Make Your Nonprofit More Attractive to Corporate Sponsors

2016 ◽  
Vol 18 (2) ◽  
pp. 7-7
Author(s):  
Megan Venzin
Keyword(s):  
2015 ◽  
Vol 55 (3) ◽  
pp. 255-269 ◽  
Author(s):  
Francois A. Carrillat ◽  
Alain d'Astous ◽  
Marie-Pier Charette Couture

2020 ◽  
pp. 27-52
Author(s):  
Sharon Zukin

This chapter dives deeply into the subculture of hackathons as a paradigmatic event of the new economy. Using ethnographic observations and interviews with participants at seven public hackathons sponsored by companies in New York, the account shows how the weekend-long competition to write computer code socializes highly skilled, young tech workers to produce “innovation” on demand. Corporate sponsors appeal to participants’ love of coding and “building things” as well as their desire to build their résumés, promising jobs, networking, and glory to winners who can produce marketable products and ideas. Participants willingly engage in both self-exploitation and self-promotion, aware that corporate sponsors have the upper hand but enjoying the sense of play, mutual learning, and collaboration-with-competition that hackathons foster. The combination of self-exploitation and self-promotion, amid both emotional and rational appeals, represents the culture of the new economy and sets a new, permeable boundary between personal life, workspace, and worktime.


2013 ◽  
Vol 44 (4) ◽  
pp. 65-76 ◽  
Author(s):  
M. Terblanche-Smit ◽  
N. S. Terblanche

The purpose of social advertising is to influence human behaviour for societal benefit. Given concern about the Aids pandemic in South Africa, this study used structural equation modelling and partial least squares to investigate whetherthe use of fear in social advertising increases the likelihood of adopting appropriate behaviour pertaining to HIV/Aids prevention. Fear, attitude towards the advertisements, severity, susceptibility, response efficacy and self-efficacy were examined for their effect on behavioural intent of young adults within specific market segments. Relationships were found among susceptibility, fear, attitude, and behavioural intent, and different relationship paths were identified for segments based on gender and culture/racial groupings. These differences show the value in tailoring fear appeals to different segments when addressing social cause advertisements.


Leonardo ◽  
2020 ◽  
Vol 53 (2) ◽  
pp. 135-144
Author(s):  
Lisa SoYoung Park ◽  
Maurice Benayoun

How do curatorial initiatives in public spaces balance the critical pursuit of art and the professional ethics of the exhibition context? What are the pros and cons of conducting attention-grabbing guerrilla campaigns versus infiltrating politically sensitive public arenas with long-term initiatives? What happens when corporate sponsors of art become trapped in the battlefield of art-fueled media controversy? This article expands on such inquiries by analyzing the collision of two artistic urban interventions, Open Sky Project and the Countdown Machine campaign—a collision that took place within the delicate political context of Hong Kong in 2016.


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