Emotion and Perceived Reality in Non-Goal Based Reality Television

2012 ◽  
Author(s):  
Sara Torrez
2017 ◽  
Vol 95 (1) ◽  
pp. 235-257 ◽  
Author(s):  
Erica Scharrer ◽  
Greg Blackburn

In this study, associations between overall amount of television viewing as well as viewing of reality programs featuring adults in romantic, friendship-oriented, or familial settings and the approval of physical and verbal aggression are examined. Consistent with genre-specific cultivation theory, findings among 248 U.S. adult survey respondents show the ability of exposure to docusoap reality television as well as its perceived reality to predict normative beliefs about aggression, even under multiple controls. Additional analyses explore differences between men and women in the sample and explore approval of female-perpetrated compared with male-perpetrated aggression.


Cultura ◽  
2019 ◽  
Vol 16 (1) ◽  
pp. 145-163
Author(s):  
Soochul KIM ◽  
Kyung Han YOU

This study examines the dynamics of cultural politics in reality television shows featuring North Korean resettlers (NKR2) in South Korea. As existing studies focus on the role of media representation reproducing a dominant ideology for the resettlers, this paper focuses on the specific media rituals of NKR2 programs, which can be seen as a product of the neoliberalist localization process of the global media industry. In doing so, this paper demonstrates how NKR2 programs interrupt the current dynamics of emotions in regard to North Korean resettlers in South Korea. We argue that in shaping civic identity as an effect of the NKR2 show, cultural politics of citizenship in South Korea on North Korean resettlers serve the formation of relatively conservative and sexist civic identity.


Public Voices ◽  
2017 ◽  
Vol 9 (2) ◽  
pp. 61 ◽  
Author(s):  
Beth A. Wielde ◽  
David Schultz

The importance of studying public service portrayals in popular film lies in theimportance of popular culture itself. Popular culture defines generations, both creating and reflecting trends. It provides a window to worlds that may otherwise be a mystery. Popular film messages merge with other media and environmental factors to form a perceived reality for many (Kelly and Elliott 2000).This article examines the depiction of non-elected public servants in movies. It seeks to identify how these individuals are depicted in film and to determine if there are any specific stereotypes or patterns that emerge regarding how Hollywood describes nonelected government officials. It will do this by undertaking a content analysis of a small sample of recent government-themed feature films, ones that have entered into the popular culture mainstream since the late 1980s and early 1990s, as well as certain earlier films that have entrenched themselves into the popular culture vernacular.


2020 ◽  
Vol 32 (4) ◽  
pp. 135-138
Author(s):  
Kacey Calahane ◽  
Jessica Millward ◽  
Max Speare

2021 ◽  
pp. 016344372110369
Author(s):  
Bethany Klein ◽  
Stephen Coleman

It has been over 20 years since the reality television genre attracted the attention of fans, critics and scholars. Reality programmes produced high viewing figures, suggesting a strong appetite for the form; critics dismissed the programmes as mindless and the participants as desperate for fame; and scholars assessed the formats, audiences and meanings of reality television, offering a complex, if rarely celebratory, account. While some commentators and scholars made connections between vote-based formats and electoral systems, or between opportunities afforded audiences for the deliberation of social issues and the idealized public sphere, the civic dimension of participation itself has not been explored. In this article, we take a closer look at reality television participants, drawing on press interviews and coverage in order to highlight how participants enact representative performances that might supplement more formal modes of democratic representation.


2021 ◽  
pp. 026540752110330
Author(s):  
Oleksandra Romaniuk ◽  
Larissa Terán

The current study investigates sexual scripts in reality dating shows—in particular, how the gender of the communicator affects the choice of verbal and nonverbal immediacy behaviors aimed at making a first impression. Data were drawn from 331 couples of opposite-sex heterosexual strangers interacting for approximately 30 seconds on two reality dating shows: The Bachelor and The Bachelorette (2012–2019). As a result, a codebook of verbal immediacy cues ( N = 1623) and nonverbal immediacy cues ( N = 3021) was derived. The findings showed that verbal behavior encompassed 11 categories of verbal immediacy cues, while nonverbal behavior included 32 categories of nonverbal immediacy cues. Results also showed gender-related preferences for verbal immediacy behavior; for instance, men were more likely to outline the probability of relationship development and pay compliments; conversely, women were prone to intriguing men to arouse curiosity and interest. As for nonverbal immediacy behavior, men were predisposed to use clothes straightening, while women tended to communicate immediacy through head tilt, shoulder shrug, gaze down, gaze side(s), eyebrow flashes, hand-in-hand, hug, pat, holding hands in front of their bodies, and hair grooming. Nonetheless, the similarities between men and women were found to be greater than the differences. These findings could have wide-reaching implications for theorizing on social and cultural norms, gender stereotypes, and traditional gender roles in intimate relationships in the form of sexual scripts, along with contributing to the study of reality television.


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