MOS device conductance modelling technique for an accurate and efficient mixed-mode simulation of CMOS circuits

1996 ◽  
Vol 32 (3) ◽  
pp. 264 ◽  
Author(s):  
G. Samudra ◽  
Teng Kiat Lee
Keyword(s):  
Mixed Mode ◽  
Modelling Technique ◽  
Cmos Circuits ◽  
Mos Device

A new modeling technique for mixed-mode simulation of CMOS circuits

Integration ◽  
1997 ◽  
Vol 22 (1-2) ◽  
pp. 87-99
Author(s):  
Ganesh Samudra ◽  
Teng Kiat Lee
Keyword(s):  
Mixed Mode ◽  
Modeling Technique ◽  
Cmos Circuits

My-box representation for faulty CMOS circuits

1990 ◽  
Vol 137 (3) ◽  
pp. 225 ◽  
Author(s):  
J.-E. Chen ◽  
C.L. Lee ◽  
W.-Z. Shen
Keyword(s):  
Cmos Circuits

“To Corrupt a Man in the Midst of a Verse”: Ben Jonson and the Prose of the World

2017 ◽  
Vol 24 (1) ◽  
pp. 46-72
Author(s):  
Jacob Tootalian
Keyword(s):  
Mixed Mode ◽  
Ben Jonson ◽  
Digital Analysis ◽  
Interactive Engagement ◽  
Sentence Level ◽  
Linguistic Patterns ◽  
The World ◽  
Selection Of ◽  
Bartholomew Fair

Ben Jonson's early plays show a marked interest in prose as a counterpoint to the blank verse norm of the Renaissance stage. This essay presents a digital analysis of Jonson's early mixed-mode plays and his two later full-prose comedies. It examines this selection of the Jonsonian corpus using DocuScope, a piece of software that catalogs sentence-level features of texts according to a series of rhetorical categories, highlighting the distinctive linguistic patterns associated with Jonson's verse and prose. Verse tends to employ abstract, morally and emotionally charged language, while prose is more often characterized by expressions that are socially explicit, interrogative, and interactive. In the satirical economy of these plays, Jonson's characters usually adopt verse when they articulate censorious judgements, descending into prose when they wade into the intractable banter of the vicious world. Surprisingly, the prosaic signature that Jonson fashioned in his earlier drama persisted in the two later full-prose comedies. The essay presents readings of Every Man Out of his Humour and Bartholomew Fair, illustrating how the tension between verse and prose that motivated the satirical dynamics of the mixed-mode plays was released in the full-prose comedies. Jonson's final experiments with theatrical prose dramatize the exhaustion of the satirical impulse by submerging his characters almost entirely in the prosaic world of interactive engagement.

Mixed-mode Endings in Chopin’s Nocturnes

2016 ◽  
Vol 23 (2) ◽  
pp. 45-64
Author(s):  
Heewon Chung
Keyword(s):  
Mixed Mode
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