Chapter 3 If Th at Was in a Movie, I Wouldn’t Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999)

2013 ◽  
pp. 112-149
October ◽  
2018 ◽  
Vol 166 ◽  
pp. 105-126
Author(s):  
Rye Dag Holmboe

Rye Dag Holmboe examines previously undocumented wall drawings produced by Sol LeWitt in the Torre Bonomo in Spoleto in 1976. Using a psychoanalytic framework derived in part from the writings of Adrian Stokes, Holmboe argues for the existence of an “architectural unconscious” in LeWitt's practice and for the crucial importance of architecture to our understanding of Conceptual art more broadly. The essay further explores the choreographic dimensions of LeWitt's work and its autobiographical impulse.


Author(s):  
David W. Kling

The concluding chapter provides summary observations of the book’s themes that highlight the complex, multifaceted dimension of conversion throughout twenty centuries of Christian history. These include the convert’s cognizance of divine presence; the crucial importance of historical context (political, religious, institutional, and socioeconomic factors); continuity and discontinuity (how much of the new displaces the old in conversion?); nominal, incomplete, and “true” conversions; personal testimonies and narratives (the autobiographical impulse attests to the converted life); the role of gender; identity and the self; agency (are converts actors or are they being acted upon?); the mechanisms behind and the motivations for conversion; the body as a site of conversion; the role of music; conversion as event and process; coercive practices; and forms of communication in the converting process.


1998 ◽  
Vol 52 ◽  
pp. 225 ◽  
Author(s):  
Michael Angold

2000 ◽  
Vol 6 (1) ◽  
pp. 7-22
Author(s):  
J. Bill Berry

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