The Jimi Hendrix of Journalism

2019 ◽  
pp. 47-56
Author(s):  
Tony Davis
Keyword(s):  
Jimi Hendrix

‘A magic science’: rock music as a recording art

Popular Music ◽  
1983 ◽  
Vol 3 ◽  
pp. 195-213 ◽  
Author(s):  
Paul Clarke
Keyword(s):  
Twentieth Century ◽  
Rock Music ◽  
Sound Recording ◽  
Musical Practice ◽  
Order And Disorder ◽  
Twentieth Century Music ◽  
Late Twentieth ◽  
And Control ◽  
Jimi Hendrix ◽  
Late Twentieth Century

Jimi Hendrix once claimed ‘I'm working on music to be completely, utterly a magic science’ (Henderson 1981, p. 337). It is a description that fits not just the best of Hendrix's own music, but the best of all that late twentieth-century music in which the ability to capture and control sounds (on tape or disc) has become a means of extending old musical forms and traditions, and establishing new possibilities for them. Throughout his career, Hendrix drew nourishment from his musical roots in black traditions, but it was not until the summer of 1967 that he plugged himself fully into the new possibilities opened up by the technology of sound recording. Hendrix had already proved himself something of a musical ‘magician’ in the ancient sense in that he attempted, through music, to mediate between order and disorder, using his guitar as an expressive extension of himself to flirt with the danger and power of musical disintegration (for the parallel with non-Western musical practice see Shepherd 1977, p. 72; Mellers 1973, pp. 24–6; Clarke 1982, pp. 227–9).

June 1967

Stone Free ◽  
2018 ◽  
pp. 182-200
Author(s):  
Jas Obrecht
Keyword(s):  
New York ◽  
New York City ◽  
York City ◽  
Left Behind ◽  
Jimi Hendrix

With his debut album rapidly ascending the British record charts, Jimi gives a series of revealing interviews in advance of the Experience’s much-anticipated final U.K. show at the Saville Theatre. During this performance, the band stuns Paul McCartney by opening with a cover of the Beatles’ just-released Sgt. Pepper’s Lonely Hearts Club Band. After a series of photoshoots, the Experience flies to New York City in advance of their performance at the Monterey International Pop Festival. Jimi revisits the New York City haunts he’d left behind just nine month earlier. Upon their arrival in Monterey, California, Jimi hand-paints the Stratocaster he’ll use to climax their set. The weekend-long Monterey festival presents a wide array of rock talent and climaxes with the sets by The Who and Jimi Hendrix. Jimi stuns the audience, most of whom have never heard of him, with his charismatic personality and unprecedented approach to performing. He ends the Experience’s set by burning his guitar amid a roaring cacophony of feedback. As Joel Selvin sagely noted, Jimi Hendrix “walked onstage a nobody and walked off a major star, ready to rewrite the language of the guitar.”

The Invention of Vintage Clothing

2017 ◽  
Author(s):  
Jennifer Le Zotte
Keyword(s):  
Department Stores ◽  
Thorstein Veblen ◽  
Jimi Hendrix ◽  
Vintage Clothing

This chapter recounts the process of upgrading certain older apparel, a transnational process led by the wealthy and famous, including rich collegians, titled nobility, and rock stars like Jimi Hendrix and Janis Joplin. Celebrations of affluence, elitism, individuality, and fame framed this path. The invention of "vintage" responded to a desire for visible distinction, one almost classically linked to affluence and in keeping with the 1899 thesis of economist Thorstein Veblen. For example, the 1956-7 college fad for old raccoon-fur coats from the 1920s was emblematic of a rising class of wealthy youth to whom chain department stores like Lord & Taylor eagerly appealed—and for whom the word “vintage” was first applied to clothing. Vintage exhibitionism usually disavowed political affiliations while reveling in bucking convention.

The death of Jimi Hendrix

1998 ◽  
Vol 22 (58) ◽  
pp. 170-175
Author(s):  
Liz Hall‐Downs
Keyword(s):  
Jimi Hendrix

Jimi Hendrix, Bluegrass Star

2004 ◽  
Vol 78 (1) ◽  
pp. 6-18 ◽  
Author(s):  
Geoffrey Becker
Keyword(s):  
Jimi Hendrix

Beyond the image:The giftedness of Jimi Hendrix

Roeper Review ◽  
2001 ◽  
Vol 24 (1) ◽  
pp. 5-11 ◽  
Author(s):  
Anne‐Marie Morrissey
Keyword(s):  
Jimi Hendrix
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