scholarly journals Making Noise in the Modern Hospital

2021 ◽  
Author(s):  
Victoria Bates

This Element examines the problem of hospital noise, a problem that has repeatedly been discovered anew, with each new era bringing its own efforts to control and abate unwanted sound in healthcare settings. Why, then, has hospital noise never been resolved? This question is at the heart of Making Noise in the Modern Hospital, which brings together histories of the senses, space, technology, society, medicine and architecture to understand the changing cacophony of the late twentieth-century British hospital. This Element is fundamentally interdisciplinary – despite being historical, it comes up to the present day and brings in scholarship on space, place, atmosphere and the senses that will have relevance to scholars working outside of historical research. The intersection between medical and sensory histories also puts interdisciplinary research at the Element's core.

Literator ◽  
1997 ◽  
Vol 18 (3) ◽  
pp. 57-78 ◽  
Author(s):  
H. Van Vuuren

‘At the limits’: Karel Schoeman’s Verkenning (1996)Written from the postcolonial vantage point of the new South Africa, Karel Schoeman's Verkenning (Reconnaissance) deals with the colonial era of the early nineteenth century. Through metafictional commentary the reader is alerted to the provisionality and tentativeness of historical fiction, as fiction and historical facts are constantly juxtaposed. At the same time the novel can be read as an attempt to fathom the ‘darkness’ of the bygone era, and to throw ‘light’ on the nature of intercultural relationships during the period of the Batavian Republic (1803-1806). Of central importance, however, is the way in which the consciousness of a new era is suggested through the subtle functioning of numerous intertexts. These intertexts deal with various forms of transitional consciousness, such as those associated with the French Revolution. A remarkable characteristic of the novel is its historiographic metafictionality, an innovative element in Schoeman’s oeuvre. Verkenning (Reconnaissance) is a polyphonic novel in which a collage of voices is foregrounded and presented in the process of ‘exploring’. From within the politically transformed multicultural South Africa of the late twentieth century, the creative imagination explores the roots of this society in the history of almost two centuries ago. In this respect Verkenning may be characterised as a postcolonial narrative construct and thus part of "oorgangsliteratuur" or “Wendeliteratur”, a term coined for the literature produced after the political change in 1989/1990 in Germany.


Author(s):  
Richard Gruneau

This chapter examines the turn to the body that occurred in sport history in the late twentieth century, tracing its connections to the emergence of structuralism in postwar French social theory. Focusing on the work of Pierre Bourdieu and Michel Foucault, the chapter argues that the “somatic turn” in sport history drew inspiration from an accompanying linguistic turn in French social theory and philosophy. As part of this discussion, the chapter discusses studies of the body in sport history influenced by Bourdieu and Foucault and concludes with some issues, problems, and implications of the somatic/linguistic turn in current historical research.


2020 ◽  
pp. 120-131
Author(s):  
Nadiia Babii

The article analyzes the phenomenon of alternative cultural and art magazines of Western Ukraine of the 80-90s of the XX century; based on the analysis of factual data, interviews with stakeholders, scientific discussions, it clarifies the role of the object in the interdisciplinary connections of the XXI-century cultural discourse. The research determined that western cultural and art magazines of the late twentieth century played an important role for countercultural communities that were formed outside the official creative unions and also became a part of the common cultural myth under the same name. The closeness of the Chest union’s community to the aesthetics of the avant-garde was seen as opposition to the political regime, although they deliberately distanced themselves from politicization in their work as well as literary associations of the 1980s. The Сhetver (Thursday) magazine marked a new era of domestic journalism at the beginning of the 1990s, identified aesthetic criteria for alternative youth literature for a long period. The magazine became a symbol not only of a narrow get-together circle but also of an important part of the Stanislavsky phenomenon myth, in which all visual and verbal arts were a unified whole, thus blurring internal boundaries.


Author(s):  
Marcelo Caruso

This chapter offers an overview of transnational and comparative education as a specific research perspective in the field of the history of education. Since the late twentieth century, historical scholarship in general and the history of education grew skeptical about the analytical value of the nation as a focus for researching the educational past. The older historiographical tradition of comparative studies in the history of education, heavily relying on nations and national states, showed in this context its shortcomings. The immediate impact of this development was a new trend in historical research related to transnational history focusing on entanglements and border crossing. The analysis shows theoretical and methodological assumptions of both research directions, discusses their respective thematic emphasis, and proposes to change the collaborative culture of historians of education as a means of coping with the challenges of transnational and comparative histories of education.


What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history


2009 ◽  
Vol 32 (1) ◽  
pp. 55-76
Author(s):  
Quan Manh Ha

Trey Ellis has emerged as a prominent African American writer of the late-twentieth century, despite the small number of his published works. “The New Black Aesthetic,” an essay that he first published in CaUaloo in 1989, one year after the publication of his first novel, Platitudes, stands as a manifesto that defines and articulates his perspective on the emerging black literary voices and culture of the time, and on “the future of African American artistic expression” in the postmodern era.1 According to Eric Lott, Ellis's novel parodies the literary and cultural conflict between such male experimental writers as lshmael Reed and such female realist writers as Alice Walker.2 Thus, Ellis's primary purpose in writing Platitudes is to redefine how African Americans should be represented in fiction, implying that neither of the dominant approaches can completely articulate late-twentieth-century black experience when practiced in isolation. In its final passages, Platitudes represents a synthesis of the two literary modes or styles, and it embodies quite fully the diversity of black cultural identities at the end of the twentieth century as it extends African American literature beyond racial issues. In this way, the novel exemplifies the literary agenda that Ellis suggests in his theoretical essay.


1995 ◽  
Vol 5 (2) ◽  
pp. 249-263
Author(s):  
John F. Wilson

Over the last decade, a noteworthy number of published studies have, in one fashion or another, been defined with reference to religious denominations. This is an arresting fact, for, coincidentally, the status of religious denominations in the society has been called into question. Some formerly powerful bodies have lost membership (at least relatively speaking) and now experience reduced influence, while newer forms of religious organization(s)—e.g., parachurch groups and loosely structured movements—have flourished. The most compelling recent analysis of religion in modern American society gives relatively little attention to them. Why, then, have publications in large numbers appeared, in scale almost seeming to be correlated inversely to this trend?No single answer to this question is adequate. Surely one general factor is that historians often “work out of phase” with contemporary social change. If denominations have been displaced as a form of religious institution in society in the late twentieth century, then their prominence in earlier eras is all the more intriguing.


2010 ◽  
Vol 39 (2) ◽  
pp. 21-25
Author(s):  
Andrea Jain

This paper is an exploration of preksha dhyana as a case study of modern yoga. Preksha is a system of yoga and meditation introduced by Acarya Mahaprajna of the Jain Svetambara Terapanth in the late twentieth century. I argue that preksha is an attempt to join the newly emerging transnational yoga market whereby yoga has become a practice oriented around the attainment of physical health and psychological well-being. I will evaluate the ways in which Mahaprajna appropriates scientific discourse and in so doing constructs a new and unique system of Jain modern yoga. In particular, I evaluate the appropriation of physical and meditative techniques from ancient yoga systems in addition to the explanation of yoga metaphysics by means of biomedical discourse. I will demonstrate how, in Mahaprajna’s preksha system, the metaphysical subtle body becomes somaticized. In other words, Mahaprajna uses the bio-medical understanding of physiology to locate and identify the functions of metaphysical subtle body parts and processes in the physiological body.


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