Tetraploid and hexaploid chromosome races of Phalaris arundinacea L.

1962 ◽  
Vol 13 (1) ◽  
pp. 1 ◽  
Author(s):  
JR McWilliam ◽  
CA Neal-Smith

Chromosome counts of a wide range of Phalaris arundinacea introductions have revealed the existence of two chromosome races, one tetraploid (2n = 28) and the other hexaploid (2n = 42). The majority of the introductions, including those from the Soviet Union, northern and central Europe, and North America, belong to the tetraploid race, whereas those from Portugal, Spain, Oregon, U.S.A., and two Botanic Garden collections in central Europe belong to the hexaploid race. Both races have regular meiosis and a stable chromosome number, and are fully fertile. The hexaploid hybridizes freely with the tetraploid Ph. Arundinacea and also with Ph. Tuberosa, but is effectively isolated from both owing to the sterility of the hybrids. The hexaploid differs from the tetraploid in a number of characteristics, and in particular in its growth rhythm. Under Australian conditions it has a longer growing season, and is more productive in the autumn and winter. In this and in other respects the hexaploid is intermediate between the tetraploid form of Ph. Arundinacea and Ph. Tuberosa, and is considered to have arisen through hybridization and subsequent introgression between these two species along the junction of their respective distributions in southern Europe.

Nordlit ◽  
2007 ◽  
Vol 11 (1) ◽  
pp. 293
Author(s):  
Piotr Bernatowicz

Mieczysław Porębski, a distinguished Polish art historian of the 20th century, once expressed the demand for Polish art history to be researched simultaneously with foreign studies - as parallel fields. "We entered the research field of the old masters' art as partners in, so to say, a ‘furnished household', whereas in the field of contemporary art we are co-explorers, exploring a ‘virgin land'", as Porębski put it. The book by professor Piotr Piotrowski Awangarda w cieniu Jałty. Sztuka w Europie środkowo-wschodniej w latach 1945-89 (The Avant-Garde in the Shadow of Yalta. The Art in East-Central Europe, 1945-1989) fully accomplishes this demanding postulate which nowadays seems to be rather rarely remembered by Polish art historians. The explored area, the East-Central European countries, which emerged, as a result of the Yalta Conference, between the iron curtain and the border of The Soviet Union (including former Yugoslavia) appears at least as an ‘old maiden' land, where scientific penetration still seems to be necessary.


1970 ◽  
Vol 24 ◽  
pp. 256-276
Author(s):  
Dariusz Miszewski

During the Second World War, the national camp preached the idea of imperialism in Central Europe. Built peacefully, the Polish empire was supposed to protect the independence and security of countries in Central Europe against Germany and the Soviet Union, and thus went by the name of “the Great Poland”. As part of the empire, nation-states were retained. The national camp was opposed to the idea of the federation as promoted by the government-in-exile. The “national camp” saw the idea of federation on the regional, European and global level as obsolete. Post-war international cooperation was based on nation states and their alliances.


2016 ◽  
Vol 6 ◽  
pp. 33-62
Author(s):  
Wiktoria Kudela-Świątek

The article discusses a wide range of aspects concerning the Holomodor – the Great Famine in the Soviet Union in the years 1932–1933. The author focuses on examining the processes of creating a collective image of the Great Famine and the role of individual memory of its survivors in building this image. Analyzing the memories of the survivors the author deals with distortions and myths which has grown up around the Holomodor. The significance of this disaster for the Ukrainian identity is also the subject of the analysis.


2021 ◽  
Vol 10 (3) ◽  
pp. 495-528
Author(s):  
Olha Korniienko

The study examines Soviet fashion houses as fashion corporations with an extensive structure and a certain autonomy which served as centers for the development and representation of Soviet fashion. These state institutions were created in the capitals and large cities of the Soviet republics. The Moscow All-Union Fashion House acted as a methodological center for fashion houses of all Soviet republics. The Ukrainian SSR was one of the important centers of fashion development in the Soviet Union, and it included six general orientation and five specialized fashion houses, as well as the Ukrainian Institute of Assortment of Light Industry Products and Clothing Culture. Based on a wide range of archival sources and interviews with fashion house workers, the article reveals the structure and operation of Ukrainian fashion houses in the period between 1940 and 1991 and also examine their cooperative endeavors with garment enterprises and research institutions. The technology of clothing production by designers, the processes of approval to which these technologies were subjected by art councils, and the organization of exhibitions in the USSR and abroad are also considered.


2020 ◽  
pp. 405-422
Author(s):  
David G. Tompkins

In the aftermath of World War II, the Red Army as a symbol of power was supported in many other arenas so as to counteract the rival influence of the United States on Central Europe. The Soviet Union brought new urgency to these efforts from 1948, with music—and culture more broadly—providing a case for Russia’s attractiveness and superiority with respect to the West. This chapter discusses the nature and scope of Soviet influence in the Central European music world through the examples of East Germany and Poland, and through the prism of the music and persona of Sergei Prokofiev. After his return to the USSR in 1936, Prokofiev, along with Shostakovich, became associated with the very definition of what made music Soviet and thus worthy of emulation. And even more than Shostakovich, Prokofiev and his music functioned as powerful but malleable symbols that could be appropriated by all Soviet actors for their own ends.


1968 ◽  
Vol 5 (5) ◽  
pp. 197-201
Author(s):  
N. G. Andreev ◽  
E. E. Ljubimova

Grasslands in the Soviet Union amount to about 370 million hectares, of which some 70 million are devoted to hay, the remaining 300 million being grazed. That the wide range of climate and soil types should be reflected in the variety of grassland problems is inevitable. The present article reviews the contributions of the Timiryazev Agricultural Academy and discusses many of the problems related to the use of fertilizers on grassland in the Soviet Union.


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