LANGUAGE, LITERATURE, AND THE ARTS - Gary van Wyk, ed. Shangaa: Art of Tanzania.Bayside, N.Y.: QCC Art Gallery, City University of New York and the Portland Museum of Art, 2013. 341 pp.Color and black-and-white photographs. Maps. List of institutional and private lenders. References. Indexes. $75.00. Cloth. - Barbara Gianinazzi and Paolo Maiullari, eds. Sogo: Maschere e Marionette Bamana.Milano: Edizioni Gabriele Mazzotta, 2012. 147pp. Color and black-and-white photographs. Maps. €25.50. Paper.

2013 ◽  
Vol 56 (3) ◽  
pp. 248-250
Author(s):  
Pascal James Imperato
2005 ◽  
Vol 22 (4) ◽  
pp. 108-110
Author(s):  
Vincent F. Biondo III

This edited collection complemented a March 2001 museum exhibit and isbased upon a February 2000 Columbia University conference and a threeyearFord Foundation-sponsored research project. It provides a generaloverview of the history and diversity of Arab Americans in New York Cityand is particularly strong in the area of the arts, featuring several chapters onliterature and music, including several first-person narratives. This two-partbook, which surveys both the historical and the contemporary scenes, isfurther enhanced by forty black-and-white photographs, including thirteenby Empire State College’s Mel Rosenthal.New York contains the third largest Arab-American community, afterDearborn (Michigan) and Los Angeles. In the first chapter, Alixa Naffexplains that the community was formed around 1895, when Christian missionaries in Syria encouraged Arab Christians near Mount Lebanon to workin New York for a couple of years to make money for their families. Syrianand Lebanese immigrants initially gathered at Washington Street in LowerManhattan and soon moved to Atlantic Avenue in the South Ferry portion ofBrooklyn. From 1899-1910, 56,909 Syrian immigrants arrived in New York.In the book’s first part, two historical chapters are followed by entrieson literature, music, photography, and first-person accounts. Philip Kayalpoints out that Arab-American is a cultural and ethnic – but not a religious– category, for most Arab Americans are Christian, not Muslim. JonathanFriedlander reveals that the first Arab-American immigrant, AntonioBishallany, visited from Lebanon in 1854 to gather evangelical teachings foruse back home. This four-page and six-photograph entry on representationsin historical archives could be expanded into a larger work ...


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Alexandra Adams

Fitzgerald, Juniper, and Elise Peterson. How mamas love their babies. The Feminist Press at the City University of New York, 2018. The first children’s book from sociology PhD Juniper Fitzgerald and artist-activist Elise Peterson, How Mamas Love Their Babies gently approaches an intersectional understanding of motherhood, while also connecting the many shared experiences of becoming and being a mother. Peterson creates a beautifully layered environment to accompany Fitzgerald’s bold, yet simple text. By overlaying colourful multimedia collage techniques with black and white retro photographs, the illustrations are dynamic and textured. The bright, engaging page design is inviting and makes this a wonderful selection for art educators looking for literacy tie-ins. This book is notable for its acknowledgment and celebration of the many ways mothers work, love and care for their babies. Fitzgerald draws upon her personal experiences labouring in the sex industry to bring forward a unique space within the text by including parents whose work may be stigmatized. In doing so, she underlines the importance of ensuring children can find themselves, their caregivers and communities represented respectfully within the pages of a book. A powerful, inclusive and decisively feminist addition to any children’s collection or storytime, Fizgerald and Peterson encourage readers to welcome, value and honour the presence of all mothers in the lives of their children and communities. Highly Recommended: 4 out of 4 stars Reviewed by: Alexandra Adams Alex is a busy mom, student and public library assistant, with a passion for Early Childhood Education and the Arts. She is currently working on her MLIS at the University of Alberta.


2016 ◽  
Vol 11 (1) ◽  
pp. 97-112 ◽  
Author(s):  
Patricia A. Banks

While Pierre Bourdieu argues that cultural capital is grounded in distinct aesthetic knowledge and tastes among elites, Francie Ostrower emphasizes that cultural capital grows out of the social organization of elite participation in the arts. This article builds on Ostrower’s perspective on cultural capital, as well as Milton Gordon’s concept of the ethclass group and Prudence Carter’s concept of black cultural capital, to elaborate how culture’s importance for class and ethnic cohesion is rooted in the separate spheres of arts philanthropy among black and white elites. The argument is empirically illustrated using the case of arguably the most prominent mainstream and African-American museums in New York City – the Metropolitan Museum of Art (the Met) and the Studio Museum in Harlem (SMH). Findings show that relative to the Met board the SMH board is an important site of unification for elite blacks, and in comparison to the SMH board, the Met board is a notable site of cohesion for elite whites. This article advances theory and research on cultural capital by elaborating how it varies among elite ethclass groups. Moreover, it highlights how the growth of African-American museums not only adds color to the museum field, but also fosters bonds among the black middle and upper class.


Author(s):  
W.F. Wertheim ◽  
John Bastin ◽  
Alistair Lamb ◽  
P. Emst ◽  
J. Prins ◽  
...  

- P. Voorhoeve, Tudjimah, Asrar al-insan fi maýrifa al-ruh waýl-Rahman. Tesis Djakarta, 1961. 477 blz.- F.D.K. Bosch, Alastair Lamb, Chandi Bukit Batu Pahat. Three Additional Notes. 14 pp., 2 figs., 21 pls; Monographs....(etc.) No. 5, 1961.- F.D.K. Bosch, Alistair Lamb, Chandi Bukit Batu Pahat; a Report on the Excavation of an Ancient Temple in Kedah. 108 pp., 40 figs., 179 pls; Monographs on Southeast Asian Subjects No. 1, Eastern Universities Press Ltd., Singapore, 1960.- T.J. Brasser, Frederick J. Dockstader, Indian art in America - The arts and crafts of the North American Indian. New York Graphic Society, Greenwich, Mass., U.S.A. 1961. 224 pages, 70 color plates, 180 black and white illustrations.- J. Prins, Cora Vreede-De Steurs, Lýýmancipation de la femme indonýsienne. Mouton & Co, Den Haag en Parijs. 174 blz., 21 platen, 1 kaart.- Clifford Geertz, Bali, Studies in Life, Thought and Ritual; Selected Studies on Indonesia, Vol. 5. W. van Hoeve, The Hague & Bandung 1960. 368 pp. text.- Tjan Giok Bwee, D.E. Wilmott, The Chinese of Semarang: a changing minority community in Indonesia. Ithaca, New York, Cornell University Press, 1960, 366 pp.- P. Gregorius, J. de Leeuwe, Groepshuwelijk en enkelvoudig huwelijk, Uitgeverij L. Stafleu & Zoon, Leiden 1960, 136 blz.- P. van Emst, Andrew Sharp, The discovery of the Pacific Islands. Clarendon Press: Oxford University Press. Oxford 1960. 259 pp.- T. Volker, John Bastin, The changing balance of the early Southeast Asian pepper trade (Papers on Southeast Asian subjects No 1). Department of History University of Malaya in Kuala Lumpur, 1960. 60 pp. text, maps, bibliog.- W.F. Wertheim, Leslie H. Palmier, Social status and power in Java. London School of Economics Monographs on Social Anthropology, no. 20. London, 1960. 165 blz.


Author(s):  
Harry Schaefer ◽  
Bruce Wetzel

High resolution 24mm X 36mm positive transparencies can be made from original black and white negatives produced by SEM, TEM, and photomicrography with ease, convenience, and little expense. The resulting 2in X 2in slides are superior to 3¼in X 4in lantern slides for storage, transport, and sturdiness, and projection equipment is more readily available. By mating a 35mm camera directly to an enlarger lens board (Fig. 1), one combines many advantages of both. The negative is positioned and illuminated with the enlarger and then focussed and photographed with the camera on a fine grain black and white film.Specifically, a Durst Laborator 138 S 5in by 7in enlarger with 240/200 condensers and a 500 watt Opale bulb (Ehrenreich Photo-Optical Industries, Inc., New York, NY) is rotated to the horizontal and adjusted for comfortable eye level viewing.


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