Biological and chemical insight into Gaultheria procumbens fruits: a rich source of anti-inflammatory and antioxidant salicylate glycosides and procyanidins for food and functional application

2020 ◽  
Vol 11 (9) ◽  
pp. 7532-7544
Author(s):  
Piotr Michel ◽  
Sebastian Granica ◽  
Karolina Rosińska ◽  
Jarosław Rojek ◽  
Łukasz Poraj ◽  
...  

The fruits of Gaultheria procumbens are the richest known dietary source of salicylates with confirmed anti-inflammatory potential.

2021 ◽  
Vol 115 ◽  
pp. 107707
Author(s):  
Antoine Kavaye Kandeda ◽  
Fleur Clarisse Okomolo Moto ◽  
Jean Pierre Omam Omam ◽  
Rigobert Espoir Mbomo Ayissi ◽  
Lucie Ojong ◽  
...  

Biochimie ◽  
2018 ◽  
Vol 154 ◽  
pp. 1-9 ◽  
Author(s):  
Preethi Johnson ◽  
Chitra Loganathan ◽  
Ancy Iruthayaraj ◽  
Kumaradhas Poomani ◽  
Palvannan Thayumanavan

2019 ◽  
Vol 58 (8) ◽  
pp. 3361-3375 ◽  
Author(s):  
Elaheh-Sadat Hosseinifard ◽  
Mohammad Morshedi ◽  
Khadijeh Bavafa-Valenlia ◽  
Maryam Saghafi-Asl

2019 ◽  
Vol 7 (44) ◽  
pp. 6955-6971 ◽  
Author(s):  
Xue Li ◽  
Manlin Qi ◽  
Chunyan Li ◽  
Biao Dong ◽  
Jia Wang ◽  
...  

Novel ZIF-8:Ce nanoparticles provide a unique insight into effective anti-inflammatory and antibacterial platforms for periodontitis treatment.


2020 ◽  
Vol 153 ◽  
pp. 248-255 ◽  
Author(s):  
Chunyan Hou ◽  
Lili Chen ◽  
Liuzhi Yang ◽  
Xiaolong Ji

2008 ◽  
Vol 25 (3) ◽  
pp. 211-229
Author(s):  
Benedict Taylor

Abstract Samuel Barber's ““lyric rhapsody”” for soprano and orchestra, Knoxville: Summer of 1915 (1947), is one of his most celebrated and complicated pieces. The most ostensibly backward-looking, nostalgic work of this ““conservative,”” neoromantic composer, Knoxville is yet atypical of Barber in that by most accounts it is the most American piece in an oeuvre otherwise rarely seen as touched by national flavor. Dating from an era just recovering from the cataclysm of World War II, Knoxville can be seen as conjuring a gentler age, a state of lost innocence, which as its subsequent reception has showed proved an enduring site of cultural memory. And this work that appeals to so many as an embodiment of collective national identity is simultaneously wrapped up in a highly personal response by Barber to a text of James Agee with a deeply autobiographical meaning for author and composer. Knoxville: Summer of 1915 offers a rich source of insight into Barber's music and aesthetics, in its constructions of memory and nostalgia at both a personal, autobiographical level and broader cultural one. Excavating these layers reveals a fuller picture of the composer and what his music has been taken to mean, exposing the relationship between Barber's private world and wider cultural movements and his often understated politics.


1995 ◽  
Vol 1 (2) ◽  
pp. 154-158 ◽  
Author(s):  
Lenard M. Lichtenberger ◽  
Zu-Mo Wang ◽  
Jimmy J. Romero ◽  
Carlos Ulloa ◽  
Joseph C. Perez ◽  
...  

Nordlit ◽  
2019 ◽  
Author(s):  
Mona Pedersen

Denne artikkelen er basert på publikums egne minner og opplevelser fra fortidige kinobesøk. Siktemålet er å belyse hvilken viktighet kinoinstitusjonen hadde, sosialt og kulturelt, ved å la publikum selv sette ord på sine erfaringer. Artikkelen fokuserer på stumfilmperioden, og det empiriske materialet som presenteres er utdrag fra nasjonale minneinnsamlinger fra hverdagslivet i Norge samlet inn i 1964 og 1981. Minnene er forfattet av «vanlige folk» født i årene rundt 1900. Artikkelen diskuterer ulike filmhistoriske perspektiver på kinopublikum, så vel som minner som historisk kildekategori. Om lag 15 prosent av det innsamlede minnematerialet inneholder omtaler av film og kino; de beskriver ulike holdninger til det å gå på kino, bestemte minner om kinobesøk og filmer, filmscener og skuespillere, samt ulike visnings- og programpraksiser. Artikkelen studerer særlig minner fra to regioner, Oslo og Hedmark. Det konkluderes med at minnesamlingene er en rik kilde som tilbyr unik innsikt i en avansert kinokultur i filmens første årtier. Materialet åpenbarer «kinogjengeren» ikke som en abstrakt størrelse, men som faktiske personer, individer som til sammen danner det vi betegner som «kinopublikum». This article is based on the audience's own memories and experiences from past cinema-going practices. The aim is to illuminate the importance of the cinema institution, socially and culturally, by allowing audiences to put into words their own experiences. The article focuses on the silent film era, and the empirical material consists of extracts from nationwide collections of memories from everyday life in Norway collected in 1964 and 1981. Common people born in the years around 1900 author these memories. The article discusses different perspectives on the audience, as well as memories as a historical source. About 15 percent of the total nationwide memory collection contains mentions of different attitudes towards the cinema, as well as memories of cinema-going in general, exhibition practices, specific films, scenes and actors. The article further explores the empirical material from two regions, Oslo and Hedmark, finding that these memories are a rich source that offers unique insight into an advanced cinema culture in the early years of cinema history. In this material, we meet «the cinema goers» not as abstract constructions, but as actual people and individuals who constitute what we denote as the «cinema audience».


2019 ◽  
Vol 4 (19) ◽  
pp. 5799-5809
Author(s):  
Dhruvi Patel ◽  
Krutarth Makwana ◽  
Manjusha B. Shirdhonkar ◽  
Ketan C. Kuperkar

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