From the architectural acoustic design to measurements: The Auditorium Arvedi case study

2020 ◽  
Author(s):  
Maria Cairoli ◽  
Francesca Merli
Keyword(s):  
Acoustic Design

Case study: Experimental characterization of noise and vibration sources in a refrigerator

2021 ◽  
Vol 69 (6) ◽  
pp. 477-489
Author(s):  
Roberto Zárate Espinosa ◽  
Jordi Poblet-Puig ◽  
Martín Ortega Breña ◽  
Marcelo López Parra
Keyword(s):  
Energy Analysis ◽  
Simulation Models ◽  
Acoustic Energy ◽  
Experimental Characterization ◽  
Laboratory Measurements ◽  
Acoustic Intensity ◽  
Noise And Vibration ◽  
Acoustic Design

The sources of noise and vibration of a refrigerator are characterized by means of laboratory measurements. Three different elements are considered: compressor, evaporator fan, and condenser fan. Both the radiated acoustic energy and the mechanical power injected to the refrigerator structure are measured. Acoustic intensity maps on the refrigerator faces at different frequencies are also provided They are helpful in visualizing the more problematic zones in terms of noise emis- sion. The devices are tested in vacuo or working inside the refrigerator. The provided information can be used as input data for vibroacoustic simulation models such as statistical energy analysis. It is also of interest in order to improve the refrigerator acoustic design.

scholarly journals From Architectural Acoustics to Acoustical Architecture Using Computer Simulation

2005 ◽  
Vol 12 (2) ◽  
pp. 85-98 ◽  
Author(s):  
Anne Marie Due Schmidt ◽  
Poul Henning Kirkegaard
Keyword(s):  
Design Process ◽  
Architectural Design ◽  
Acoustic Properties ◽  
Architectural Acoustics ◽  
Acoustic Design ◽  
Advantages And Disadvantages ◽  
Acoustic Simulation ◽  
Set Up ◽  
The Right

Architectural acoustics design has in the past been based on simple design rules. However, with a growing complexity in architectural acoustics and the emergence of room acoustic simulation programmes with considerable potential, it is now possible to subjectively analyse and evaluate acoustic properties prior to the actual construction of a building. With the right tools applied, acoustic design can become an integral part of the architectural design process. The aim of this paper is to investigate the field of application that an acoustic simulation programme can have during an architectural acoustic design process and to set up a strategy to develop future programmes. The emphasis is put on the first three out of four phases in the working process of the architect and a case study is carried out in which each phase is represented by typical results – as exemplified with reference to the design of Bagsvaerd Church by Jørn Utzon. The paper discusses the advantages and disadvantages of the programme in each phase compared to the works of architects not using acoustic simulation programmes. The conclusion of the paper points towards the need to apply the acoustic simulation programmes to the first phases in the architectural process and set out a reverse strategy for simulation programmes to do so – from developing acoustics from given spaces to developing spaces from given acoustics.

scholarly journals Acoustic design and optimization of an organic architecture, a cross disciplinary design of an open-space airport case study

2021 ◽  
Vol 2069 (1) ◽  
pp. 012160
Author(s):  
F Carlucci ◽  
W Tiano
Keyword(s):  
Large Volume ◽  
Open Space ◽  
External Noise ◽  
Complex Problem ◽  
Design And Optimization ◽  
Acoustic Design ◽  
Architectural Innovation ◽  
New Methodologies ◽  
Indoor Comfort

Abstract Architectural innovation, both at morphological and technological scale, have increased the importance of new methodologies and tools for the building performance analysis. New organic shapes have decreased the reliability of traditional specialistic knowledge, highlighting the importance of new methodologies to manage complex models and analyse the indoor comfort. The aim of this paper is to present a case study of the acoustic design of an organic open-space airport, realized integrating architectural and acoustic concepts in the design workflow. The building, characterized by a curvilinear plan, a wavy suspended ceiling, and a tilted façade, behave as a single tall, large volume containing different small low-height closed service boxes. This architectural approach leads to a mixture of functions in the same large volume with a resulting complex problem of acoustic optimization. To that end, different studies have been conducted from the protection from external noise to the optimization of the reverberation time, and to the design of the speakers. Considering the geometric complexity, different tools and a particular methodology have been used to properly model the building and to optimize the use and the placement of acoustic absorbing materials.

scholarly journals Acoustic Design of a Classical Concert Hall and Evaluation of its Acoustic Performance – A Case Study

2018 ◽  
Author(s):  
Kwangbok Jeong ◽  
Taehoon Hong ◽  
Sung Hoon Kim ◽  
Jimin Kim ◽  
Sangyoub Lee
Keyword(s):  
South Korea ◽  
Simulation Modeling ◽  
Decision Makers ◽  
Reverberation Time ◽  
Acoustic Parameters ◽  
Concert Hall ◽  
Acoustic Performance ◽  
Acoustic Design ◽  
Acoustic Simulation

This study aims at an acoustic design of the classical concert hall and evaluation of the acoustic performance. In terms of three acoustic parameters (i.e., reverberation time (RT), clarity (C80), and lateral fraction (LF)), this study performed acoustic simulation modeling and site measurement with the K Art Hall located in South Korea as a case study. First, in order to meet the acoustic performance of the K Art Hall (target RT: 1.4~1.7 seconds, target C80: -2dB or more +2dB or less, and target LF: 10~35%), the finish materials and shape of the room as an interior acoustic design were determined. Second, the average values of the RT, C80, and LF using the acoustic simulation modeling were estimated at 1.4 second, 1.2~1.6 dB, and 29%, respectively. Third, the average values of the RT, C80, and LF through site measuring were measured at 1.5~1.64 second, 0.07~1.31dB, and 22.22~31.37%, respectively. Thus, the results of both the acoustic simulation modeling and site measuring were analyzed so as to satisfy the target acoustic performance. The results of this study will help the decision-makers (i.e., owner, construction managers, etc.) to plan the classical concert hall in terms of the RT, C80, and LF.

Architectural acoustic design: Observation of use cases including audio-only and multimodal auralizations

2021 ◽  
pp. 1351010X2110455
Author(s):  
David Thery ◽  
David Poirier-Quinot ◽  
Sebastien Jouan ◽  
Brian FG Katz ◽  
Vincent Boccara
Keyword(s):  
Ecological Validity ◽  
Treatment Options ◽  
Test Design ◽  
Acoustic Design ◽  
Verification Tool ◽  
Marketing Tool ◽  
Acoustic Treatment ◽  
Design Ideas ◽  
Collaboration Project

Auralization technology has reached a satisfactory level of ecological validity, enabling its use in architectural acoustic design. Only recently have the actual uses of auralization in the consulting community been explored, resulting in the identification of a variety of uses, including (1) to present to clients, (2) to test design ideas, (3) as a verification tool, (4) as a verification tool, (5) as a marketing tool, and (6) to improve internal company discussions. Taking advantage of methodologies from ergonomics research, the present study investigates effective uses through the observation of a collaboration project between an acoustic research team and an acoustic consultant, as a case study. Two spaces have been auralized in the context of the conception of a new skyscraper during the design phase of the project. The two spaces faced different problematics: an Atrium for which three different acoustic treatment options were suggested and experienced through multi-modal auralizations and audio-only auralizations of an Auditorium where an intrusive noise was to be acoustically treated. The ergonomic observation and analysis of this project revealed key impediments to the integration of auralization in common acoustic design practices.

Case Study: Acoustic Design of a Restored Theatre in Thessaloniki

2000 ◽  
Vol 7 (2) ◽  
pp. 137-150
Author(s):  
N. P. Tsinikas
Keyword(s):  
Background Noise ◽  
Lateral Wall ◽  
Reverberation Time ◽  
Noise Levels ◽  
Acoustic Design ◽  
Design Changes ◽  
Wire Frame ◽  
Measurement Results ◽  
Side Walls

This paper discusses the acoustics of a restored theatre in Thessaloniki, Greece. The paper presents the acoustic design principles, discusses the employment of these principles and concludes with an assessment of the success of the design. The acoustic design changes included improvement of direct sound, provision of ceiling and walls reflections, positioning of diffusers, optimising reverberation time and minimising background noise levels. Steeper seating rakes were constructed in the stalls, boxes and balconies. Curved ceiling reflectors were positioned in a new wire frame false ceiling. Lateral wall reflectors were introduced, as were curved side walls near the stage to act as diffusers. Diffusers were positioned in the rear walls and in balcony fronts. Reverberation times were predicted, measured and compared with earlier data, based on the change of volume, the number and design of seats and the volume per seat ratio. Finally, noise level measurements were obtained in most of the spaces in the theatre. Assessment of the success of the design is based on measurement results and on the subjective acceptance by theatre goers.

The Genesis and Internal Dynamics of El Salvador's People's Revolutionary Army, 1970–1976

2014 ◽  
Vol 38 (01) ◽  
pp. 102-129
Author(s):  
ALBERTO MARTÍN ÁLVAREZ ◽  
EUDALD CORTINA ORERO
Keyword(s):  
Latin America ◽  
El Salvador ◽  
Early Years ◽  
Left Wing ◽  
Internal Dynamics ◽  
Internal Coherence ◽  
The 1960S

AbstractUsing interviews with former militants and previously unpublished documents, this article traces the genesis and internal dynamics of the Ejército Revolucionario del Pueblo (People's Revolutionary Army, ERP) in El Salvador during the early years of its existence (1970–6). This period was marked by the inability of the ERP to maintain internal coherence or any consensus on revolutionary strategy, which led to a series of splits and internal fights over control of the organisation. The evidence marshalled in this case study sheds new light on the origins of the armed Salvadorean Left and thus contributes to a wider understanding of the processes of formation and internal dynamics of armed left-wing groups that emerged from the 1960s onwards in Latin America.

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