scholarly journals Chapter 2. The Texts: Writing and Literature in Kievan Rus’ and Muscovy

2015 ◽  
Author(s):  
Tore Nesset

<p style="margin: 0cm 0cm 0pt;"><span lang="EN-US"><span style="font-family: Cambria; font-size: medium;">In the previous chapter, we explored the history of medieval Russia. We now turn to an important characteristic of this society – the emergence of writing and literature. Needless to say, medieval texts are interesting in and of themselves, but the texts are of particular interest to us as historical linguists, since they represent a major source of data. This chapter provides you with important background knowledge about writing, alphabets, texts and literature. Questions we will consider include: How did writing come to Kievan Rus’? Which alphabets were used? In what language were the texts written? What was the standard language in Kievan Rus’? What kinds of texts have come down to us? Although this chapter is by no means a detailed history of medieval literature, you will learn about some important literary genres and key texts. Finally, this chapter gives you an opportunity to reflect on the differences between the medieval and modern concepts of literature.</span></span></p><p style="margin: 0cm 0cm 0pt;"><span lang="EN-US"><span style="font-family: Cambria; font-size: medium;"> </span></span></p><p><span style="font-family: 'Cambria',serif; font-size: 12pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'MS Mincho'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN-US">Click on the links below to learn more!</span></p><p><a href="/index.php/SapEdu/article/downloadSuppFile/3492/154"><span style="font-family: 'Cambria',serif; font-size: 12pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'MS Mincho'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN-US">2.2 Alphabet: uncial, semi-uncial and cursive script</span></a></p>

Author(s):  
Муталова Гулнора Сатторовна

The article is devoted to the most interesting phenomenon in Arabic literature - tribal legends, included in the Arab medieval literature called “Ayyam al- Arab” (“Days of the Arabs”). Oral narrative is an incomparable genre of Arab culture. Containing folklore origins and genetically related to the epic, it is at the same time quite distinctive and distinctly separate from other literary genres. The prose of Days, as well as poetry, is a work of high art with its own laws and its own poetics. And considering that for a long time, Arabic prose has not received proper development, the appearance of Ayyam Al- Arab should be regarded as one of the sources of historiographic prose, actually as the beginning of narrative prose in the history of Arabic literature.


2015 ◽  
Author(s):  
Tore Nesset

<p style="margin: 0cm 0cm 0pt;"><span lang="EN-US"><span style="font-family: Cambria; font-size: medium;">Language change does not happen in a vacuum. In order to understand how Russian came to be the way it is you need some background knowledge about the prehistory and history of the Russians and their Slavic relatives. In this chapter, you will learn about the Slavic and Indo-European languages in Europe (section 1.1) and the ancestor languages that Russian has developed from (section 1.2). In sections 1.3–1.4, we explore the prehistory of the Slavs, before we turn to a brief overview of Russian history before Peter I “the Great” in sections 1.5–1.11. While reading the chapter, make use of the chronological overview of important historical events and periods in section 1.12.</span></span></p><p style="margin: 0cm 0cm 0pt;"><span lang="EN-US"><span style="font-family: Cambria; font-size: medium;"> </span></span></p><p><span style="font-family: 'Cambria',serif; font-size: 12pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'MS Mincho'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN-US">Click on the links below to learn more!</span></p><p><a href="/index.php/SapEdu/article/downloadSuppFile/3491/128" target="_blank"><span style="font-family: 'Cambria',serif; font-size: 12pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'MS Mincho'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN-US">1.4 Migrations</span></a> - licensed under <a href="http://creativecommons.org/licenses/by/4.0/" target="_blank">CC-BY 4.0</a></p><p><span style="font-family: 'Cambria',serif; font-size: 12pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'MS Mincho'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN-US"><a href="/index.php/SapEdu/article/downloadSuppFile/3491/129" target="_self">1.4 Rus</a> - licensed under <a href="http://creativecommons.org/licenses/by/4.0/" target="_blank">CC-BY 4.0</a><br /></span></p><p><span style="font-family: 'Cambria',serif; font-size: 12pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'MS Mincho'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN-US"><br /></span></p>


2021 ◽  
Vol 20 (2) ◽  
pp. 1-26
Author(s):  
Adrien Quéret-Podesta

In the rich history of Icelandic literature, the most famous literary genres are undoubtedly the medieval sagas and the contemporary criminal novels. However, those genres are as not as far from each other as one may think, since masterpieces of Icelandic medieval literature are sometimes summoned by contemporary authors, as is shown in The Flatey Enigma (Icelandic: Flateyjargáta), a criminal novel by Viktor Arnar Ingólfsson which is built around the story and the contents of the Book of Flatey, a famous fourteenth Icelandic manuscript. The present article provides an analysis of the place and function of the manuscripts and the medieval texts it contains: the results obtained show that their main function is to help the development of the plot, although some intertextual references also have a didactic dimension, whereas others provide information about the relations between the characters and the Book of Flatey.


Author(s):  
Jürgen Schaflechner

Chapter 3 introduces the tradition of ritual journeys and sacred geographies in South Asia, then hones in on a detailed history of the grueling and elaborate pilgrimage attached to the shrine of Hinglaj. Before the construction of the Makran Coastal Highway the journey to the Goddess’s remote abode in the desert of Balochistan frequently presented a lethally dangerous undertaking for her devotees, the hardships of which have been described by many sources in Bengali, Gujarati, Hindi, Sindhi, and Urdu. This chapter draws heavily from original sources, including travelogues and novels, which are supplanted with local oral histories in order to weave a historical tapestry that displays the rich array of practices and beliefs surrounding the pilgrimage and how they have changed over time. The comparative analysis demonstrates how certain motifs, such as austerity (Skt. tapasyā), remain important themes within the whole Hinglaj genre even in modern times while others have been lost in the contemporary era.


Author(s):  
Charlotte R. Potts

Religious Architecture in Latium and Etruria, c. 900-500 BC presents the first comprehensive treatment of cult buildings in western central Italy from the Iron Age to the Archaic Period. By analysing the archaeological evidence for the form of early religious buildings and their role in ancient communities, it reconstructs a detailed history of early Latial and Etruscan religious architecture that brings together the buildings and the people who used them. The first part of the study examines the processes by which religious buildings changed from huts and shrines to monumental temples, and explores apparent differences between these processes in Latium and Etruria. The second part analyses the broader architectural, religious, and topographical contexts of the first Etrusco-Italic temples alongside possible rationales for their introduction. The result is a new and extensive account of when, where, and why monumental cult buildings became features of early central Italic society.


2021 ◽  
Vol 46 (1) ◽  
pp. 252-267
Author(s):  
Rashmi Dyal-Chand

Preemption is one of the most important legal doctrines for today’s progressives to understand because of its power to constrain progressive policymaking and social movement lawyering at the state and local level. By examining the detailed history of a decades-long campaign by the labor and environmental movements to improve working conditions in an industry at the heart of the global supply chain, Scott L. Cummings’s Blue and Green: The Drive for Justice at America’s Port (2018) provides a case study about the doctrine and impacts of preemption. The study also inspires lawyers and activists alike to reexamine core questions of factual relevance, representation and voice, and precedent.


1987 ◽  
Vol 107 ◽  
pp. 188-188 ◽  
Author(s):  
D. M. Lewis
Keyword(s):  

It may be desirable to draw attention to an item of some interest for the history of literary genres which has just appeared in a Greek periodical which is not, as yet, widely accessible.Angelos Matthaiou (ΗΟΡΟΣ iv [1986] 31–4) publishes two grave stelai from Nikaia, between Athens and Piraeus. The script is unusual, in that the texts are written retrograde and from the bottom to the top of the stele. The obvious parallel for this is a funerary text discussed by Missjeffery in BSA lvii (1962) 136 no. 42 and dated by her around 540; one of her last scholarly observations was to confirm that the new texts appeared to be in the same hand.


Traditio ◽  
1995 ◽  
Vol 50 ◽  
pp. 334-341
Author(s):  
J. N. Hillgarth

In my view it will not be possible to write the detailed history of the Jewish community in Majorca until a great deal more preliminary work has been done on the sources for that history. The following sketch of the subject is limited to the period before 1500, and, except for some references to conversos, to the time before 1391. It seems best to begin with a brief discussion of the context within which the Jewish community of Majorca emerged in the later Middle Ages and of the historical background which gave it its peculiar importance.


T oung Pao ◽  
2010 ◽  
Vol 96 (1) ◽  
pp. 165-201
Author(s):  
Regina Llamas

AbstractThis essay examines the process by which Wang Guowei placed Chinese dramatic history into the modern Chinese literary canon. It explores how Wang formed his ideas on literature, drawing on Western aesthetics to explain, through the notions of leisure and play, the impetus for art creation, and on the Chinese notions of the genesis of literature to explain the psychology of literary creation. In order to establish the literary value of Chinese drama, Wang applied these ideas to the first playwrights of the Yuan dynasty, arguing that theirs was a literature created under the right aesthetic and creative circumstances, and that it embodied the value of "naturalness" which he considered a universal standard for good literature. By producing a scholarly critical history of the origins and nature of Chinese drama, Wang placed drama on a par with other literary genres of past dynasties, thus giving it a renewed status and creating at the same time a new discipline of research. Drama had now become an established literary genre.


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