Therapist's Disclosure of Sexual Identity in Treatment With a Lesbian Couple

2012 ◽  
Author(s):  
Kate Williams
2008 ◽  
Vol 29 (2) ◽  
pp. 111-134
Author(s):  
Stefania Lucamante

Both the novel and the film Benzina think of the literary and the visual as contesting sites for women. In revisiting the fields of space within a capitalist society and the struggle for representation of sexual identity, these two works successfully deploy strategies where the visual narrative — literary and cinematic — confirms its ability to be a place in which subjects try out distinct possibilities of their existential corporeality. Rather than presenting crystallized subjectivities, these works analyze the attempts a lesbian couple makes at finding their place within a social system still fraught by stereotypization of gender roles. This article examines how Benzina's cinematic adaptation convincingly extricates representations of the protagonists' struggle in Italian society. The idea of a feminist geometry, a triangle whose theorem is of a problematic nature, at once social and personal of arduous solution was prompted by my memory of American painter Ed Ruscha's diagonal compositions entitled Gas Stations.


2009 ◽  
Author(s):  
Young Seok Seo ◽  
Mina Cho ◽  
Juno Park ◽  
Min-Sun Kim ◽  
Dongil Kim

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