Shakespeare the Formalist: Reading and Rewriting John Marston in the Poets’ War

2021 ◽  
Vol 63 (1) ◽  
pp. 1-27
Author(s):  
Meghan C. Andrews
Keyword(s):  
John Marston

John Marston, Moralist

ELH ◽  
1953 ◽  
Vol 20 (3) ◽  
pp. 186
Author(s):  
Paul M. Zall
Keyword(s):  
John Marston

Was John Marston the First ‘Playwright’?

2016 ◽  
pp. gjw173
Author(s):  
James P. Bednarz
Keyword(s):  
John Marston

scholarly journals The Insatiate Countess, William Barksted’s Hiren, the Fair Greek, and the Children of the King’s Revels

Early Theatre ◽  
2019 ◽  
Vol 22 (1) ◽  
Author(s):  
Charles Cathcart
Keyword(s):  
John Marston

This essay examines the activity through which the appropriations of William Barksted’s Hiren, the Fair Greek entered the dialogue of The Insatiate Countess. The essay argues that Hiren is a more substantial source for The Insatiate Countess than has been supposed, that The Dumb Knight and The Turk also draw from Hiren, and that Barksted’s narrative verse displays a tendency to use phrases previously deployed by John Marston. The essay considers the implications of these claims and suggests that one explanation for the striking verse register of The Insatiate Countess is that it features Marstonian diction shorn of Marstonian self-consciousness.

scholarly journals “Worthy my blood”: Inheritance, Imitation, and Gendered Familial Emotions in John Marston’s Antonio Plays

2014 ◽  
Vol 37 (1) ◽  
pp. 110-135
Author(s):  
Megan Elizabeth Allen
Keyword(s):  
John Marston ◽  
Familial Relationships ◽  
Political Ideologies ◽  
Family Breakdown

Examining the Antonio plays by John Marston, I argue that the metaphors used to portray familial emotions reveal the ideologies that underpin both excessive and normative versions of familial relationships; these metaphors reveal the pressures placed on family emotions by economic and political ideologies. While critics have traditionally read instances of family breakdown in plays as moments that violate kinship norms, I argue that such moments of violence are caused by ideologies associated with inheritance structures which underpin descriptions and experiences of normative familial emotions. A travers l’examen des pièces de théâtre d’Antonio de John Marston, je soutiens que les métaphores employées pour représenter les émotions familiales font apparaître les idéologies qui sous-tendent tant des versions excessives que des modèles normatifs pour lees relations familiales. Ces métaphores révèlent la pression que font subir aux émotions familiales les systèmes de pensée économiques et politiques. Alors que les critiques ont traditionnellement lu les exemples d’éclatement familial dans le théâtre comme des moments violant les normes de la parenté, je soutiens que de tels moments de violence sont causés par des systèmes associés aux structures d’héritage qui sous-tendent les descriptions et les expériences des émotions familiales normatives.

Some notes on the vocabulary of John Marston—XIX

1959 ◽  
Vol 6 (9) ◽  
pp. 355-356
Author(s):  
Gustav Cross
Keyword(s):  
John Marston

Quaint phrases by John Marston: nocturnal

1884 ◽  
Vol s6-IX (221) ◽  
pp. 236-236
Author(s):  
Br. Nicholson
Keyword(s):  
John Marston

John Marston and the Revolution at Paul’s Playhouse (1599–1601)

2020 ◽  
Vol 118 (1) ◽  
pp. 1-24
Author(s):  
James P. Bednarz
Keyword(s):  
John Marston ◽  
The Revolution
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