: “Evangelical doctrine gripped urban and rural communities alike, and the lay community claimed the right to decide right doctrine.… Thus, the Reformation's dependence on community erased the barriers between urban and rural communities, between burghers and peasants.”


2017 ◽  
Vol 15 (1) ◽  
pp. 67-78 ◽  
Author(s):  
Bruce Johnson

The history of live street music is the history of an endangered species, either suppressed or trivialized as little more than ‘local colour’. Five hundred years ago the streets of Elizabethan London were rich with the sounds of street vendors, ballad-makers and musicians, and in general the worst that might be said of the music was that the same songs were too often repeated – what we would now call ‘on high rotation’. By the beginning of the nineteenth century, the poet Wordsworth and advocate of the ‘common man’ was describing street music as ‘monstrous’, and throughout that century vigorous measures were being applied to suppress such sounds, which were now categorized as noise. By the twenty-first century, live street music has been virtually silenced but for the occasional licensed busker or sanctioned parade. Paradoxically, this process of decline is intersected by a technologically sustained ‘aural renaissance’ that can be dated from the late nineteenth century. This article explores the reasons for the gradual extinction of live street music and the transformation of the urban soundscape. It argues connections with issues of class, the rise of literacy, the sacralization of private property and the formation of the politics of modernity.


2012 ◽  
Vol 22 (1) ◽  
pp. 14-20
Author(s):  
Donald Finan ◽  
Stephen M. Tasko

The history of speech-language pathology as a profession encompasses a tradition of knowledge generation. In recent years, the quantity of speech science research and the presence of speech scientists within the domain of the American Speech-Hearing-Language Association (ASHA) has diminished, even as ASHA membership and the size of the ASHA Convention have grown dramatically. The professional discipline of speech science has become increasingly fragmented, yet speech science coursework is an integral part of the mandated curriculum. Establishing an active, vibrant community structure will serve to aid researchers, educators, and clinicians as they work in the common area of speech science.


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