Developmental Continuity and Change in the Cultural Construction of the “Difficult Child”: A Study in Six Western Cultures

2020 ◽  
Vol 2020 (170) ◽  
pp. 43-68
Author(s):  
Charles M. Super ◽  
Sara Harkness ◽  
Sabrina Bonichini ◽  
Barbara Welles ◽  
Piotr Olaf Zylicz ◽  
...  
2021 ◽  
Author(s):  
Jessica A Stern ◽  
Meltem Yucel ◽  
Tobias Grossmann ◽  
Amrisha Vaish

How do environmental morality and sustainable behavior emerge in childhood? We examined individuals’ moral judgments of environmental actions and their observed sustainable behavior in an environmental trade-off task in a sample of N = 555 young adults (Study 1) and N = 45 children ages 3–10 (Study 2). We show that both children and adults viewed pro-environmental behavior positively and environmental harm negatively—even if the action was sanctioned by an authority figure; however, both children’s and adults’ judgments of actions impacting other people were stronger than judgments of actions impacting the environment. Among children, negative judgments of environmental harm strengthened with age, as did their preference to befriend a pro-environmental character. Sustainable behavior was associated with judgments of environmental harm among adults, but with judgments of pro-environmental actions among children. These findings point to both developmental continuity and change in environmental morality and behavior.


2013 ◽  
Author(s):  
Joanne M. Chung ◽  
Richard W. Robins ◽  
Kali H. Trzesniewski ◽  
Brent W. Roberts ◽  
Erik E. Noftle ◽  
...  

This is the first book in English dedicated to the actress and director Tanaka Kinuyo. Praised as amongst the greatest actors in the history of Japanese cinema, Tanaka’s career spanned the industrial development of cinema - from silent to sound, monochrome to colour. Alongside featuring in films by Ozu, Mizoguchi, Naruse and Kurosawa, Tanaka was also the only Japanese woman filmmaker between 1953 and 1962, and her films tackled distinctly feminine topics such as prostitution and breast cancer. Because her career overlaps with a transformative period in Japan, especially for women, this close analysis of her fascinating life and work offers new perspectives into the Japanese history of women and classical era of national cinema. The first half of the book focuses on Tanaka as actress and analyses the elements and meanings associated with her star image, and her powerful embodiment of diverse, at times contradictory, ideological discourses. The second half is dedicated to Tanaka as director and explores her public image as filmmaker and her depiction of gender and sexuality against the national history in order to reflect on her role and style as author. With a special focus on the melodrama genre and on the sociopolitical and economic contexts of film production, the book offers a revision of theories of stardom, authorship, and women’s cinema. In examining Tanaka’s iconic reification of femininities in relation to politics, national identity, and memory, the chapters shed light on the cultural construction of female subjectivity and sexuality in Japanese popular culture.


Sign in / Sign up

Export Citation Format

Share Document