scholarly journals As you like it: Understanding the relationship between packing design and accessibility

2019 ◽  
Vol 32 (10) ◽  
pp. 496-507
Author(s):  
Alaster Yoxall ◽  
Victor Gonzalez ◽  
Joshua Best ◽  
Elena M. Rodriguez‐Falcon ◽  
Jennifer Rowson
Author(s):  
Efraín Kristal

Yves Bonnefoy is a key figure in the French literary reception of Shakespeare. This essay explores his interpretations and translations of Shakespeare’s plays and poems, informed by his own poetic vision, anchored in a literary tradition whose high points include Baudelaire and Rimbaud. Bonnefoy argues that Shakespeare finds his poetic voice after experimenting with the sonnet—a genre Bonnefoy considers staid and prone to cliché when Shakespeare took it up. For Bonnefoy Shakespeare begins to come alive as a great poet in As you Like It and Romeo and Juliet; and his supreme achievement is The Winter’s Tale, a play which encompasses the scope of the entire oeuvre and resolves some underlying concerns of the major tragedies while offering a refined appraisal of the relationship between art, nature, and existence apposite to Bonnefoy’s own views about poetry.


2019 ◽  
Vol 19 ◽  
Author(s):  
Gyöngyi Matus-Kassai

This paper focuses on the relationship between Rosalind and Celia from Shakespeare’s As You Like It. The study investigates a hitherto undiscovered link between their friendship and that of David and Jonathan from the Bible. Both friendships are analysed in the context of the classical and Renaissance discourse on amicitia perfecta, highlighting the most important features of idealised friendship from Cicero’s De Amicitia and Montaigne’s essay On Friendship. Furthermore, amicitia perfecta is proposed as a new, alternative framework to understand the relationship of Rosalind and Celia, which is often discussed in the context of homoerotic desire. Finally, the essay emphasises the significance of the fact that the ideal friends presented in Shakespeare’s comedy are female in a culture when women were thought to be excluded from, and incapable of, true friendship.


2013 ◽  
Vol 01 (02) ◽  
pp. 17-21
Author(s):  
Khansa Hayat ◽  
Sajid Bashir

This study attempts to investigate the relationship between impression management and organizational citizenship behavior using the theoretical underpinning provided by “Theory of Others Orientation” and “Social information processing Model”. Many researchers argue that employees exhibiting organizational citizenship behavior are good at using impression management techniques; they are “good actors” rather than “good soldiers”. Such behaviors can vary across cultures; hence the moderating role of culture was taken into account. Data were collected from 168 teachers working in the educational institutions using a questionnaire. Results suggest that impression management significantly determines the organizational citizenship behavior while this relationship is further strengthened in a collectivist culture.


PMLA ◽  
1975 ◽  
Vol 90 (5) ◽  
pp. 885-893 ◽  
Author(s):  
Kent Talbot Van Den Berg

AbstractThe relationship between the two worlds of As You Like It becomes a metaphor of love, defined by conspicuous narrative and theatrical artifice. The expository opening scenes have a storybook flatness which becomes a metaphor of a world that limits self-realization while the liberating sojourn in the forest, a festive world of disguise and imagination, parallels the spectators’ experience in the playhouse as a withdrawal from everyday life. The pattern of withdrawal and return also objectifies the psychological development of love: the courtship of Rosalind and Orlando progresses from impulsive love at first sight at court, through subjective and imaginative responses to desire in the forest, to fulfillment in marriage. The play concludes by placing subjective freedom, expressed metaphorically through theatrical artifice, in the larger setting of forces beyond the self, established metaphorically in narrative artifice.


Author(s):  
Neema Parvini

This chapter argues that Shakespeare’s response to the moral foundation of authority is not located in the speeches of his political leaders, because authority is not synonymous with power. Authority must be earned, whereas power is usually bestowed. Therefore, we must look to the relationships between characters of different social rank, especially between servants and their masters. In Shakespeare’s plays these relationships often take the form of freely chosen employment as opposed to feudal oaths of fealty. This is because paid employment became the new norm as early capitalism flourished in the 1500s, and the last remnants of the old feudal order were swept away. Focusing on the relationship between Adam and Orlando in As You Like It, the contrast between Kent and Oswald in King Lear, and the relationship between Flavius the steward and Timon in Timon of Athens, it contends that in Shakespeare’s plays virtuous authority entails reciprocal good service. Good service is found not in mere obedience, but in a sense of duty, which might on occasion directly contradict the wishes of the master. If authority is mistaken for oppressive power, and if liberty is mistaken for subversion, tyranny follows.


2015 ◽  
Vol 9 (1) ◽  
pp. 142-159
Author(s):  
Paul J. Hecht

This essay argues for a greater variety of approaches to editing Shakespeare, including editors who may creatively and productively refashion or distort the text, not just clarify it. Following an aggressive, seemingly spurious emendation to a speech in As You Like It by eighteenth-century editor William Warburton (here called a “dead crux”), the author explores how the dynamics of a Shakespeare scene inflect and infect the voice of the editor, in a way all but unimaginable within the predominant, professional tone of present-day Shakespeare editing. Working from the speculative writing of Lawrence Lipking, and the editorial provocations of James Joyce, as well as Shakespeare himself, other possibilities for the relationship of text, editor, edition, and reader are considered; this in the context of a reading, based on Warburton’s emendation, of the Shakespeare scene in question.


1967 ◽  
Vol 31 ◽  
pp. 239-251 ◽  
Author(s):  
F. J. Kerr

A review is given of information on the galactic-centre region obtained from recent observations of the 21-cm line from neutral hydrogen, the 18-cm group of OH lines, a hydrogen recombination line at 6 cm wavelength, and the continuum emission from ionized hydrogen.Both inward and outward motions are important in this region, in addition to rotation. Several types of observation indicate the presence of material in features inclined to the galactic plane. The relationship between the H and OH concentrations is not yet clear, but a rough picture of the central region can be proposed.


Paleobiology ◽  
1980 ◽  
Vol 6 (02) ◽  
pp. 146-160 ◽  
Author(s):  
William A. Oliver

The Mesozoic-Cenozoic coral Order Scleractinia has been suggested to have originated or evolved (1) by direct descent from the Paleozoic Order Rugosa or (2) by the development of a skeleton in members of one of the anemone groups that probably have existed throughout Phanerozoic time. In spite of much work on the subject, advocates of the direct descent hypothesis have failed to find convincing evidence of this relationship. Critical points are:(1) Rugosan septal insertion is serial; Scleractinian insertion is cyclic; no intermediate stages have been demonstrated. Apparent intermediates are Scleractinia having bilateral cyclic insertion or teratological Rugosa.(2) There is convincing evidence that the skeletons of many Rugosa were calcitic and none are known to be or to have been aragonitic. In contrast, the skeletons of all living Scleractinia are aragonitic and there is evidence that fossil Scleractinia were aragonitic also. The mineralogic difference is almost certainly due to intrinsic biologic factors.(3) No early Triassic corals of either group are known. This fact is not compelling (by itself) but is important in connection with points 1 and 2, because, given direct descent, both changes took place during this only stage in the history of the two groups in which there are no known corals.


2020 ◽  
Vol 43 ◽  
Author(s):  
Thomas Parr

Abstract This commentary focuses upon the relationship between two themes in the target article: the ways in which a Markov blanket may be defined and the role of precision and salience in mediating the interactions between what is internal and external to a system. These each rest upon the different perspectives we might take while “choosing” a Markov blanket.


2019 ◽  
Vol 42 ◽  
Author(s):  
Paul Benjamin Badcock ◽  
Axel Constant ◽  
Maxwell James Désormeau Ramstead

Abstract Cognitive Gadgets offers a new, convincing perspective on the origins of our distinctive cognitive faculties, coupled with a clear, innovative research program. Although we broadly endorse Heyes’ ideas, we raise some concerns about her characterisation of evolutionary psychology and the relationship between biology and culture, before discussing the potential fruits of examining cognitive gadgets through the lens of active inference.


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