scholarly journals Framing children through observation practices: using art theory to re-think ways of looking at children.

2011 ◽  
Author(s):  
Christina MacRae
Keyword(s):  
Art History ◽  
Early Years ◽  
Observation System ◽  
Art Theory ◽  
Target Child ◽  
The Gaze ◽  
The World ◽  
Child Observation ◽  
History And Theory

This paper looks at methodological questions that are raised through the practice of observation to consider how researchers ‘keep an eye on the world’, and particularly how early years practitioners keep an eye on children. Drawing on notions of perspective in art history and theory as methodological resources it asks questions about the frames through which children have been conventionally seen in both research and Early Years Settings. In particular I have chosen to focus on the Target Child Observation System, as it was the system that I was first trained to use both as an Early Years Teacher and as a researcher. By referring to perspective as a method to represent what is observed, the paper contrasts two different models of perspective. Alberti’s use of the window and grid to project the observed is contrasted with Brunelleschi’s mirror play. Questions are raised about how observation as procedure acts to limit vision by organising the gaze. Brunelleschi’s demonstration of perspective can be useful in order to remind us of ways in which the objects of our gaze might escape verification through observation.

scholarly journals On New Paths for the Exploration of the Armenian Art

2020 ◽  
Author(s):  
Levon Chookaszian
Keyword(s):  
Art History ◽  
Wall Paintings ◽  
State University ◽  
The World ◽  
History Of ◽  
History And Theory

During the last centuries, numerous books and papers were published on Armenian art in different collections of the world. Still there is an ocean of work to do in this field to fill in the gaps of the history of Armenian art. The members of the Chair of Armenian Art History and Theory at Yerevan State University were the first to carry out a systematic work in Romania in 2011-2017 and Iran in 2015-2019 exploring the Armenian miniatures, icons, wall paintings, silverwork, textiles etc. The results of this work were presented as papers during the conferences and published as articles.

Pigs and Humans

2007 ◽  
Keyword(s):  
Art History ◽  
Diverse Range ◽  
Domestic Pigs ◽  
Food Taboo ◽  
The World

Pigs are one of the most iconic but also paradoxical animals ever to have developed a relationship with humans. This relationship has been a long and varied one: from noble wild beast of the forest to mass produced farmyard animal; from a symbol of status and plenty to a widespread religious food taboo; from revered religious totem to a parodied symbol of filth and debauchery. Pigs and Humans brings together some of the key scholars whose research is highlighting the role wild and domestic pigs have played in human societies around the world over the last 10,000 years. The 22 contributors cover a broad and diverse range of temporal, geographical, and topical themes, grounded within the disciplines of archaeology, zoology, anthropology, and biology, as well as art history and history. They explore such areas as evolution and taxonomy, domestication and husbandry, ethnography, and ritual and art, and present some of the latest theories and methodological techniques. The volume as a whole is generously illustrated and will enhance our understanding of many of the issues regarding our complex and ever changing relationship with the pig.

scholarly journals Rijeka as a socialist port: Insights from Jugolinija's early years, 1947-1960

2021 ◽  
Vol 33 (1) ◽  
pp. 193-208
Author(s):  
Brigitte Le Normand
Keyword(s):  
Rapid Growth ◽  
Foreign Currency ◽  
Global Market ◽  
Early Years ◽  
The Political ◽  
State Socialism ◽  
Privileged Access ◽  
Shipping Line ◽  
The World ◽  
The Impact

To understand the distinctiveness of ports under state socialism, it is necessary to shift the focus from the built environment to flows of people, goods, knowledge and capital. In so doing, this article examines the operation of Yugoslavia's main shipping line, Jugolinija, from its inception in 1947 until 1960. This enterprise was based in the port of Rijeka, with both firm and port experiencing rapid growth during this period. The impact of state socialism can be seen in the primacy of the political over the profitability of the firm, with Jugolinija used to advance Yugoslavia's foreign trade and foreign policy, its interests being subordinated to the project of building self-managed socialism. It can also be seen in the unique challenges posed by having to operate at the intersection of the global market and a highly regulated economy – a situation that also created opportunities for the firm as a whole, as well as for its employees, who had access to foreign currency, travel and knowledge of the world. Jugolinija's privileged access to the world in what was still very much a closed society also created opportunities for ‘leaks’ of personnel and goods. Finally, socialist ideology left its imprint on Jugolinija's operations and shaped the ways in which its employees understood their work and the place of the firm within the Yugoslav economy. While it is tempting to see state socialism as ‘getting in the way’ of Jugolinija's business, in actuality the firm was remarkably successful both at operating within the Yugoslav socialist state framework, and capitalizing on the opportunities provided by access to the global market. Jugolinija's employees, in turn, profited from the mobility that came with working for the firm, sometimes at the expense of the enterprise and the state.

scholarly journals What’s Happened to Global News?

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Alexa Robertson
Keyword(s):  
World Politics ◽  
Early Years ◽  
Al Jazeera ◽  
News Organizations ◽  
National Media ◽  
The World ◽  
Geographical Scope ◽  
Al Jazeera English

Abstract Scholarship on “global journalism” – to the extent that the phenomenon is explored empirically – is often based on the analysis of national media. This article considers, instead, how the global fares in global newsrooms, and what has happened to global news since the early years of the millennium. It is argued that, while much has changed in world politics and scholarly agendas, global news is characterized more by continuity than change, and that the interesting differences are not between “then” and “now,” but between news outlets. The results of the analysis of 2189 newscasts, 7591 headlines and 5379 news items broadcast over a period of 13 years by four global news organizations (Al Jazeera English, BBC World, CNN International, and RT) call into question assumptions about the cosmopolitan nature of channels said to speak to the world. They show that only a small percentage of their news can be considered “global” in terms of topic and geographical scope, although there are thought-provoking differences in how the global is narrated. Taken together, they provide occasion to revisit the scholarly debate on global journalism.

Baroque and the Political Language of Formalism (1845–1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr

2015 ◽  
Author(s):  
Evonne Levy
Keyword(s):  
Intellectual History ◽  
Political Thought ◽  
Art History ◽  
Architectural History ◽  
The Political ◽  
Nazi Party ◽  
Political Views ◽  
The World ◽  
Art Historians ◽  
Central Argument

<P>This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt’s still debated "Jesuit style" to Hans Sedlmayr’s <I>Reichsstil</I>, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. </P> <P>A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wölfflin and Gurlitt, has endured as art history’s unacknowledged political substrate for generations. Classic works, like Wölfflin’s <I>Kunstgeschichtliche Grundbegriffe</I> are interpreted anew here, supported by new documents from the papers of each figure.</P>

Who (or What) is an AI Artist?

Leonardo ◽  
2021 ◽  
pp. 1-9
Author(s):  
Kieran Browne
Keyword(s):  
Contemporary Art ◽  
Art History ◽  
Art Market ◽  
Art World ◽  
Significant Disagreement ◽  
History And Theory

Abstract The mainstream contemporary art world is suddenly showing interest in “AI art”. While this has enlivened the practice, there remains significant disagreement over who or what actually deserves to be called an “AI artist”. This article examines several claimants to the term and grounds these in art history and theory. It addresses the controversial elevation of some artists over others and accounts for these choices, arguing that the art market alienates AI artists from their work. Finally, it proposes that AI art's interactions with art institutions have not promoted new creative possibilities but have instead reinforced conservative forms and aesthetics.

scholarly journals X.—A Revised History of the Column of Phocas in the Roman Forum

Archaeologia ◽  
1890 ◽  
Vol 52 (1) ◽  
pp. 183-194 ◽  
Author(s):  
F.M. Nichols
Keyword(s):  
Early Years ◽  
Public Building ◽  
The World ◽  
History Of ◽  
Christian Worship ◽  
The Subject ◽  
Roman Forum ◽  
The Temple

It may be of interest to the Society if I submit to its notice some observations made last year, which render it necessary to re-write the history of one of the best known monuments of Rome.The monument, which for fifty-six years has been called the Column of Phocas, was formerly, when nothing but the pillar itself was seen above ground, the subject of much curiosity and speculation among the visitors of the Forum. The “nameless column with the buried base” was thought by some to be the sole relic of a great temple or other public building. By others it had been conjectured to be part of the famous bridge by which Caligula united his palace on the Palatine with the temple of Capitoline Jupiter. In the early years of the century, among other works of the same kind, it was resolved to clear away the soil and débris from the substructure of this column; and on the 13th of March, 1813, the inscription of its pedestal, which had remained for centuries a few feet below the level of the ground, was uncovered, and revealed the fact that it had supported a statue dedicated by the exarch Smaragdus to the honour of a Caesar, whose name had been erased, but who, by other indications, could be no other than Phocas, an emperor of evil reputation, but to whom Rome and the world owe some gratitude for having been instrumental in dedicating the Pantheon to Christian worship, and so preserving from ruin one of the noblest and most original architectural works of antiquity.

Sign in / Sign up

Export Citation Format

Share Document