Failed Emancipation? Communist Female Writers’ Confessions

Der Donauraum ◽  
2016 ◽  
Vol 53 (3-4) ◽  
Author(s):  
Andrada Fătu-Tutoveanu
Keyword(s):  
2018 ◽  
Vol 11 (2) ◽  
pp. 173-185
Author(s):  
Jesse Aberbach

This article considers how the children's books written by two nineteenth-century female writers, Eliza Tabor and Mary Martha Sherwood, when they accompanied their husbands to India, enabled them to navigate this new environment and their position as respectable middle-class women while revealing how India was deemed a place where British childhood was impossible. Just as many women took up botanical study to legitimise their ‘otherwise transgressive presence in imperial spaces’ (McEwan 219), writing for children enabled others to engage with the masculine world of travelling and earning money without compromising their femininity. Addressing their work to children also seems to have helped both writers to deal with the absence of their own children: the Indian climate made it impossibly challenging for most British infants and children. In this way their writing gives expression to what might be termed a crisis of imperial motherhood. Underlying the texts is an anxiety relating to British settlement and an attempt to comprehend and control a place that threatened their maternal roles.


2018 ◽  
Vol 28 (7) ◽  
pp. 2301-2308
Author(s):  
Fatime Liman ◽  
Mahmut Celik ◽  
Imer Yusufi

It is almost impossible to get some relevant results from researches on the topic- works of the Turkish female writers and Turkish female poets in Republic of Macedonia yet not considering the social and political circumstances that ocured in SFRJ, The Balcan Peninsula and all the countries under the Ottoman Empire reign. Before getting to topic, what is ,the works of the Turkish female writers and the Turkish female poets in Macedonia we would like to impose a retrospective of the social and political circumstances in the Balcan Peninsula and circumstances and events in Macedonia.We shall give a retrospective of some different time periods such as: before the Ottomans reign,during their reign and the period after their reign.The educational process and the Turkish sign will undouptly influence the Literature.Epmhases will be put on the literature of the Turks from Macedonia,and the circumstances on which that literature was able to survive in various conditions and quality.Therefore some Turkish female writers and poets will be presented from which in more detail-Melahat Engullu,Tulay Ibrahim,Leyla Husein,Meral Kayin and Rabiya Rusid.Some main themes from their works will also be presented.


2021 ◽  

The book discusses language and cultural contact from different research perspectives: linguistic and sociolinguistic, glottodidactic, translational and cultural. The authors analyse the relations between language and identity among inhabitants of multilingual border regions, and among emigrant female writers of Jewish descent. They also reflect on cultural metissage on the example of Poland and Haiti, culturemes in literary translation and the variant of English used in the Polish Matura Exam. The volume contains articles in Polish, French and English.


Author(s):  
Jane de Gay

This chapter demonstrates that Woolf’s allusive practice involved transforming and interrogating texts rather than invoking the authority of earlier texts or their scholarly interpretations. It shows how Woolf’s allusions are often supported by metaphors that draw attention to the longevity of past literature that is essential to the act of allusion. These include organic metaphors such as the growth of seeds, plants, and flowers; familial metaphors of conception, birth, and reproduction; and the ethereal metaphor of haunting. The chapter examines how Woolf uses allusion and metaphor to articulate relationships with the literary past in A Room of One’s Own and in her representation of characters who are female writers in Night and Day, Orlando, and Between the Acts.


2021 ◽  
Vol 66 (2) ◽  
pp. 61-78
Author(s):  
Mihaela Mudure

"Travel and Escapism: Elvira Bogdan and Olga Caba. Olga Caba and Elvira Bogdan are female writers for whom travelling became an escapist strategy. Thus could they express, in diluted Aesopic terms, their discontent with Romania’s political evolution in the 1940’s and afterward, under the more acceptable mask of longing for other realms. Elvira Bogdan’s lyrical outbursts in Rome or on the Valley of the Loire and Olga Caba’s enthusiastic soliloquies in Scotland turned into double emphasis discourses under the restrictive travelling mode that prevailed before 1990. Keywords: travel, gender, France, Italy, escapism, discontent "


2021 ◽  
Vol VI (I) ◽  
pp. 203-210
Author(s):  
Sajid Ali ◽  
Shabana Iqbal ◽  
Maleeha Akhtar Mulghani

This study aims to explore the problems of sexual and self-objectification in selected short stories of Pakistani female writers writing in English. The study focuses on Talat Abbasi's Simple Questions, Bina Shah's The Wedding of Sundari, Shaila Abdullah's Moment of Reckoning, Qaisara Shahraz's A Pair of Jeans, Zaib-un-Nissa Hamidullah's The Bull and the She-Devil. The study uses the theoretical framework of Fredrickson and Roberts' sexual objectification. Sexual and self-objectification is very significant and a different issue faced by the women in the patriarchal society. This study argues that women are not only sexually abused in society and treated like useless objects, but also they internalize this attitude of society and behave as the patriarchal society expects from them. This behavior of women helps the patriarchal society to further marginalize and victimize them.


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