Roger L. Williams. Botanophilia in Eighteenth‐Century France: The Spirit of the Enlightenment. (International Archives of the History of Ideas, 179.) 197 pp., illus., bibl., index. Dordrecht: Kluwer Academic Publishers, 2000. $67 (cloth).

Isis ◽  
2002 ◽  
Vol 93 (3) ◽  
pp. 486-487
Author(s):  
A. J. Lustig
2017 ◽  
Vol 80 (4) ◽  
pp. 474-487
Author(s):  
Marie-Pauline Martin

Abstract Today there is a consensus on the definition of the term ‘rococo’: it designates a style both particular and homogeneous, artistically related to the reigns of Louis XV and Louis XVI. But we must not forget that in its primitive formulations, the rococo has no objective existence. As a witty, sneering, and impertinent word, it can adapt itself to the most varied discourses and needs, far beyond references to the eighteenth century. Its malleability guarantees its sparkling success in different languages, but also its highly contradictory uses. By tracing the genealogy of the word ‘rococo’, this article will show that the association of the term with the century of Louis XV is a form of historical discrimination that still prevails widely in the history of the art of the Enlightenment.


2002 ◽  
Vol 45 (1) ◽  
pp. 229-233 ◽  
Author(s):  
FELIX DRIVER

What is Enlightenment? Few questions in the history of ideas can have given rise to more controversy, sustained over more than two centuries and extending into the furthest reaches of contemporary thought. In comparison, the ‘where’ of Enlightenment – the sites from which philosophes garnered their evidence, the settings in which their ideas took shape, the networks through which they were disseminated, the contexts in which they were interpreted – has received much less attention. It is not that these geographies have been altogether neglected. Distinctions between different ‘national’ Enlightenments (French, Scottish, English, and so on) are familiar, perhaps all too familiar, to historians of the eighteenth and early nineteenth centuries. At a smaller scale, it is difficult to imagine historical accounts of the Enlightenment world without some sort of tour of those paradigmatic sites – the coffee house, the botanic garden, the lecture theatre. There is a geography here, of sorts: but in truth it is often simply a stage for action, a passive background (sometimes ‘national’, sometimes ‘local’) to the real business of social and intellectual change. In recent years, however, intellectual historians in general, and historians of science in particular, have begun to pay more attention to these and many other sites, not simply as inert contexts but as vital components of the making and communication of new knowledge. Thus is a genuine geography of knowledge in the making.


2021 ◽  
Vol 30 (2) ◽  
pp. 215-225
Author(s):  
Marthe Kretzschmar

Knowledge of the materiality of stone during the Enlightenment expanded following the exploration of mineralogical structure, to alter ideas about taxonomy and challenge the role of rocks in the history of the earth. Close studies of the material of marble sculpture generated expertise on grain size, surface varieties and stone deposits. This mode of reception became intertwined with contemporary controversies about the age of the earth. This article focuses on both French sculpture and geological discourses of the eighteenth century to reveal an international and interdisciplinary network centring on protagonists such as Denis Diderot, Paul-Henri Thiry d’Holbach and Étienne-Maurice Falconet; through these figures, debates can be connected concerning both geology and art theory. Within these contexts, the article discusses the translation processes between these artistic and geological interests.


Author(s):  
Robert Wokler ◽  
Christopher Brooke

This chapter retraces Alasdair MacIntyre's own construal of the Enlightenment Project's trajectory in order to show how his interpretation of an intellectual tradition depends above all on his assessment of its impact. It argues that MacIntyre's Enlightenment Project is largely unreconstructed, unredeemed, and undiminished in its failure, even after substantial embellishment. His three principal works comprise an extraordinary indictment of the theoretical and practical legacy of eighteenth-century philosophy. His account projects the Enlightenment's implications and influence as they stem from its aims. He holds it to blame for some of the most sinister aspects of a morally vacuous civilization, cursed by the malediction of unlicenced Reason. His intellectual history of the period forms one of the mainsprings of his own philosophy.


2005 ◽  
Vol 68 (2) ◽  
pp. 195-214 ◽  
Author(s):  
konrad hirschler

this article examines whether it is possible to trace eighteenth- and nineteenth-century revivalist thought to earlier ‘medieval’ examples. the discussion is centred on the issue of ijtiha¯d/taqli¯d, which featured prominently in revivalist thought. taking the example of scholars in thirteenth-century damascus, it firstly compares the respective readings of ijtiha¯d/taqli¯d, by focusing on one individual, abu¯ sha¯ma (d. 1267). it secondly asks whether a scholar like abu¯ sha¯ma, who had adopted a reading similar to later revivalists, also took a critical and oppositional stand against large sections of his contemporary society, i.e. a revivalist posture. it is this article's main contention that the example of abu¯ sha¯ma shows the need to study in more detail possible revivalist traditions prior to the ‘grand’ movements. the combination of the history of ideas and social history might allow a deeper understanding of how and in what contexts calls for reform and opposition to the current state of affairs were expressed.


1997 ◽  
Vol 16 (2) ◽  
pp. 77-99 ◽  
Author(s):  
E. Hamm

The history of geology has focused largely on the foundations of geology in the late eighteenth and early nineteenth centuries. Considerable attention has also been given to grand theories of the earth, or cosmogonies, of the seventeenth century. This approach has left out most of eighteenth-century mineralogy; it has also left out mining. The argument here is that Leibniz's Protogaea is best understood in the context of the Harz mines, where Leibniz spent considerable energy doing administrative work and inventing new mining machinery. By looking to the mines we not only make sense of Protogaea, but of most of German mineralogy in the eighteenth century. J. G. Lehmann, J. F. W. Charpentier, C. G. Delius and many other practitioners working in and around mines were deeply concerned with mapping the subterranean structure of the earth's crust and they contrasted their work with the "fantastic" world of theorists. The Freiberg Mining Academy, other institutions, and the way vocabularies of mining changed will also be considered. Finally there are some concluding thoughts on why mining has almost disappeared from the history of geology.


2016 ◽  
Vol 20 (1) ◽  
pp. 121-136
Author(s):  
Ludwig Stockinger

Abstract The reception of Panagiotis Kondylis’ depiction of the Enlightenment published in 1981 was determined by its reduction to the thesis of the ›rehabilitation of sensuality‹ (Sinnlichkeit). In addition, the objection raised by critics against ›decisionism‹ impaired an adequate reception of Kondylis’ work. This article attempts to reconstruct Kondylis’ argument and clarify its social-anthropological presuppositions, by interpreting the history of ideas as a history of the struggle for power between philosophy and theology. Employed as an agent in this struggle, the ›rehabilitation of sensuality‹ generates a second problem: the danger of relativizing all values as in nihilism. This article identifies work on this problem, which remains ultimately unresolved, as the central goal of the Enlightenment movement. Understood in this light, Kondylis’ these can be contextualized in the social-historical interpretation of literature and culture grounded in theories of secularization and history of problems in the modern period.


PMLA ◽  
2006 ◽  
Vol 121 (1) ◽  
pp. 107-123
Author(s):  
Lorraine Piroux

This study focuses on the French Enlightenment's fascination with the materiality of non-Western and nonalphabetic scripts in the broader context of the history of the book. By examining definitions of writing in the Encyclopédie as well as Françoise de Graffigny's novelistic appropriation of the Inca quipu script in Lettres d'une Péruvienne (1747), I argue that there emerges from these texts a conception of the literary sign capable of challenging the fundamental principles of the Enlightenment printed book: dematerialized textuality and absolute legibility. Shaped by the scriptural imagination of eighteenth-century book culture, literature was able to acquire full aesthetic legitimacy only insofar as it was defined as the other of the purely semantic text. (LP)


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