scholarly journals Madness of the Mind

2018 ◽  
Vol 22 (1) ◽  
pp. 63-84
Author(s):  
John O'Connor

The art of psychotherapy has been defined as the capacity of the psychotherapist’s mind to receive the psyche of the patient, particularly its unconscious contents. This deceptively simple definition implies the enormously complex art of receiving the most disturbed, dissociated, maddening, often young and primitive, frightening, and fragmented aspects of the patient’s multiple ages and selves, in the hope perhaps that we might make available to our own mind, to the patient’s mind, and within the therapeutic relationship, whatever it is that we discover together, perhaps with the possibility that this may allow that these dissociated, fragmented, lost, and potentially transformative aspects of self might become more accessible to both therapist and patient. The complexity of this process is further intensified when cultural difference is an important aspect of therapeutic engagement. This paper will explore this rich and complex art. It will include exploration of psychoanalytic, relational, and transpersonal psychotherapeutic perspectives as they inform the potentials and mysteries of this deeply receptive process. The paper will consider the potential this receiving of the other might have for the growth of both the therapist and patient within the life span of clinical engagement and will include consideration of implications for cross cultural clinical work. Clinical vignettes illustrating and informing the ideas explored in this paper will be woven throughout the paper. Whakarāpopotonga Kua tautuhia te toi whakaora hinengaro ko te kaha o te hinengaro o te kaiwhakaora hinengaro ki te pupuri i te hinengaro o te tūroro, mātuatua nei ko ngā matū maurimoe. E tohu ana te tautuhinga ngāwari nei i te kaha uaua o te mahi pupuri i ngā maramara tirohanga, ngā tau, ngā whaiaro tini o ngā tūroro arā noa atu te wairangi, te noho wehe, te kārangirangi, he taiohi, he māori, whakawehiwehi, i runga i te wawata tērā pea ka tuwhera ki ō tātau ake hinengaro, ko tō te tūroro ki waenga hoki i te whakapiringa haumanu. E kene pea mā te mea ka kitea, e tuku ēnei tirohanga pūreirei, kongakonga, ngaro, ā, ngā tirohanga hurihanga whaiaro e whakamāmā ake ki te kaiwhakaora me te tūroro. Ka kaha ake te auatanga o tēnei hātepe i te mea ko te rerekētanga o te ahurea te wāhanga nui o te mahi haumanu. Ka wheraina e tēnei tuhinga te tirohanga toitaurea mōmona nei. Ka whakaurua te wherawherahanga o te wetewetenga hinengaro, te tātanga, me ngā tirohanga whakaoranga hinengaro wairua i te mea ko ēnei ngā kaiwhakamōhio i ngā pirikoko o tēnei hātepe toropupū tino hōhonu. Ka whakaarohia e te pepa nei te ēkene pea o te whakaurunga mai o tētahi kē atu mō te whakatipuranga o te kaihaumanu me te tūroro i roto i te wā huitahi ai. Ka whakaarohia ake anō hoki ngā hīkaro mō te mahi haumanu ahurea whakawhiti. Ka rarangahia ngā kōrero haumanu e whakaahua e whakaatu ana i ngā whakaaro tūhuraina i roto i tēnei tuhinga.

2021 ◽  
Vol 12 ◽  
Author(s):  
Lali Keidar ◽  
Dafna Regev ◽  
Sharon Snir

Studies have underscored the complexity of the encounter between ultra-Orthodox (Haredi) society and psychotherapy, as well as the challenges involved in developing a therapeutic relationship in cross-cultural therapy. However, there is scant research on therapy for ultra-Orthodox children, especially when it comes to arts therapies that take place in a cross-cultural setting. The current study examined the perceptions of 17 arts therapists (including visual art therapists, dance/movement therapists, psychodramatists, music therapists and bibliotherapists) who are not ultra-Orthodox, and who currently work or have previously worked with ultra-Orthodox children. Semi-structured interviews were conducted with the therapists and analyzed using the principles of Consensual Qualitative Research. The study covered four domains: (1) perceptions of the significance and objectives of arts therapy with ultra-Orthodox children; (2) the influence of the cultural difference between therapist and client on the emotional experience and the therapeutic relationship; (3) the use of arts in therapy; (4) systemic aspects. The findings indicate significant perceptual and value-based disparities between therapists and clients, which pose difficulties and challenges to all participating parties and require therapists to be highly sensitive. Aside from the difficulties, the findings suggest that this cultural difference may also have certain advantages for clients as well as therapists. The findings likewise attest to the multifaceted process of change that is taking place within Haredi society in its attitude toward psychotherapy in general and arts therapy in particular.


2008 ◽  
Vol 18 (3) ◽  
pp. 111-118
Author(s):  
Lourdes Ramos-Heinrichs ◽  
Lynn Hansberry Mayo ◽  
Sandra Garzon

Abstract Providing adequate speech therapy services to Latinos who stutter can present challenges that are not obvious to the practicing clinician. This article addresses cultural, religious, and foreign language concerns to the therapeutic relationship between the Latino client and the clinician. Suggestions are made for building cross-cultural connections with clients and incorporating the family into a collaborative partnership with the service provider.


2021 ◽  
Vol 29 ◽  
Author(s):  
Prof.A.Dr. Nahidha Sattar Hanadi Nizar Abdul-Amir

In the Arabic language، the question is a method intended to seek knowledge of a specific thing. The most important thing that distinguishes the Arabic language from other languages is the diversity of its methods and its validity for various sciences and arts. God Almighty has honored it by making it the language of the Noble Qur’an، which He revealed to all people، and the many methods and diversity in the language make speech more accurate in approach، fuller in phrase، and systematized path and most sincere outlet. Therefore، the question is one of the pillars of the methods of the construction language، as it is not based on the building only، but the meaning is based on it as well. The most important characteristic that distinguishes the interrogative method from other methods; The high and influential ability in the mind and the soul of the addressee and its appeal to consideration، meditation and contemplation، and the reason for this is that the question is originally issued by a soul wishing to obtain a request for understanding and knowledge; The question arises to alert the mind and provoke feelings، and makes the soul ready to receive the thoughts and images that come out of the person who is casting.


DIALOGO ◽  
2021 ◽  
Vol 7 (2) ◽  
pp. 247-259
Author(s):  
Gavril Beniamin Micle

"In studies of charismatic movements, an essential aspect is often overlooked: any authentic religion requires assumption by faith, (to have no other Gods other than Me!). Or precisely this kind of mentality is promoted in the charismatic movements, of spiritual openness, which is willing to give credit to everything, is specific to culture, not religion. The religious dimension of the charismatic believer is of the syncretic type, unity in diversity, not of assumption, but based on the notion of option, and not on dogma, which leads him to donjuanism. Or it is precisely this danger that is underlined by St. Gregory Senaite, who warns us not to receive, if we see, anything sensitive or intelligible, inside or outside, whether it appears to you in the image of Christ, as an angel or a saint, or if it is shown to you as a light. For the mind itself has the ability to imagine things and can change, beware of receiving or rejecting those that do not know for sure come from the Holy Ghost. The problem of discerning between truth and lie, spiritual or devilish work, is the purpose of this scientific approach. The diverse plethora of charismatic offerings, as well as the interference with traditional Christianity, make us, like Pilate, ask: what is the Truth? or, rather, how can the Truth be distinguished among so many truths?"


2020 ◽  
Vol 4 (1) ◽  
pp. 11
Author(s):  
Novita Putri Astuti ◽  
Iwan Wahyu Hidayat

Extrasensory Perception merupakan suatu kemampuan untuk menerima rangsang atau informasi bukan melalui indera fisik, melainkan melalui pikiran (Rhine, 1997). Individu yang menghayati dirinya memiliki kemampuan extrasensory perception tidak selalu dapat menerima. Adanya kesadaran karakteristik kemampuan diri berbeda dengan orang lain akan mempengaruhi fungsi diri dan penerimaan diri individu. Penelitian ini bertujuan untuk memberikan gambaran penerimaan diri pada individu yang memiliki extrasensory perception. Metode penelitian ini menggunakan metode kualitatif dengan tipe penelitian fenomenologi. Subjek dalam penelitian ini terdiri dari tiga orang yang dipilih secara purposif. Teknik penggalian data menggunakan wawancara semi terstruktur, sedangkan teknik analisis menggunakan penelitian fenomenologi deskriptif (PFD). Hasil penelitian ini menunjukkan tahapan proses penerimaan setiap individu tidak sama, hal ini dipengaruhi oleh penilaian dan kesadaran yang dimiliki oleh individu terhadap keadaan yang dialaminya. Faktor pendorong dalam penerimaan diri yang paling berpengaruh adalah dukungan sosial. Semua subjek dapat memaknai proses penerimaan diri terhadap kemampuan extrasensory perception secara positif. Extrasensory perception is the ability to receive stimuli or information not through the physical senses, but through the mind (Rhine, 1997). Individuals who have the ability to extrasensory perception cannot always accept. Characteristics of abilities different from others will affect self-function and self-acceptance. This study provides an overview of self-acceptance in individuals who have extrasensory perception. The research method uses qualitative methods with phenomenological research types. The research subjects were three people who were chosen purposively. Data extraction techniques use interviews, while analysis techniques use descriptive phenomenology research (PFD). The results of the study show that the individual acceptance process is not the same, because it is influenced by the assessment and awareness possessed by the individual towards the situation they experience. The driving factor in influencing self-acceptance is social support. All subjects can interpret the process of self-acceptance of the ability of extrasensory perception positively.


Author(s):  
Katrina Y. Billingsley ◽  
Donté R. Corey

This chapter seeks to deconstruct racial stigma of mental illness held by counselors within the therapeutic relationship. The authors will provide counselors with practical tools that will help them work through their own prejudices, discriminations, and stereotypes about people of color and mental illness. This chapter will provide background information on stigma, specifically racial stigma, the process for incorporating theoretical variation in clinical work, and its importance. Additionally, the authors will explore best practices that will help counselors obtain the knowledge and skills needed to effectively work with a variety of clients who are racially and ethnically diverse.


Author(s):  
Katrina Y. Billingsley ◽  
Donté R. Corey

This chapter seeks to deconstruct racial stigma of mental illness held by counselors within the therapeutic relationship. The authors will provide counselors with practical tools that will help them work through their own prejudices, discriminations, and stereotypes about people of color and mental illness. This chapter will provide background information on stigma, specifically racial stigma, the process for incorporating theoretical variation in clinical work, and its importance. Additionally, the authors will explore best practices that will help counselors obtain the knowledge and skills needed to effectively work with a variety of clients who are racially and ethnically diverse.


Author(s):  
Lynda Mugglestone

The Vocabulary, or Pocket Dictionary (1766) printed by John Baskerville has long remained a puzzle as to authorship and intent. An avowedly ‘small performance’, it is nevertheless strikingly distinctive in a range of ways. This chapter traces its intellectual context in ways which confirm Baskerville’s status as lexicographer as well as printer. Salient, too, is its stance on aspects of faith, morality, and salvation in forms closely aligned with Baskerville’s own thinking. Telling absences appear in terms of the expected ordering and inclusion of headwords, as well as in the attendant framing of definitions. Books, Johnson stressed, ‘have always a secret influence on the understanding’ whereby ideas ‘often offered to the mind, will at last find a lucky moment when it is disposed to receive them’. The ‘secret influence’ of the Vocabulary is, this chapter argues, a critical aspect of its meaning, and the knowledge that readers might gain.


2020 ◽  
pp. 120633121989703
Author(s):  
Lasse Koefoed ◽  
Maja de Neergaard ◽  
Kirsten Simonsen

This paper is part of a wider research project on Paradoxical Spaces: Encountering the Other in Public Space that explores how cultural difference is practiced and negotiated in different public spaces in Copenhagen. The present case focus on encounters at two urban festivals: Kulturhavn (Cultural Harbur) and Smag Verden (Taste the World)—both multicultural and both initiated by the Municipality of Copenhagen. The festivals are seen as sites for ongoing dialogue and negotiation of identity and belonging. The celebration, performances, and pleasure of festivals can empower the body, break down social and cultural distance, and for a moment suspend everyday life. They are related to laughter and freedom, but can also be exclusive, alienating, and a vehicle of the inserting of the hegemonic order. The aim of the paper is to discover how the festivals work as social and material mediators of cross-cultural encounters—how they give rise to different modes of encounters and how they balance between liberation and similarities. They are both organized by the municipality of Copenhagen, who invite voluntary organizations and cultural associations every year to participate in organizing the two festivals. They both cover a broad range of cultural activities such as dance, music, food, sport, and theatre, and they share the vision of celebrating the cultural diversity of the city. We chose these two festivals in order to explore variations in the way the festivals are experienced and encountered; the focus of the analysis is on how festivals with many similarities in location and formal conditions can give rise to rather different modes of encounters. The aim of the paper is to explore how the festivals work as social and material mediators of cross-cultural encounters. How do the two festivals give rise to different modes of encounters? How do they balance between liberation and domination in a differential way? Drawing on empirical material obtained through participant observation and framed by theoretical conceptualization of cross-cultural encounters, multicultural festivals, and aesthetic politics, the paper explores embodied encounters at the two festivals. It focuses on the role of the festivals as social and material mediators of encounters and negotiation of identities. The paper concludes on the paradoxical character of the festivals, involving antagonistic embodiments of performance, pleasure, and politics.


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