Supplemental Material for Aesthetic Judgments of Music: Reliability, Consistency, Criteria, Self-Insight, and Expertise

2021 ◽  
Keyword(s):  
Aesthetic Judgments

Truths about beauty and goodness: Disgust affects moral but not aesthetic judgments.

2016 ◽  
Vol 10 (4) ◽  
pp. 492-500 ◽  
Author(s):  
Nathaniel Rabb ◽  
Jenny Nissel ◽  
Alexandra Alecci ◽  
Leah Magid ◽  
James Ambrosoli ◽  
...  
Keyword(s):  
Aesthetic Judgments

scholarly journals The conclusion of the deduction of taste in the dialectic of the power of judgment aesthetic in Kant

2013 ◽  
Vol 36 (2) ◽  
pp. 45-62
Author(s):  
Manuel Sánchez
Keyword(s):  
Comparative Analysis ◽  
Critique Of Judgment ◽  
Historical Reconstruction ◽  
Human Reason ◽  
Aesthetic Judgments

In this paper, it is argued that only in the section on dialectic in the Critique of Judgment does Kant reach a definitive and conclusive version of deduction, after discovering the concept of the supersensible. In the section on the deduction of pure aesthetic judgments, Kant does not satisfactorily explain the critical distinction between the sensible nature of humanity and the supersensible nature of human reason presupposed in the concept of universal communicability. While the concept of the supersensible illustrates this distinction, it is only through this concept that Kant that can justify the specific possibility of claiming subjective validity in taste. The priority of the solution found in the dialectic is illustrated not only by a comparative analysis of the two sections, but also by a historical reconstruction of the process of the formation of the work, which shows that the first formulation of the concept of validity coincides with the use of the concept of the supersensible.

scholarly journals Aesthetic Judgments of Live and Recorded Music: Effects of Congruence Between Musical Artist and Piece

2021 ◽  
Vol 12 ◽  
Author(s):  
Amy M. Belfi ◽  
David W. Samson ◽  
Jonathan Crane ◽  
Nicholas L. Schmidt
Keyword(s):  
United States ◽  
United States Army ◽  
Music Industry ◽  
Recorded Music ◽  
Live Music ◽  
The University ◽  
Music Effects ◽  
Aesthetic Judgments

The COVID-19 pandemic has brought the live music industry to an abrupt halt; subsequently, musicians are looking for ways to replicate the live concert experience virtually. The present study sought to investigate differences in aesthetic judgments of a live concert vs. a recorded concert, and whether these responses vary based on congruence between musical artist and piece. Participants (N = 32) made continuous ratings of their felt pleasure either during a live concert or while viewing an audiovisual recorded version of the same joint concert given by a university band and a United States Army band. Each band played two pieces: a United States patriotic piece (congruent with the army band) and a non-patriotic piece (congruent with the university band). Results indicate that, on average, participants reported more pleasure while listening to pieces that were congruent, which did not vary based on live vs. lab listening context: listeners preferred patriotic music when played by the army band and non-patriotic music when played by the university band. Overall, these results indicate that felt pleasure in response to music may vary based on listener expectations of the musical artist, such that listeners prefer musical pieces that “fit” with the particular artist. When considering implications for concerts during the COVID-19 pandemic, our results indicate that listeners may experience similar degrees of pleasure even while viewing a recorded concert, suggesting that virtual concerts are a reasonable way to elicit pleasure from audiences when live performances are not possible.

scholarly journals Aesthetic judgments of faces in degraded images

2010 ◽  
Vol 2 (7) ◽  
pp. 743-743 ◽  
Author(s):  
J. Sadr ◽  
B. Fatke ◽  
C. L. Massay ◽  
P. Sinha
Keyword(s):  
Degraded Images ◽  
Aesthetic Judgments

scholarly journals Aesthetical Quality & Artistic Values of Beauty of Tagore and Seal

2018 ◽  
pp. 50-61
Author(s):  
Md. Mahadi Hassan
Keyword(s):  
Aesthetic Experience ◽  
Philosophy Of Art ◽  
Aesthetic Judgement ◽  
Art Object ◽  
Significant Distinction ◽  
Works Of Art ◽  
Artistic Values ◽  
Aesthetic Judgments

Some separate aesthetics and philosophy of art, claiming that the former is the study of beauty while the latter is the study of works of art. However, most commonly Aesthetics encompasses both questions around beauty as well as questions about art. It examines topics such as aesthetic objects, aesthetic experience, and aesthetic judgments. For some, aesthetics is considered a synonym for the philosophy of art since Hegel, while others insist that there is a significant distinction between these closely related fields. In practice, aesthetic judgement refers to the sensory contemplation or appreciation of an object (not necessarily an art object), while artistic judgement refers to the recognition, appreciation or criticism of art or an art work.

Justifying Aesthetic Judgments

Art Education ◽  
1967 ◽  
Vol 20 (5) ◽  
pp. 5 ◽  
Author(s):  
David W. Ecker
Keyword(s):  
Aesthetic Judgments

Propositions, Predications, and Aesthetic Judgments

Conceptus ◽  
2011 ◽  
Vol 40 (97) ◽  
Author(s):  
Otto Neumaier
Keyword(s):  
Structural Property ◽  
Language Game ◽  
The Other ◽  
States Of Affairs ◽  
The Relationship ◽  
The Way ◽  
Aesthetic Judgments

SummaryMany philosophers have been puzzled by the problem of the unity of a proposition which, according to some of them, is provided by its structure and by its relation to the states of affairs it represents. In the present paper it is argued that this specific quality attributed to propositions by Russell has not necessarily to be regarded as something due to a structural property that is simply there but as the result of the way we use language in order to assert something. This is demonstrated by an analysis of the relationship between descriptive and prescriptive predications in aesthetics, and of the conditions that are necessary in order to be justified to move from one language game to the other one.

Aesthetic Judgments and Their Cultural Grounding

2019 ◽  
Vol 2018 (3) ◽  
pp. 269-281
Author(s):  
Stefan Majetschak
Keyword(s):  
Eighteenth Century ◽  
Aesthetic Experience ◽  
Aesthetic Object ◽  
Theoretical Approaches ◽  
Complex Approach ◽  
Cultural Grounding ◽  
The Aesthetic ◽  
Aesthetic Judgments

Abstract At present, the theoretical approaches of Baumgarten and Kant continue to constitute the framework for discussing the nature of aesthetic judgments about art, including the question of what such judgments are really articulating. In distinction to those two eighteenth-century theorists, today we would largely avoid an assumption that aesthetic judgments necessarily attribute beauty to the objects being judged; we would as a rule take a far more complex approach to the topic. But whatever we say about art, even today many theorists wish to ground aesthetic judgments in particularities of the aesthetic object, like Baumgarten, or in specific moments of the aesthetic experience, like Kant.

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