Never throw anything away, EVER

2016 ◽  
Vol 41 (2) ◽  
pp. 127-131
Author(s):  
Mark Pawson
Keyword(s):  
Production Line ◽  
Vintage Clothing ◽  
Art School

Mark Pawson is an artist, self-publisher and bookseller. He grew up in Cheshire, lives in London and never went to Art School. He's a one-man production line creating and selling a constant stream of artists books, postcards, badges, multiples, T-shirts and other essential ephemera. He has collaborated with jewellery makers Tatty Devine and worked with Levis Vintage Clothing.

Creativity Class

2016 ◽  
Author(s):  
Lily Chumley
Keyword(s):  
Socialist Economy ◽  
Art Students ◽  
Culture Industries ◽  
Knowledge Based ◽  
Knowledge Based Economy ◽  
School Entrance ◽  
Prep Schools ◽  
Entrance Test ◽  
Art Academies ◽  
Art School

The last three decades have seen a massive expansion of China's visual culture industries, from architecture and graphic design to fine art and fashion. New ideologies of creativity and creative practices have reshaped the training of a new generation of art school graduates. This is the first book to explore how Chinese art students develop, embody, and promote their own personalities and styles as they move from art school entrance test preparation, to art school, to work in the country's burgeoning culture industries. The book shows the connections between this creative explosion and the Chinese government's explicit goal of cultivating creative human capital in a new “market socialist” economy where value is produced through innovation. Drawing on years of fieldwork in China's leading art academies and art test prep schools, the book combines ethnography and oral history with analyses of contemporary avant-garde and official art, popular media, and propaganda. Examining the rise of a Chinese artistic vanguard and creative knowledge-based economy, the book sheds light on an important facet of today's China.

Reviews

Screen Bodies ◽  
2020 ◽  
Vol 5 (2) ◽  
pp. 123-130
Author(s):  
Tru Leverette ◽  
Barbara Mennel
Keyword(s):  
New York ◽  
Visual Arts ◽  
Mixed Race ◽  
Body Culture ◽  
Art School

Zélie Asava. Mixed Race Cinemas: Multiracial Dynamics in America and France (New York Bloomsbury, 2017). 216 pp., ISBN: 1501312456 (paperback: $35.96)Elizabeth Otto and Patrick Rössler, eds. Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School (New York: Bloomsbury Visual Arts, 2019). xl + 345 pp., ISBN: 9781501344787 (hardback, $110), (paperback, $29.95)

Art School Manifestos, Classical Music, and Industrial Abjection: Tracing the Artistic, Political, and Musical Antecedents of Punk

2020 ◽  
Author(s):  
Mike Dines
Keyword(s):  
Case Studies ◽  
Classical Music ◽  
Situationist International ◽  
Political Activities ◽  
Sex Pistols ◽  
Contemporary Classical Music ◽  
Cultural Origins ◽  
Art School ◽  
Music Tradition

This chapter charts and explores the complex cultural origins of punk in Britain through three different case studies, beginning with an exploration of the influence of the Situationist International (SI) on the punk ethos and aesthetic around the Sex Pistols. Second, it looks at the musical and artistic trajectory of the anarcho-punk band Crass and, in particular, the contemporary classical music tradition that informed the work of Penny Rimbaud et al., from the late 1960s to the formation of Crass in the 1970s. Third, the chapter turns to the artistic influences of Neil Megson, later to be known as Genesis P-Orridge. Here, emphasis is placed on a timeline of artistic and political activities by P-Orridge, from his time in school, through his forming of COUM Transmissions in the early 1970s, to the early days of the innovative musical ensemble Throbbing Gristle (TG), formed in 1975. The case studies contribute to a wider understanding of the richer cultural references, practices, and traditions that early punk drew on.

Continuous automatic production line for porcelain plates

1969 ◽  
Vol 26 (6) ◽  
pp. 356-357
Author(s):  
I. I. Moroz ◽  
M. G. Sivchikova ◽  
G. G. Sarkisov ◽  
L. L. Oleinik
Keyword(s):  
Production Line ◽  
Automatic Production ◽  
Automatic Production Line
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