Loudness judgment distributions for pure tones

1960 ◽  
Author(s):  
Ch. R. Porter
Keyword(s):  
1961 ◽  
Vol 19 ◽  
pp. 833-834
Author(s):  
Ch.R. Porter
Keyword(s):  

1979 ◽  
Vol 22 (4) ◽  
pp. 717-730
Author(s):  
Dennis Hampton ◽  
Ira M. Ventry

Using the Bekesy tracking method for loudness judgment tasks such as most comfortable loudness (MCL) and recalled loudness (RL) measurements, normal listeners have tracked continuous (C) tones at lesser intensities than interrupted (I) tones. The resulting continuous/interrupted (C/I) separations have ranged up to 22 dB. Explanations of the unexpected C/I separations have not been in agreement. The purpose of this study was to investigate whether psychophysical method has a significant effect on the C/I separation. Subjects were six normal-hearing adults, each of whom participated in three practice and ten test sessions of one hour each. Thirty-six experimental conditions were presented. The test signals were C tones, 200/200 msec I tones and 200/800 msec I tones, all at 1 kHz. The reference intensities were 20, 50 and 80 dB SPL. The four methods were Bekesy tracking method (BTM), method of adjustment (MAdj), method of limits (ML) and method of constant stimuli difference (MCSD). Mean values for Point of Subjective Equality and C/I separation were calculated. C/I separations obtained with the BTM were significantly larger than C/I separations obtained with any other psychophysical method. These results demonstrate that C/I separations obtained during suprathreshold Bekesy tracking tasks by normal hearers are largely caused by the measurement method itself rather than by differences in C and I tone loudness. Time order errors could explain the BTM effect.


1963 ◽  
Vol 6 (4) ◽  
pp. 359-368 ◽  
Author(s):  
Charles I. Berlin

Hearing in mice has been difficult to measure behaviorally. With GSR as the basic tool, the sensitivity curve to pure tones in mice has been successfully outlined. The most sensitive frequency-intensity combination was 15 000 cps at 0-5 dB re: 0.0002 dyne/cm 2 , with responses noted from 1 000 to beyond 70 000 cps. Some problems of reliability of conditioning were encountered, as well as findings concerning the inverse relationship between the size of GSR to unattenuated tones and the sound pressure necessary to elicit conditioned responses at or near threshold. These data agree well with the sensitivity of single units of the eighth nerve of the mouse.


1999 ◽  
Vol 58 (3) ◽  
pp. 170-179 ◽  
Author(s):  
Barbara S. Muller ◽  
Pierre Bovet

Twelve blindfolded subjects localized two different pure tones, randomly played by eight sound sources in the horizontal plane. Either subjects could get information supplied by their pinnae (external ear) and their head movements or not. We found that pinnae, as well as head movements, had a marked influence on auditory localization performance with this type of sound. Effects of pinnae and head movements seemed to be additive; the absence of one or the other factor provoked the same loss of localization accuracy and even much the same error pattern. Head movement analysis showed that subjects turn their face towards the emitting sound source, except for sources exactly in the front or exactly in the rear, which are identified by turning the head to both sides. The head movement amplitude increased smoothly as the sound source moved from the anterior to the posterior quadrant.


1950 ◽  
Author(s):  
J. Donald Harris ◽  
Cecil K. Myers
Keyword(s):  

2011 ◽  
Vol 36 (2) ◽  
pp. 251-266 ◽  
Author(s):  
Andrzej Rakowski ◽  
Piotr Rogowski

AbstractThis paper has two distinct parts. Section 1 includes general discussion of the phenomenon of "absolute pitch" (AP), and presentation of various concepts concerning definitions of "full", "partial" and "pseudo" AP. Sections 2-4 include presentation of the experiment concerning frequency range in which absolute pitch appears, and discussion of the experimental results. The experiment was performed with participation of 9 AP experts selected from the population of 250 music students as best scoring in the pitch-naming piano-tone screening tests. Each subject had to recognize chromas of 108 pure tones representing the chromatic musical scale of nine octaves from E0 to D#9. The series of 108 tones was presented to each subject 60 times in random order, diotically, with loudness level about 65 phon. Percentage of correct recognitions (PC) for each tone was computed. The frequency range for the existence of absolute pitch in pure tones, perceived by sensitive AP possessors stretches usually over 5 octaves from about 130.6 Hz (C3) to about 3.951 Hz (B7). However, it was noted that in a single case, the upper boundary of AP was 9.397 Hz (D9). The split-halves method was applied to estimate the reliability of the obtained results.


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