Quand observations et interprétations diffèrent : le cas de l'arc de triomphe de Tripoli dans les sources arabes

2017 ◽  
Vol 48 ◽  
pp. 149-157
Author(s):  
Anis Mkacher
Keyword(s):  
Local History ◽  
Urban Fabric ◽  
The Past ◽  
Arab Muslim ◽  
History Of ◽  
The City ◽  
The Way

AbstractThe only building which has been preserved from the ancient urban fabric of Tripoli, Oea in antiquity, is the Triumphal Arch. By considering Arab sources, we may shed new light on its evolution, the place it had been in the past and the way it was considered during those times. If we compare two excerpts from Arab-Muslim historiography, written by local travellers, with Western testimonies, we see that the monument was reinterpreted in the light of the new culture which was established in the region and of the local history of the city.

scholarly journals A Study of Phayao’s Historical Trading Communities to Encourage Recognizing Local History and to Promote Cultural Tourism

2018 ◽  
Vol 15 ◽  
pp. 31-48
Author(s):  
Phakthima Wangyao
Keyword(s):  
Cultural Tourism ◽  
Local History ◽  
The Past ◽  
Architectural Styles ◽  
Physical Data ◽  
History Of ◽  
The City ◽  
Commercial Center

Phayao is considered to be a city with a history of more than 700 years after Chao Luang Wong had evacuated people from Lampang and relocated them the city of Phayao. In order to gain useful information to promote cultural tourism, a study of Phayao’s commercial community included its history, architectural styles, and the perceptions of people in the community. The methods used for research were collecting historical and physical data as well as conducting surveys. The area studied was divided into four groups which were determined by the characteristics of the area. Based on the study of data, there are three existing commercial communities known as the following: the Sop-Tam commercial community of Tai Yai and Burmese which is currently closed, the Nong Ra-bu community in which most of the shops have been operated by Hainan Chinese, recently it has decreased in significances from the prosperity of the past, and the Mueang Phayao Market community operated by Teochiu Chinese, which is now the main commercial center of Mueang Phayao. There are four patterns of shops and houses. From the survey and interviews it was found that the area along Phaholyothin Road has stories that can be conveyed linking the two viable commercial communities with its architecture and places. This indicates that the stories can create perceptions of the commercial routes that could be useful in cultural tourism.

scholarly journals Nomeação de escolas como homenagem à história local do município paranaense de Marechal Cândido Rondon

2020 ◽  
Vol 2 (3) ◽  
pp. 153-176
Author(s):  
Daniel Seidel Ruppenthal
Keyword(s):  
Present Article ◽  
Historical Data ◽  
Proper Names ◽  
Local History ◽  
The State ◽  
The Past ◽  
History Of ◽  
The City ◽  
Research Show

O presente artigo se centra na investigação dos nomes próprios atribuídos a escolas da cidade Marechal Cândido Rondon, no Paraná, tomando, como objeto de estudo, especificamente, escolas localizadas mais ao centro da cidade. A análise procurou recuperar quem são os sujeitos homenageados em cada nome das escolas, e, quando possível, por quais razões o nome foi escolhido. A metodologia empregada nesta pesquisa envolve a busca de fundamentação teórica e documental para o levantamento de dados históricos relacionados às escolas analisadas e análise dos dados com o aporte de outros estudos toponímicos com objetivo semelhante. A pesquisa revelou que um terço dos nomes de escola analisados correspondem a pioneiros no município; quatro nomes são de escritores e quatro de pessoas de notoriedade no cenário nacional; houve também dois casos de escolas que homenageiam os locais onde se encontram. Os resultados da pesquisa mostram que, a partir dos vestígios presentes nas denominações, o estudo toponímico dos nomes de escolas permite contemplar e resgatar uma parte do passado rondonense que está ligado a essas escolas.School names as homage to the local History of the Paraná county of Marechal Cândido Rondon The present article focuses on the investigation of proper names assigned to schools in Marechal Cândido Rondon city, in the state of Paraná, taking, as study object, specifically, schools near downtown. The analysis looked for recover who are the subjects honored in each name of the schools, and, when possible, for which reasons the name was chosen. The methodology employed on this research involves the demand of theoretical and documented foundation for the setting-up of historical data related to the analyzed schools and with the support on other similar goal toponymic studies. The research revealed that one third of the school names analyzed correspond to pioneers in the city; four are names of writers and four names of notorious people on the nation scene; there were also two cases of schools which honor the place where they are located. The results of the research show that, starting from the present vestiges on the denominations, the toponymic study of school names allow us to contemplate and rescue a part of the past of the city that is connected to these schools. Keywords: Toponym; School names; History.

Roman Thoughts on the Rebuilding of Rome

2019 ◽  
pp. 198-235
Author(s):  
Christopher Siwicki
Keyword(s):  
Built Environment ◽  
Existing Buildings ◽  
Urban Fabric ◽  
The Past ◽  
Seneca The Younger ◽  
The City ◽  
The Way

This chapter explores how Rome’s inhabitants responded to the destruction and rebuilding of the city of Rome as a whole. The discussion revolves primarily around three authors—Seneca the Younger, Martial, and Tacitus—who all experienced and wrote about the dramatic transformation of Rome’s urban fabric in this period. We see that the way in which these authors characterize the development of the cityscape is indicative of, and informed by, a series of related attitudes towards the historic built environment. In short, that innovative restoration tended to be positively received, that the destruction of existing buildings could often be perceived as a positive occurrence, and that there was no sense of nostalgia for lost structures as architectural relics of the past.

The Antonov rebel detachments in the territory of the Balashov uyezd of the Saratov gubernia (1920–1921)

2020 ◽  
pp. 45-51
Author(s):  
Sergei V. Lyovin
Keyword(s):  
Civil War ◽  
Local Population ◽  
Local History ◽  
Local Authorities ◽  
Archival Material ◽  
History Of ◽  
The Way

The Civil War is one of the largest tragedies in the history of our country. One of its dramatic episodes is the rebel movement led by A.S. Antonov which took place in the Tambov gubenia in 1920–1921 and was brutally suppressed by the Bolsheviks. Its scope is evidenced by the fact that it went beyond the borders of the Tambov gubernia. Separate detachments of Antonovites from the autumn of 1920 to the summer of 1921 raided the territory of the Balashov uyezd of the neighboring Saratov gubernia. The paper attempts to consider the way the uyezd authorities fought the rebels and the way civilians treated them. On the basis of an analysis of the local archival material most of which has not yet been put into scientific circulation, periodicals and the local history literature the author comes to the following conclusion: every time the invasions of Antonov’s detachments into the territory of the Balashov uyezd were so rapid that the local authorities did not manage to organize a proper rebuff, and the peasants, for the most part, supported the rebels since they saw spokesmen and defenders of their interests in them. Only frequent requisitions of peasants’ property by Antonovites as well as the replacement of the surplus appropriation system (Prodrazvyorstka) by the tax in kind (Prodnalog) led to the fact that since the spring of 1921 the support of the rebels by the local population ceased.

THE SUBURBANISATION OF THE KUALA LUMPUR METROPOLITAN REGION

2016 ◽  
Vol 1 (1) ◽  
Author(s):  
Jamalunlaili Abdullah
Keyword(s):  
Metropolitan Region ◽  
Kuala Lumpur ◽  
Urban Fabric ◽  
The Past ◽  
Klang Valley ◽  
The City

The Klang Valley has been experiencing rapid urbanisation especially during the past two decades. The area has expanded to become a larger entity known as the Kuala Lumpur Metropolitan Region (KLMR). But this development comes at the expense of Kuala Lumpur. The city had consistently recorded net-out migration during the period. This development has consequences on the urban fabric of the city and can lead to the problem

Re-membering Syria’s Traumatic Past: Gender, Poetics, and Loss in Manhal al-Sarrāj’s As a River Should

2021 ◽  
Vol 52 (1-2) ◽  
pp. 202-227
Author(s):  
Linda Istanbulli
Keyword(s):  
Armed Conflict ◽  
Armed Conflicts ◽  
Traumatic Memory ◽  
The Novel ◽  
Historical Interpretation ◽  
The Past ◽  
Traumatic History ◽  
History Of ◽  
And Gender ◽  
The City

Abstract In a system where the state maintains a monopoly over historical interpretation, aesthetic investigations of denied traumatic memory become a space where the past is confronted, articulated, and deemed usable both for understanding the present and imagining the future. This article focuses on Kamā yanbaghī li-nahr (As a river should) by Manhal al-Sarrāj, one of the first Syrian novels to openly break the silence on the “1982 Hama massacre.” Engaging the politics and poetics of trauma remembrance, al-Sarrāj places the traumatic history of the city of Hama within a longer tradition of loss and nostalgia, most notably the poetic genre of rithāʾ (elegy) and the subgenre of rithāʾ al-mudun (city elegy). In doing so, Kamā yanbaghī li-nahr functions as a literary counter-site to official histories of the events of 1982, where threatened memory can be preserved. By investigating the intricate relationship between armed conflict and gender, the novel mourns Hama’s loss while condemning the violence that engendered it. The novel also makes new historical interpretations possible by reproducing the intricate relationship between mourning, violence, and gender, dislocating the binary lines around which official narratives of armed conflicts are typically constructed.

scholarly journals Lviv as the cradle of Polish independence organizations

2021 ◽  
Vol 201 (3) ◽  
pp. 534-545
Author(s):  
Janusz Zuziak
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Early 20Th Century ◽  
Social Activists ◽  
The Past ◽  
Independence Movement ◽  
Political Orientations ◽  
History Of ◽  
The Right ◽  
The City

Lviv occupies a special place in the history of Poland. With its heroic history, it has earned the exceptionally honorable name of a city that has always been faithful to the homeland. SEMPER FIDELIS – always faithful. Marshal Józef Piłsudski sealed that title while decorating the city with the Order of Virtuti Militari in 1920. The past of Lviv, the always smoldering and uncompromising Polish revolutionist spirit, the climate, and the atmosphere that prevailed in it created the right conditions for making it the center of thought and independence movement in the early 20th century. In the early twentieth century, Polish independence organizations of various political orientations were established, from the ranks of which came legions of prominent Polish politicians and military and social activists.

scholarly journals A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto

2021 ◽  
Author(s):  
Brian Piitz
Keyword(s):  
Twentieth Century ◽  
Literature Survey ◽  
Production Cycle ◽  
Art Gallery ◽  
History Of ◽  
Art Gallery Of Ontario ◽  
Commercial Photography ◽  
The City ◽  
Photographic Imagery ◽  
The Way

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.

scholarly journals ‘A Likeness made From First Hand Witness’?: The Discursive Position of a Purported Crazy Horse Photograph

2021 ◽  
Author(s):  
◽  
Grace Campbell Russell
Keyword(s):  
Native Americans ◽  
Manifest Destiny ◽  
American Frontier ◽  
Cultural Object ◽  
The Past ◽  
History Of ◽  
The Way

<p>This dissertation is concerned with the ways in which photographs are discursively deployed and used in the writing of history. More specifically, it will consider how photos, and the historical, scientific, ethnographic and romantic discourses surrounding them, are used to erase or ‘make safe’ the traces of the radical resistances of dominated groups within colonial frameworks. The case explored here concerns the tintype photograph claimed as being of the Lakota chief and warrior Crazy Horse (c.1840-1877). Exhibited by the Custer Battlefield Museum in Montana, the claim that this photograph is of Crazy Horse is controversial. It is generally thought that no visual likeness of Crazy Horse exists; and his refusal to be photographed can be read as a practice of opposition to his assimilation into colonial narratives and accounts of American frontier history. In claiming the photo to be of Crazy Horse, the history of his resistance is rewritten and repositioned. This changes the way he becomes knowable and understandable within the contexts of (neo)colonial discourses and narratives, in which Native Americans are often relegated to the past, and appear either as casualties of the policies of Manifest Destiny, or as a romantic other which has been symbolically integrated into American mythic culture. This dissertation focuses on how the claim that this photograph is of Crazy Horse is made, and how the various associated cultural fields (photography, historiography, museology) are affected by, and play into, such a claim. This involves identifying the discursive processes and disciplinary mechanisms through which meaning is produced in relation to a particular cultural object. It considers the supposed photograph of Crazy Horse as an example of how history assigns significance to objects “in terms of the possibilities they generate for producing or transforming reality” (de Certeau, 1986:202), rather than as representations or reflections of reality.</p>

scholarly journals A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto

2021 ◽  
Author(s):  
Brian Piitz
Keyword(s):  
Twentieth Century ◽  
Literature Survey ◽  
Production Cycle ◽  
Art Gallery ◽  
History Of ◽  
Art Gallery Of Ontario ◽  
Commercial Photography ◽  
The City ◽  
Photographic Imagery ◽  
The Way

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.

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