Finite Infinitives in Modern Greek

1989 ◽  
pp. 113-132 ◽  
Author(s):  
Sascha Felix
Keyword(s):  
Modern Greek

Modern Greek V V dvandva compounds: A linguistic innovation in the history of the Indo-European languages

2009 ◽  
Vol 2 (1) ◽  
pp. 48-68 ◽  
Author(s):  
Angela Ralli
Keyword(s):  
Language Contact ◽  
High Rate ◽  
Compound Formation ◽  
Modern Greek ◽  
Late Medieval Period ◽  
European Languages ◽  
History Of ◽  
Internal Change ◽  
Contact Situation ◽  
Asian Languages

This paper deals with [V V] dvandva compounds, which are frequently used in East and Southeast Asian languages but also in Greek and its dialects: Greek is in this respect uncommon among Indo-European languages. It examines the appearance of this type of compounding in Greek by tracing its development in the late Medieval period, and detects a high rate of productivity in most Modern Greek dialects. It argues that the emergence of the [V V] dvandva pattern is not due to areal pressure or to a language-contact situation, but it is induced by a language internal change. It associates this change with the rise of productivity of compounding in general, and the expansion of verbal compounds in particular. It also suggests that the change contributes to making the compound-formation patterns of the language more uniform and systematic. Claims and proposals are illustrated with data from Standard Modern Greek and its dialects. It is shown that dialectal evidence is crucial for the study of the rise and productivity of [V V] dvandva compounds, since changes are not usually portrayed in the standard language.

On the morphosyntax of synthetic compounds with proper names: A case study on the diachrony of Greek

2020 ◽  
Vol 13 (2) ◽  
pp. 189-210
Author(s):  
Artemis Alexiadou
Keyword(s):  
Proper Names ◽  
Synthetic Compounds ◽  
Modern Language ◽  
Modern Greek

This paper discusses the formation of synthetic compounds with proper names. While these are possible in English, Greek disallows such formations. However, earlier stages of the language allowed such compounds, and in the modern language formations of this type are possible as long as they contain heads that are either bound roots or root- derived nominals of Classical Greek origin. The paper builds on the following ingredients: a) proper names are phrases; b) synthetic compounding in Modern Greek involves incorporation, and thus proper names cannot incorporate; c) by contrast, English synthetic compounds involve phrasal movement, and thus proper names can appear within compounds in this language. It is shown that in earlier Greek, proper names had the same status as their English counterparts, hence the possibility of synthetic compounds with proper names. It is further argued that the formations that involve bound/archaic roots are actually cases of either root compounding or root affixation and not synthetic compounds.

The Theological Dialogue Between the Orthodox and the Non-Chalcedonians (Past - Present - Future): An Athonite Critique. Part 1: Prologue. Introduction, ch. 1, nn. 1-3

2019 ◽  
pp. 109-144
Author(s):  
Михаил Андреевич Вишняк
Keyword(s):  
Orthodox Church ◽  
Modern Greek ◽  
History Of ◽  
The Church

Вниманию русскоязычного читателя предлагается первая часть перевода с новогреческого на русский язык книги Ὁ Θεολογικός Διάλογος Ὀρθοδόξων καί Ἀντιχαλκηδονίων (παρελθόν - παρόν - μέλλον): Μία ἁγιορειτική συμβολή. Ἅγιον Ὄρος: Ἱερά Μονή Ὁσίου Γρηγορίου, 2018 (841 σ.). Это издание посвящено богословскому диалогу между Православной Церковью и антихалкидонитами и включает в себя все тексты соответствующей тематики, составленные на Святой Горе Афон в период 1991-2015 гг. Настоящая публикация включает перевод предисловия архим. Христофора, игумена монастыря Григориат, и части введения (гл. 1, пп. 1-3). Перевод снабжён также предисловием переводчика, в котором кратко изложена история богословского диалога, цель издания и его перевода на русский язык, которая заключается в содействии плодотворному и согласному со Священным Преданием воссоединению антихалкидонитов с Церковью. The Russian-speaking reader is presented with the first part of the translation into Russian from the modern Greek of the book Ὁ Θεολογικός Διάλογος Ὀρθοδόξων καί Ἀντιχαλκηδονίων (παρελθόν - παρόν - μέλλον): Μία ἁγιορειτική συμβολή. Ἅγιον Ὄρος: Ἱερά Μονή Ὁσίου Γρηγορίου, 2018 (841 p.). This edition is devoted to the Theological Dialogue between the Orthodox Church and the non-Chalcedonians and includes all texts of the relevant topics, published on the Holy Mount Athos in the period 1991-2015. This publication includes a translation of the Prologue of archim. Christophoros, the abbot of the monastery of St. Gregory, and of a part of the Introduction (Chapter 1, paragraphs 1-3). The translation is also provided with a preface of the translator, which summarizes the history of the Theological Dialogue, the purpose of the publication and its translation into Russian, which is to contribute to the fruitful and consistent with the Holy Tradition reunification of the non-Chalcedonians with the Church.

Modern Greek in Asia Minor. R. M. Dawkins

1918 ◽  
Vol 15 (12) ◽  
pp. 735-737
Author(s):  
Archer Taylor
Keyword(s):  
Asia Minor ◽  
Modern Greek

The Evolution of Orthopaedics in Greece: From Ancient Heritage to Modern Times

2021 ◽  
pp. 155335062110069
Author(s):  
Panayiotis D. Megaloikonomos ◽  
Olga D. Savvidou ◽  
Asimina Vlachaki ◽  
Vasilios G. Igoumenou ◽  
Konstantinos Vlasis ◽  
...  
Keyword(s):  
Musculoskeletal Conditions ◽  
Modern Times ◽  
Deep Knowledge ◽  
Modern Greek ◽  
Historical Manuscripts ◽  
The World

Greece, one of the oldest civilizations of the world, fundamentally contributed to the establishment and evolution of medicine and surgery. Undoubtedly, the foundations of the orthopaedic science are dated back to antiquity. The journey of the orthopaedic art was inaugurated with the poems of Homer and incarcerated through the practices of Hippocrates and Galen. Their deep knowledge of the musculoskeletal conditions and their treatment was generously bequeathed to humanity. This heritage acted as the catalyst for the establishment of orthopaedics in the modern Greek era. In this article, we tried to illustrate the evolution of the orthopaedic art in Greece from antiquity to modern times, reviewing the available evidence from scientific articles, books, historical manuscripts, old newspapers, and biographies. We summarize the most important events, and we identify the pioneers that shaped this new surgical branch, creating the modern Greek orthopaedic discipline.

scholarly journals Bodies Out of Time: Sculpting Queer Poetics and Queering Classical Sculpture in the Poetry of C. P. Cavafy

2021 ◽  
Author(s):  
J. L. Watson
Keyword(s):  
Raw Material ◽  
Ancient Greek ◽  
Greek Poetry ◽  
Modern Greek ◽  
The Past ◽  
Greek World

AbstractTwo major themes dominate the poetry of the Alexandrian poet, C. P. Cavafy: homosexual desire and Greekness, broadly defined. This paper explores the interconnectivity of these motifs, showing how Cavafy’s poetic queerness is expressed through his relationship with the ancient Greek world, especially Hellenistic Alexandria. I focus on Cavafy’s incorporation of ancient sculpture into his poetry and the ways that sculpture, for Cavafy, is a vehicle for expressing forbidden desires in an acceptable way. In this, I draw on the works of Liana Giannakopoulou on statuary in modern Greek poetry and Dimitris Papanikolaou on Cavafy’s homosexuality and its presentation in the poetry. Sculpture features in around a third of Cavafy’s poems and pervades it in various ways: the inclusion of physical statues as focuses of ecphrastic description, the use of sculptural language and metaphor, and the likening of Cavafy’s beloveds to Greek marbles of the past, to name but three. This article argues that Cavafy utilizes the statuary of the ancient Greek world as raw material, from which he sculpts his modern Greek queerness, variously desiring the statuesque bodies of contemporary Alexandrian youths and constructing eroticized depictions of ancient Greek marbles. The very ontology of queerness is, for Cavafy, ‘created’ using explicitly sculptural metaphors (e.g. the repeated uses of the verb κάνω [‘to make’] in descriptions of ‘those made like me’) and he employs Hellenistic statues as a productive link between his desires and so-called ‘Greek desire’, placing himself within a continuum of queer, Greek men.

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