“This Was My Utopia”: Sexual Experimentation and Masculinity in the 1960s Bay Area Radical Left

2020 ◽  
Vol 29 (3) ◽  
pp. 364-387
Author(s):  
Andrew Lester
Author(s):  
Blake Slonecker

In the decade after 1965, radicals responded to the alienating features of America’s technocratic society by developing alternative cultures that emphasized authenticity, individualism, and community. The counterculture emerged from a handful of 1950s bohemian enclaves, most notably the Beat subcultures in the Bay Area and Greenwich Village. But new influences shaped an eclectic and decentralized counterculture after 1965, first in San Francisco’s Haight-Ashbury district, then in urban areas and college towns, and, by the 1970s, on communes and in myriad counter-institutions. The psychedelic drug cultures around Timothy Leary and Ken Kesey gave rise to a mystical bent in some branches of the counterculture and influenced counterculture style in countless ways: acid rock redefined popular music; tie dye, long hair, repurposed clothes, and hip argot established a new style; and sexual mores loosened. Yet the counterculture’s reactionary elements were strong. In many counterculture communities, gender roles mirrored those of mainstream society, and aggressive male sexuality inhibited feminist spins on the sexual revolution. Entrepreneurs and corporate America refashioned the counterculture aesthetic into a marketable commodity, ignoring the counterculture’s incisive critique of capitalism. Yet the counterculture became the basis of authentic “right livelihoods” for others. Meanwhile, the politics of the counterculture defy ready categorization. The popular imagination often conflates hippies with radical peace activists. But New Leftists frequently excoriated the counterculture for rejecting political engagement in favor of hedonistic escapism or libertarian individualism. Both views miss the most important political aspects of the counterculture, which centered on the embodiment of a decentralized anarchist bent, expressed in the formation of counter-institutions like underground newspapers, urban and rural communes, head shops, and food co-ops. As the counterculture faded after 1975, its legacies became apparent in the redefinition of the American family, the advent of the personal computer, an increasing ecological and culinary consciousness, and the marijuana legalization movement.


Author(s):  
Ausettua Amor Amenkum

Halifu Osumare presents a regional history of African dance in the United States, focusing on the Oakland-San Francisco Bay Area from the 1960s to the present. Beginning with the first cohort of local Dunham-trained dance instructors in the 1950s and 1960s to more contemporary instructors hailing directly from the African continent. She analyzes how African and African diasporic dance traditions became important fixtures in the Oakland-San Francisco Bay Area, becoming powerful tools in teaching social justice through various community programs and dance companies that extended from Ghana, the Congo, Senegal, and Liberia into that region. Osumare’s research traces the formation of artistic lineages, while offering insights about the local impact of African dance instruction as a narrative history of how the Bay Area became a regional powerhouse in the African dance field.


Author(s):  
Thomas J. Osborne

In the 1960s and early 1970s a profound shift in the Golden State’s history was taking place. The convergence of California’s counter-cultural movement, a Bay Area conservation effort, public insistence on beach access at the Sea Ranch development along the Sonoma coast, the Santa Barbara oil spill, and the struggle to pass environmental legislation in Sacramento catalyzed a robust, grass roots ecological consciousness. This consciousness, which spread nationwide, was resident in Douglas. The sea change in public thinking about the importance of protecting the environment that was taking place paved the way for statewide, as opposed to merely local, management of California’s shore.


2012 ◽  
Vol 126 (2) ◽  
pp. 111
Author(s):  
C. Martin Lok ◽  
Jaap A. J. Vink

Bird observations from the Cambridge Bay area on Victoria Island, Nunavut, in the summer of 2011 are presented and compared with those from the 1960s and 1980s. A total of 38 species was observed, compared with 42 in 1983 and 47 in 1986. Abundance of species of the High Arctic, such as Black Brant, Branta bernicla nigricans, Black-bellied Plover, Pluvialis squatarola, and Baird’s Sandpiper, Calidris bairdii, decreased, whereas numbers of the Red-necked Phalarope, Phalaropus lobatus, usually associated with the Low Arctic, increased markedly. Overall, the number of each species observed is rather stable and, for several species, the relative abundance does not seem to have changed significantly.


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