scholarly journals Modes of pointing to existing spaces and the use of frames of reference

Gesture ◽  
2011 ◽  
Vol 11 (3) ◽  
pp. 271-307 ◽  
Author(s):  
Olivier Le Guen
Keyword(s):  
Frame Of Reference ◽  
Point Of View ◽  
The Body ◽  
The Other ◽  
Frames Of Reference ◽  
Spatial Relationships ◽  
External Cues ◽  
The Status ◽  
Systematic Framework

This paper aims at providing a systematic framework for investigating differences in how people point to existing spaces. Pointing is considered according to two conditions: (1) A non-transposed condition where the body of the speaker always constitutes the origo and where the various types of pointing are differentiated by the status of the target and (2) a transposed condition where both the distant figure and the distant ground are identified and their relation specified according to two frames of reference (FoRs): the egocentric FoR (where spatial relationships are coded with respect to the speaker’s point of view) and the geocentric FoR (where spatial relationships are coded in relation to external cues in the environment). The preference for one or the other frame of reference not only has consequences for pointing to real spaces but has some resonance in other domains, constraining the production of gesture in these related domains.

scholarly journals Revising Stanley’s footsteps: encountering the ‘other’ in Darkest England (1996) by Christopher Hope

Literator ◽  
2000 ◽  
Vol 21 (1) ◽  
pp. 85-98
Author(s):  
H. Roos
Keyword(s):  
Nineteenth Century ◽  
Complex Structure ◽  
Frame Of Reference ◽  
Point Of View ◽  
The Other ◽  
Central Theme ◽  
Post Colonial ◽  
Black Africa ◽  
Colonial Texts ◽  
Travel Writings

As has now become a familiar image in Hope’s writings, once again ttie idea of looking at a society from the position of an outsider and an exile forms the central theme of Darkest England (1996). In this satirical novel, the tradition of nineteenth-century travel writings set in a colonial context is reversed, undermined, and then remarkably recreated to portray the present-day manifestation of encounters and relations between (black) Africa and the (white) West. Presenting the (fictional) journals of a Khoisan leader, David Mungo Booi, within a dynamic frame of reference to classical colonial texts by, among others, Livingstone and Stanley. Hope writes a new travel report. This essay discusses how, by the reversal of point of view, a change in time and space, and creating a satirical mood, the colonizer and the colonized are interchanged and the original texts are evoked to be rewritten. The notions of Self/Other, colonial /(post-)colonial and primitive/civilized are placed in new and disturbing contexts, adding to the complex structure of this fascinating text.

Relationship between Frames of Reference and Mirror-Image Reversals

Perception ◽  
10.1068/p5529 ◽  
2007 ◽  
Vol 36 (7) ◽  
pp. 1049-1056 ◽  
Author(s):  
Hirokazu Yoshimura ◽  
Tatsuo Tabata
Keyword(s):  
Mirror Image ◽  
Frame Of Reference ◽  
The Other ◽  
Frames Of Reference ◽  
Physical Aspect ◽  
Other Hand ◽  
Extended Problem ◽  
Left Right Asymmetry ◽  
Common Frame Of Reference ◽  
Intrinsic Frame

The mirror puzzle related to the perception of mirror images as left–right reversed can be more fully understood by considering an extended problem that includes also the perception of mirror images that are not left–right reversed. The purpose of the present study is to clarify the physical aspect of this extended problem logically and parsimoniously. Separate use of the intrinsic frame of reference that belongs to the object and one that belongs to its mirror image always leads to the perception of left–right reversal when the object has left–right asymmetry; on the other hand, the perception of left–right nonreversal is always due to the application of a common frame of reference to the object and its mirror image.

Dance and Subtraction: Notes on Alain Badiou's Inaesthetics

2011 ◽  
Vol 43 (2) ◽  
pp. 50-64 ◽  
Author(s):  
Jonathan Owen Clark
Keyword(s):  
Academic Writing ◽  
The Body ◽  
The Other ◽  
Philosophical Writing ◽  
Critical Commentary ◽  
The Status ◽  
The Subject ◽  
Aesthetic Thinking ◽  
Widespread View ◽  
Special Case

In an essay entirely devoted to the subject of dance in Alain Badiou's Handbook of Inaesthetics [Petit manuel d'inesthétique (Badiou 2005b)], we find the following contentious statement: “Dance is not an art, because it is the sign of the possibility of art as inscribed in the body” (69). At first glance, this statement seems strangely familiar to the reader versed in writing about dance, particularly philosophical writing. “Dance is not an art”: Badiou critiques Mallarmé as not realizing this as the true import of his ideas. It is familiar because it attests to a certain problem in aesthetic thinking, one that relates to the placement and position of dance and the works that comprise its history into what can be seen as certain evaluative hierarchies, particularly vis à vis the relation of dance to other art forms, and in particular, those involving speech and writing. Dance seems to suffer from a certain marginalization, subtraction, or exclusion, and its practice seems to occupy a place of the perennial exception, problem, or special case. The strangeness of the statement, on the other hand, relates to the widespread view outside of academic writing that the status of dance “as art” is actually completely unproblematic. What follows therefore is a critical commentary on this assertion of Badiou, placed both in the context of Badiou's writing, and in the wider one pertaining to the problem of exclusion just outlined.

scholarly journals Body, Possibility and Biographical Interpretation

2012 ◽  
Vol 8 (3) ◽  
pp. 64-87
Author(s):  
Anabela Pereira
Keyword(s):  
Point Of View ◽  
The Body ◽  
The Other ◽  
Discursive Construction ◽  
Visual Interpretation ◽  
Individual Interaction ◽  
The One ◽  
The Individual ◽  
World Perspective

The aim of this article is to demonstrate how body-representations offer an opportunity for its visual interpretation from a biographical point of view, enhancing, on the one hand, the image’s own narrative dynamics, and, on the other, the role of the body as a place of incorporation of experiences, as well as, a vehicle mediating the individual interaction with the world. Perspective founded in the works of the artists Helena Almeida and Jorge Molder, who use self-representation as an expression of these incorporated (lived) experiences, constitutes an important discursive construction and structuring of their narrative identity through visual creation, the artists enable the other with moments of sharing knowledge, creativity and subjectivity, contributing also to the construction of the contemporary, cultural and social imagery.

scholarly journals Carré sémiotique et interprétation des récits mythiques. — Semiotic square and the interpretation of myths

2006 ◽  
Vol 34 (2) ◽  
pp. 403-416
Author(s):  
Richard Pottier
Keyword(s):  
Deep Level ◽  
Point Of View ◽  
The Other ◽  
Simple Fact ◽  
Linguistic Communication ◽  
Logical Square ◽  
The Status ◽  
Logical Nature ◽  
Linguistic Activity ◽  
The One

Semiotic square and the interpretation of myths. Greimas’ semiotic square is built upon the hypothesis that the concept of elementary structure of signification is operational only if subjected to a logical interpretation and formulation. However, Greimas’ commentaries on that model are questionable. On the one hand, he asserts that logical nature of the connection between any two terms, s1 and s2, is undetermined; on the other hand, he provides the relations s1 – non s1, s2 – non s2, s1 – non s2 and s2 – non s1 with a logical status. Now, since these two statements are inconsistent, a choice must be made: either these four relations have a logical significance, and then the semiotic square is a logical square, so that s1 – s2 has to be interpreted as an incompatibility relation; or s1 – s2 has no logical meaning, and then not only the status of the other relations given in the model is not logical either, but also the simple fact of applying negation to the terms s1 and s2 is meaningless. That dilemma follows from an argument, that Greimas has laid down as a principle, under which linguistic communication depends on the existence of a deep level (or immanent level) of the significance, that is supposed to precede its manifestation in speech. If, conversely, we assume that significance is produced at discursive level, and that consequently the patterning of linguistic codes relies on what could be called a semantic sedimentation process, which comes out from linguistic activity, there is no more dilemma. Such a thesis, which implies that the elementary structure of signification must be seen as the schematization by the describer of speakers’ mental activity, leads to a point of view inversion. Nevertheless, the two conditions which, according to Greimas, are required for catching the meaning are still relevant, except that, contrary to Greimas’ opinion, they now apply at the speech level: two discursive units can be opposed if they simultaneously include a common feature which join them, and a distinguishing feature which disjoin them. In order to illustrate that point, an analysis of two short amerindian myths, which Lévi-Strauss has already investigated, will be undertaken, and finally specific problems related to the interpretation of that kind of narratives will be outlined.

scholarly journals Social-Epistemic Rhetoric of (Un)certainty in Biomedical and Psychiatric Scientific Academic Writing: a Diatextual Analysis

Human Arenas ◽  
2020 ◽  
Author(s):  
Amelia Manuti ◽  
Giuseppe Mininni ◽  
Rosa Scardigno ◽  
Ignazio Grattagliano
Keyword(s):  
Medical Journal ◽  
Academic Writing ◽  
Analytical Approach ◽  
Point Of View ◽  
The Body ◽  
The Other ◽  
Research Papers ◽  
The World ◽  
Different Types ◽  
Epistemic Rhetoric

Abstract In line with the general aims of scientific textuality, research papers in the biomedical and psychiatric academic domains mostly attempt to demonstrate the validity of their assumptions and to contrast with the sense of uncertainty that sometimes frames their conclusions. Moving from this premise, the present paper aimed to focus on these features and to investigate if and the extent to which biomedical and psychiatric texts convey different social-epistemic rhetoric of uncertainty. In view of this, a qualitative study was conducted adopting diatextual analysis to investigate a corpus of 298 scientific articles taken from the British Medical Journal and from the British Journal of Psychiatry published in 2013. Our analytical approach led to identifying two different types of social-epistemic rhetoric. The first one was mostly oriented to “describing” the world, accounting for the body-mind nexus as conceptualized within the “medical” point of view. On the other hand, the second one was oriented to “interpreting” the world, debating the problematic and critical features of the body-mind relationship as developed within the psychiatry discursive realm.

scholarly journals The body marked by the arteriovenous fistula: a phenomenological point of view

2018 ◽  
Vol 71 (6) ◽  
pp. 2869-2875 ◽  
Author(s):  
Dejanilton Melo da Silva ◽  
Rose Mary Costa Rosa Andrade Silva ◽  
Eliane Ramos Pereira ◽  
Helen Campos Ferreira ◽  
Vanessa Carine Gil de Alcantara ◽  
...  
Keyword(s):  
Arteriovenous Fistula ◽  
Venous Access ◽  
Self Esteem ◽  
Point Of View ◽  
The Body ◽  
The Other ◽  
Comprehensive Model ◽  
The Look ◽  
Social Phenomenology ◽  
Phenomenological Point

ABSTRACT Objective: To understand the experience of people with chronic kidney disease using arteriovenous fistula. Method: Qualitative and exploratory study based on Social Phenomenology, conducted on 30 adults undergoing hemodialysis by using the fistula, interviewed in 2017. The interviews were analyzed according to the empirical-comprehensive model proposed by Amedeo Giorgi. Results: We found the categories “The changed body aesthetics”; “The perception of the other about my body”; and “The fistula as an inseparable condition for life maintenance.” Final considerations: The experience of people using fistula showed that this venous access leaves marks that change the body aesthetics, making the body imperfect. Such changes cause low self-esteem and attract the look of the other, causing embarrassment in those who have the body changed. Thus, they react by camouflaging the fistula, without which there is no life. This perception arises from the fear that works as a catalyst for self-care.

scholarly journals Frames of reference in multibody dynamics

2017 ◽  
Vol 24 (1) ◽  
pp. 98-151 ◽  
Author(s):  
Per Lidström
Keyword(s):  
Kinetic Energy ◽  
Frame Of Reference ◽  
Point Of View ◽  
Frames Of Reference ◽  
Euclidean Spaces ◽  
Full Characterization ◽  
Flexible Part ◽  
Floating Frame ◽  
Coupling Terms ◽  
Transformation Formulas

In this paper, a discussion is undertaken concerning the use of so-called floating frames of reference in the calculation of the kinetic and elastic energies of parts in a multibody system. The use of floating frames may simplify the calculation of the elastic energy, although sometimes at the expense of more elaborate expressions for the kinetic energy. These expressions may involve terms that couple the motion of the floating frame and the relative motion of the part. The choice of a floating frame may be arbitrary but in order to obtain as simple expressions as possible some care must be taken. When a (flexible) part is connected to a rigid part one may use a frame in which the rigid part is at rest. If so then one has, in general, to deal with coupling terms in the kinetic energy for the flexible part. There is one unique frame in which these coupling terms disappear. This frame is called the principal frame of reference. Relative to this frame the kinetic energy of the part is minimal compared to the kinetic energy relative to other frames. Two independent proofs of this property are presented. The principal frame is defined by the associated change of frame mapping. This mapping is given a full characterization. It may however be cumbersome to calculate the kinetic energy relative to the principal frame. A method for doing this is designated. A frame that has been given some attention in the literature is the principal axis frame of reference. In this paper, a full characterization of this frame and its relation to the principal frame is given. Two examples of an Euler–Bernoulli beam in rotational motion are presented and compared in the light of the theoretical findings of this paper. In conventional presentations of mechanics the Euclidean spaces associated with different frames of reference are taken to be identical. In this paper this assumption is abandoned and different frames of reference will correspond to different Euclidean spaces. From a conceptual point of view this is a natural step to take in order to increase clarity and generality. It automatically includes the dependence of the reference placement on the frame of reference. This approach has been analyzed in a previous paper by the present author. References to this paper will appear whenever needed for. Consequences of this approach are investigated in terms of transformation formulas for kinematical and dynamical quantities.

scholarly journals Anisotropic distortion in the perceived orientation of stimuli on the arm

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Scinob Kuroki
Keyword(s):  
Line Shape ◽  
Shape Perception ◽  
Frame Of Reference ◽  
The Body ◽  
The Other ◽  
Neural Signals ◽  
Perceptual Distortion ◽  
Braille Display ◽  
The Brain ◽  
Volar Surface

AbstractMechanoreceptors on the skin are heterogeneously distributed, and the sampling of neural signals in the brain can vary depending on the part of the body. Therefore, it can be challenging for the brain to consistently represent stimuli applied to different body sites. Here, we report an example of a regional perceptual distortion of the tactile space. We used a piezoelectric braille display to examine shape perception on the volar surface of the arm and to compare it to that on the palm. We found that the orientation of perceived stimuli on the arm was distorted in certain areas. In particular, an inwardly-inclined line shape was perceived as being more inwardly-inclined than it actually was. On the other hand, an outwardly-inclined line was perceived accurately. When the same stimuli were applied to the palm, this anisotropic bias was not observed. We also found that changing the posture of the arm changed the angle at which this anisotropic distortion occurred, suggesting the influence of the skin frame of reference on this illusion. This study showed a clear example of how the representation of even simple stimuli is complexly distinct when the stimuli are applied to different body sites.

scholarly journals Phonological and Morphological Functions of Palatalisation in Irish and Polish

2010 ◽  
Vol 3 ◽  
pp. 99-134
Author(s):  
Eugeniusz Cyran ◽  
◽  
Bogdan Szymanek ◽  
Keyword(s):  
Word Formation ◽  
Point Of View ◽  
The Other ◽  
Front Vowel ◽  
Verbal Nouns ◽  
Other Hand ◽  
The Status ◽  
Historical Origin ◽  
Nominal Inflection ◽  
Phonemic Status

The paper attempts to compare the status of palatalization of consonants in Modern Irish and Polish within the phonological and morphological systems of the two languages. Irish and Polish have been selected from the Celtic and Slavic groups due to the fact that both have palatalized consonants. One function, which is connected with the palatalized / non-palatalized distinction is expressing lexical contrast, e.g. Irish cúis [ku:ʃ] ‘reason’ vs. ciumhais [kʲu:ʃ] ‘edge’ and Polish beli [beli] ‘roll, Gen.sg.’ vs. bieli [bʲeli] ‘whiteness, Gen.sg.’. Phonologically speaking, the term ‘palatalization’ is rather broad and ambiguous, as it subsumes two quite disparate linguistic situations. Namely, it may be understood as a dynamic phonetic or phonological process of fronting or softening a consonant in the context of the following front vowel [i/e] or glide [j]. In this sense, palatalization is allophonic, that is, a context dependent assimilatory process, as may be the case with Irish bith [bʲi] ‘existence’, or Polish bił [bʲiw] ‘he beat’. On the other hand, both Irish and Polish seem to show that palatalization of consonants may also be independent of the context, in which case we are not dealing with a process, but with a genuine lexical property of given consonants, that is, a phonemic distinction. This point can be illustrated by such forms as Irish beo [bʲo:] ‘alive’ and Polish biodro [bʲodro] ‘hip’. Here the palatalized consonant is followed by a back vowel and could not have been derived by assimilation. Another argument for the phonemic status of palatalization in the two languages comes from the forms in which the presence of a front vowel does not guarantee that a consonant will be palatalized, e.g. Irish tuí [ti:] ‘straw’ (cf. tí [tʲi:] ‘house, Gen.sg.’) and Polish beli [beli] ‘roll, Gen.sg.’. It may appear that the phonological similarities between Irish and Polish palatalization are considerable. However, the appealing picture becomes more complicated when the two systems are looked at in detail. Once present in the phonological representation of words, the property of palatalization in Irish behaves quite disparately from what is observed in Polish. In Irish, palatalization behaves as an independent property (autosegment) and has a tendency to spread leftwards, affecting the preceding short vowels, e.g. sop / soip [sop / sipʲ] ‘wisp / Gen.sg’, consonants and vowels, e.g. olc / oilc [olk / ilʲkʲ] ‘evil / Gen.sg.’, or even entire syllables, e.g. dorn / doirn [dorən / dirʲinʲ] ‘fist / Gen.sg.’. Thus, palatalization as an assimilatory process is not entirely inactive. On the other hand, in Polish, there is some vestigial consonant-vowel interaction, practically limited to velar consonants, as well as some cluster assimilation. The paper aims to define the conditions on the phonological scope of palatalization in Irish and Polish from the point of view of the historical origin of the phenomenon, distributional restrictions, and participation in processes. Both languages successfully utilize the palatalized / non-palatalized distinction also in the respective morphological systems. This general similarity has a historical origin in the loss of final syllables. The paper surveys various lexical derivations and inflectional paradigms involving palatalization in Irish and Polish. From the formal point of view, there seem to be two main ways in which the palatalized / non-palatalized distinction is utilized morphologically, each of which has two subcategories: 1. Palatalization a. as a sole formative: C > Cʲ, e.g. Irish bád / báid [bɑ:d / bɑ:dʲ] ‘boat, Nom.sg. / Nom.pl.’, and Polish ryb-a / rybi-a [rɨba / rybʲa] ‘fish, Nom.sg. / adj.Nom.sg.fem.’. b. as a co-formative: C > Cʲ+vowel, e.g. Irish deas / deise [dʲas / dʲeʃə] ‘nice / Gen.sg.’, and Polish student / studenc-i [student / studeɲtɕi] ‘student, Nom.sg. / Nom.pl.’. 2. De-palatalization a. as a sole formative: Cʲ > C, e.g. Irish athair / athar [ahir / ahər] ‘father, Nom.sg. / Gen.sg.’. b. as a co-formative: e.g. Polish liść / list-ek [liɕtɕ / listek] ‘leaf / dim.’ From the functional viewpoint, these effects are seen, in Polish, in some paradigms of nominal inflection, the derivation of abstract nouns from adjectives and of possessive denominal adjectives, as well as in large areas of expressive word-formation, etc. In Irish, the morphological impact of palatalization is best observed in the nominal inflection, but it also present in verbal inflection and some derivations, e.g. Verbal Nouns. Further cross-linguistic comparison and typological research is called for in order to fully appreciate the status of palatalization as a link between phonology and morphology. This paper attempts to lay the foundations for such research.

Sign in / Sign up

Export Citation Format

Share Document