Encounters Across Time

2021 ◽  
Author(s):  
Judith Binney

'Story telling is an art deep within human nature.'  A timely collection of writings on history, from one of Aotearoa New Zealand's most distinguished scholars. These essays bring forth important questions for New Zealand history about autonomy, restoration and power that continue to reverberate today. They also serve as a pathway into the rigorous and imaginative scholarship that characterised Judith Binney's acclaimed historical writing.

Author(s):  
Bain Attwood

This chapter focuses on historical writing in New Zealand and Australia, which has been transformed since 1945. In the 1950s and 1960s, as the number of academic historians increased exponentially and growing professionalization occurred, a project of constructing a progressive story of masculinist nation-making and nationalism became dominant, while in the 1970s and 1980s, a younger generation of historians—many of them women and first-generation Australians—challenged this triumphant nationalist story of self-realization as they embraced social and cultural history and their emphases on the differences of class, gender, sexuality, race, and ethnicity. There is one area in which historical writing in New Zealand and Australia has undoubtedly been distinctive, at least in terms of its public impact; namely, that concerning the pasts of the indigenous peoples. The chapter then looks at the historiography of aboriginal–settler relations in Australia and New Zealand.


1981 ◽  
Vol 71 ◽  
pp. 50-62 ◽  
Author(s):  
Emilio Gabba

Like all works of literature, works of history end up sooner or later with a readership quite different from that envisaged or hoped for by their authors. A subtle and polemical work such asThe Gallic Warof Caesar has become a standard text for teaching Latin in the early years of secondary education, as have the tender and sophisticated elegies of Tibullus and Propertius. In Italy, the unpopularity of ‘The Betrothed’ by A. Manzoni, a finely ironical and difficult but rewarding novel, is the result of the distaste or boredom experienced by children forced to read it at school.A similar fate has dogged Thucydides. As T. P. Wiseman has recently emphasized, Thucydides and Polybius, precisely because their historical method is close to our own, are regarded as the paradigms against which to judge ancient historical writing—quite wrongly. In fact they are untypical and exceptional; and one has moreover to ask to what extent they were even properly understood in antiquity. In a famous chapter near the beginning of his work (1. 22. 4), Thucydides proudly distances it from that of Herodotus, though without naming him: his own history is not designed for passing appreciation, but is to be of permanent value. Because human nature is always the same, a critical record of past events will present analogies and resemblances when compared with future developments. Knowledge of the past is thus useful, because it improves ones judgment and understanding and even suggests how to behave in situations in which one may find oneself.


2021 ◽  
Author(s):  
Sarah Burns

<p><b>Urban environments in Aotearoa, New Zealand, face a series of challenges regarding the effects of climate change and urbanisation on ecosystems and human wellbeing. As a result of expansive urbanisation during the mid-19th century, the reshaping of natural landscapes saw the destruction of critical indigenous ecologies, causing ecological degradation and biodiversity loss and severely impacting people’s wellbeing; physically, mentally, and spiritually.</b></p> <p>The way we continue to live in and build cities is causing further ecological degradation through overconsumption and pollution, which contributes to the current climate crisis, and leads to storm surge events and sea-level rise, among other direct negative impacts.</p> <p>Porirua, New Zealand is no exemption to this condition. Its existing urban infrastructure and continued urban development to accommodate an expanding population are causing several environmental and social issues relating to ecosystem degradation. Regular flood events demonstrate the city’s inability to cope with storm water surges, which will only continue as the effects of climate change intensify (Daysh, 2019).</p> <p>How might urban environments adapt to and mitigate climate change impacts affecting ecosystems and human wellbeing in a way which preserves social and cultural identities?</p> <p>This thesis argues that a potential solution to address these issues is through increasing human-nature connections in the built environment at a range of scales and across disciplines. This research will test how biophilic design interventions (those related to increasing human/nature connections) could transform a city into a more livable, resilient place of wellbeing for a growing population. Challenging the typical juncture of ocean and land in an urban setting, The research reimagines Porirua as a ‘city on a wetland’ through a speculative biophilic design experiment ,exploring how architecture might respond to dynamic landscape conditions. Theories of biophilia are studied for their related effects on improved human cognitive, psychological and physiological wellbeing, creating anew typology for civic space which marries culture, environment and architecture.</p>


2021 ◽  
Author(s):  
◽  
Bernard Teahan

<p>Community enterprises have long endured. Why they have endured and why there are undergoing a renaissance is explained by the very nature of their constituent parts: a sense of self, a love of and the need for community, the pursuit of solidarity, and enterprise attributes. These are the driving forces behind community enterprises, which have melded together to deliver significant benefits to many New Zealand communities over many years. Although community enterprises are not for every enterprise circumstance and every community, they reflect underlying truths of human nature, and when successfully employed, will endear themselves to their communities. When unsuccessful, they may generate strong emotions of rejection. This thesis explores these themes and their relevance to contemporary New Zealand society. It pursues the question of why some communities have a strong affinity for the concept of community enterprises and others do not; and argues for their importance as a complementary structure in a global world rightly and properly dominated by private enterprise. Distinctive features of community enterprises, including ownership, the pursuit of mixed economic and social goals, and the influence of politics, are also examined. Finally, the thesis tells the dynamic story of community enterprises in contemporary New Zealand through eight vignettes and four case studies. This thesis supports a contention that community enterprises are enduring and endearing institutions that can significantly benefit the well-being of a community.</p>


2018 ◽  
Vol 3 (2) ◽  
pp. 31-48 ◽  
Author(s):  
Solvejg Nitzke

Abstract During the second half of the long 19th century „precarious nature“ moves to the center of a variety of popular discourses. The increasing visibility of and reflection on the human manipulation and destruction of nature is equally important for an understanding of precarious nature as is the publicly received progress of science and the social transformation caused by industrialization and accompanying processes. All these fields create versions of human-nature-relations and of ‘natural’ lifestyles and -forms under increasingly precarious conditions. Precarious nature provides a perspective which allows for the recognition of the dual conditioning of nature in literature, popular science and personal as well as travel narratives and the analysis of its part in the production of affective, discursive and material environments. Ecological story-telling is a vital force which produces a specific proto-ecological knowledge in representations of village-home and forest-wilderness. Liminal spaces between nature and culture thus can be recognized as privileged sites of the negotiation of human-nature-relationships.


2021 ◽  
Author(s):  
Sarah Burns

<p><b>Urban environments in Aotearoa, New Zealand, face a series of challenges regarding the effects of climate change and urbanisation on ecosystems and human wellbeing. As a result of expansive urbanisation during the mid-19th century, the reshaping of natural landscapes saw the destruction of critical indigenous ecologies, causing ecological degradation and biodiversity loss and severely impacting people’s wellbeing; physically, mentally, and spiritually.</b></p> <p>The way we continue to live in and build cities is causing further ecological degradation through overconsumption and pollution, which contributes to the current climate crisis, and leads to storm surge events and sea-level rise, among other direct negative impacts.</p> <p>Porirua, New Zealand is no exemption to this condition. Its existing urban infrastructure and continued urban development to accommodate an expanding population are causing several environmental and social issues relating to ecosystem degradation. Regular flood events demonstrate the city’s inability to cope with storm water surges, which will only continue as the effects of climate change intensify (Daysh, 2019).</p> <p>How might urban environments adapt to and mitigate climate change impacts affecting ecosystems and human wellbeing in a way which preserves social and cultural identities?</p> <p>This thesis argues that a potential solution to address these issues is through increasing human-nature connections in the built environment at a range of scales and across disciplines. This research will test how biophilic design interventions (those related to increasing human/nature connections) could transform a city into a more livable, resilient place of wellbeing for a growing population. Challenging the typical juncture of ocean and land in an urban setting, The research reimagines Porirua as a ‘city on a wetland’ through a speculative biophilic design experiment ,exploring how architecture might respond to dynamic landscape conditions. Theories of biophilia are studied for their related effects on improved human cognitive, psychological and physiological wellbeing, creating anew typology for civic space which marries culture, environment and architecture.</p>


Author(s):  
Helene Connor ◽  
Ksenija Napan

AbstractCampfire sessions are springing up at conferences and educational institutes as an alternative to PowerPoint presentation workshops. As an educational tool, the campfire session is presented as innovative pedagogy, yet sitting around an open fire, telling stories, talking and ‘yarning’ has long been practised in Indigenous societies. This paper reflects on story-telling as an Indigenous educational method with a focus on traditional Māori society in Aotearoa/New Zealand. More specifically, the authors reflect on a campfire session facilitated at the Ako (reciprocal teaching and learning) Aotearoa (Māori name for New Zealand) Conference in Christchurch in November 2018. The campfire session was designed to draw on participants' experiences and stories of biculturalism and their own bicultural journeys. Its intention was to enable participants to explore what it means to be bicultural in Aotearoa/New Zealand and how being bicultural manifests in practices of ako across a range of disciplines and fields of practice. The paper endeavours to be an instructional article for educators interested in experimenting with the Indigenous teaching method of campfire sessions. Detailed explanations and descriptions of the campfire method are provided to assist teachers to design their own campfire sessions. The campfire method was well received by the initial audience, as evidenced by their full engagement and participation. All participants fed back that they felt enabled to design their own campfire sessions. The main benefit of this method is its engagement and appreciation of Indigenous wisdom. The main challenge is its unpredictability as just like fire, it can produce a wonderful warmth and transformation, but also engender inflamed discussions. It requires skilful facilitation and appreciation of potentially diverse views and opinions.


Author(s):  
Tony Ballantyne

This essay attempts to untangle a central conceptual and analytical knot in recent New Zealand historical writing: the interrelationship between culture and colonization. It explores the ways in which approaches to New Zealand's colonial past have been transformed over the past 25 years and attempts to historicize these shifts by framing them against international intellectual developments and the cultural and political currents that reconfigured visions of the past in these islands. The essay then offers an assessment of a key preoccupation of recent scholarship: the relationships between writing and colonization. This discussion identifies some limitations of the existing work as well as underscoring where it does have real analytical purchase, before closing by pointing to some possible paths for future work. These new lines of inquiry, I argue, not only require us to ask some new questions about the cultural work writing did in a colonial context, but also necessitate a reassessment of how colonization actually worked on the ground.


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