In contrast to terms which make clear distinctions regarding spatial limits, such as inside and outside, interiority can be understood as an ambiguous spatial condition. A sense of interiority, where spatial volumes interact as a dynamic interplay of surfaces, materials, atmospheres and perceptions, is a constant blurring of these limits. This interplay is foregrounded in the work of James Turrell, whose projects engage the complexity of these relationships. His projects create ambiguous and oscillating readings of inside and outside, the experience of which is more complex than the abstract or sublime experience of his work as typically represented. This paper will discuss an early installation by Turrell called Meeting (1986) in relation to Sylvia Lavin’s notion of ‘kissing’: an extended metaphor which uses the term in both its bodily and geometric senses, to describe a more pliable and dynamic notion of spatial threshold. Kissing will be used to think through the relationships present in the experience of Turrell’s work. I will examine how combinations of our bodies, exterior atmospheres – weather, and interior atmospheres – ambience, intermix to create new, provisional ways of thinking about threshold. This complex experience of interiority distinguishes it from the discipline of architecture. Thinking of the interior as distinct from architecture allows it to operate as a site of experimentation, which can disrupt our habitual attention and invite a reconsideration of the categories we employ to make useful sense of the world.
Sanatta Mekânın Yeni Deneyimi: James Turrell