scholarly journals "...Disse gutta som selv liksom har vokst opp av landskapet." – Arne Skouen og hans okkupasjonsdramaer

Nordlit ◽  
2012 ◽  
Vol 16 (2) ◽  
pp. 1
Author(s):  
Tonje Haugland Sørensen
Keyword(s):  
World War Ii ◽  
Cultural Memory ◽  
Second World War ◽  
Moral Reflection ◽  
World War ◽  
War Films ◽  
German Occupation ◽  
Film Genre ◽  
Second World ◽  
War Film

Arne Skouen is often heralded as one of the clearest auteurs in Norwegian cinema, and his films about the German Occupation of Norway, 1940-45, are among the most successful and renowned within the Norwegian war film genre. This reading of these four films postulate, that within the framework of the cultural memory of the Second World War II, Skouens four war films offer a coherent and moral reflection about the war time narratives.

Pan-Slavism and World War II

1952 ◽  
Vol 46 (3) ◽  
pp. 699-722 ◽  
Author(s):  
Hans Kohn
Keyword(s):  
World War Ii ◽  
Soviet Union ◽  
World War I ◽  
Second World War ◽  
World War ◽  
German Occupation ◽  
The Soviet Union ◽  
The World ◽  
Second World

In spite of later claims that it had been the leader of the anti-fascist camp and of the Slav world from the beginning of the second World War, the Soviet Union followed a strictly Russian policy, neither anti-fascist nor Pan-Slav, from August, 1939, to June, 1941. This policy clearly foreshadowed a nationalist revival of the language and aspirations that had been most characteristic of Old Russia but were assumed to have been definitely buried in the ten November days of 1917 which shook the world. During these two years not the slightest sympathy for the Czechs and Poles suffering under German occupation was expressed. Indeed, although Leninist communism during World War I had conducted a violent defeatist propaganda compaign in both warring camps, the subversive communist propaganda that was resumed in 1939 was directed only against the democratic nations. “Moreover, officially, even ostentatiously, help was granted to the camp of fascism so that, from 1939 to 1941, the Soviet Union could be considered a non-belligerent partner of the Axis. From the policy of benevolent neutrality towards the Axis the Soviet Union was removed against its will. Circumstances made it an ally of the democracies. This change was performed reluctantly, only because no other choice was left.”

scholarly journals Second World War Film Chronicle

2010 ◽  
Vol 2 (2) ◽  
pp. 21-36
Author(s):  
Galina Semenovna Prozhiko ◽  
Galina Semyonovna Prozhiko
Keyword(s):  
World War Ii ◽  
Great Britain ◽  
Documentary Film ◽  
Second World War ◽  
World War ◽  
The Usa ◽  
Second World ◽  
War Film

The article is a fragment of the book «The Screen of World Documentary», prepared for publication, and deals with the organization of propaganda and the artistic problems of newsreel and documentary film during World War II in the USA, Great Britain and Germany.

scholarly journals „Oczy szeroko zamknięte” — czyli o tym, co jest , a czego nie widać w nowych polskich muzeach o II wojnie światowej

2018 ◽  
Vol 10 ◽  
pp. 99-115
Author(s):  
Magdalena Lorenc
Keyword(s):  
World War Ii ◽  
Political Institutions ◽  
Second World War ◽  
The Other ◽  
World War ◽  
Target Groups ◽  
En Bloc ◽  
German Occupation ◽  
History Of ◽  
Second World

“Eyes wide shut”: On what there is and what cannot be seen in new Polish Second World War museumsMuseums have always been political institutions. Owing to this engagement, they are not neutral and they should not claim objectivity. Facts and artefacts at an exhibition exemplify the assumed hypotheses. This means that visitors are objects of manipulation. In case of the Warsaw Rising Museum, which was the first narrative museum in Poland, World War II was a trial, which the first victim of the German aggression — the Polish nation en bloc — underwent successfully. Th at was a time of heroes who should be imitated. The decision about the rising was right, even though the capital and its population were annihilated as a result of it. In contrast, in the Museum of World War II in Gdańsk, the war was a tragedy for the whole humanity and a hecatomb of the civilian population, with the presentation of the history of Poland nation as just one of many. If there were heroic deeds, they were individual and exceptional. Heroism was not only combat. Survival was the aim.This means that the first museum is about “men’s adventure”, which is fighting among faithful comrades — it’s a hymn of praise to the valour of the Poles under German occupation. The more innocent the victims, the higher the factor of heroism. By contrast, the other museum is a warning — every war is first of all a failure of humanity. These two interpretations of the events of World War II differ from each other as the target groups of both exhibitions are different. Supporters of the Warsaw Rising Museum do not accept the Museum of World War II and vice versa; they often voice opinions about something they did not have a chance or did not even feel like to see. These institutions are reflections of political disputes which divide Poles into supporters and opponents of certain historical policies which are pursued by making use of museums and in relation to them.

Ken Russell's Wartime Imagery

2015 ◽  
Vol 12 (4) ◽  
pp. 539-555 ◽  
Author(s):  
Kevin M. Flanagan
Keyword(s):  
Second World War ◽  
World War ◽  
War Films ◽  
Personal Style ◽  
American Cinema ◽  
1960S And 1970S ◽  
The 1960S ◽  
Second World ◽  
Wartime Experience ◽  
National Experience

This article traces Ken Russell's explorations of war and wartime experience over the course of his career. In particular, it argues that Russell's scattered attempts at coming to terms with war, the rise of fascism and memorialisation are best understood in terms of a combination of Russell's own tastes and personal style, wider stylistic and thematic trends in Euro-American cinema during the 1960s and 1970s, and discourses of collective national experience. In addition to identifying Russell's recurrent techniques, this article focuses on how the residual impacts of the First and Second World Wars appear in his favoured genres: literary adaptations and composer biopics. Although the article looks for patterns and similarities in Russell's war output, it differentiates between his First and Second World War films by indicating how he engages with, and temporarily inhabits, the stylistic regime of the enemy within the latter group.

Metamorphoses of memory of the the Russian-Serbian Brotherhood of War in Modern Serbia

2020 ◽  
Vol 13 (4) ◽  
pp. 142-156
Author(s):  
A. Yu. Timofeev
Keyword(s):  
World War Ii ◽  
Civil War ◽  
Party System ◽  
Historical Memory ◽  
Civil Conflict ◽  
Second World War ◽  
World War ◽  
Post War ◽  
The Stability ◽  
Second World

The article considers the perception of World War II in modern Serbian society. Despite the stability of Serbian-Russian shared historical memory, the attitudes of both countries towards World wars differ. There is a huge contrast in the perception of the First and Second World War in Russian and Serbian societies. For the Serbs the events of World War II are obscured by the memories of the Civil War, which broke out in the country immediately after the occupation in 1941 and continued several years after 1945. Over 70% of Yugoslavs killed during the Second World War were slaughtered by the citizens of former Kingdom of Yugoslavia. The terror unleashed by Tito in the first postwar decade in 1944-1954 was proportionally bloodier than Stalin repressions in the postwar USSR. The number of emigrants from Yugoslavia after the establishment of the Tito's dictatorship was proportionally equal to the number of refugees from Russia after the Civil War (1,5-2% of prewar population). In the post-war years, open manipulations with the obvious facts of World War II took place in Tito's Yugoslavia. In the 1990s the memories repressed during the communist years were set free and publicly debated. After the fall of the one-party system the memory of World War II was devalued. The memory of the Russian-Serbian military fraternity forged during the World War II began to revive in Serbia due to the foreign policy changes in 2008. In October 2008 the President of Russia paid a visit to Serbia which began the process of (re) construction of World War II in Serbian historical memory. According to the public opinion surveys, a positive attitude towards Russia and Russians in Serbia strengthens the memories on general resistance to Nazism with memories of fratricide during the civil conflict events of 1941-1945 still dominating in Serbian society.

THE CONTRIBUTION OF THE PEOPLE OF UZBEKISTAN IN THE VICTORY OF OVER FASCISM IN THE SECOND WORLD WAR

2020 ◽  
Vol 2 (3) ◽  
pp. 4-11
Author(s):  
Dilorom Bobojonova ◽  
Keyword(s):  
World War Ii ◽  
Second World War ◽  
World War ◽  
Additional Material ◽  
Historical Aspect ◽  
The People ◽  
Second World

In this article, the author highlights the worthy contribution of the people of Uzbekistan, along with other peoples, to the victory over fascism in World War II in a historical aspect. This approach to this issue will serve as additional material to previously published works in international scientific circles

Le rôle de l’armée juive dans la libération de Juifs en France 1942 - 1945

2019 ◽  
Vol 3 ◽  
pp. 00007
Author(s):  
B Dewi Puspitaningrum ◽  
Airin Miranda
Keyword(s):  
Second World War ◽  
Historical Research ◽  
World War ◽  
French Army ◽  
German Occupation ◽  
The Holocaust ◽  
The Status ◽  
Jews In France ◽  
State Of Israel ◽  
Second World

<p class="Keyword">Nazi Germany used Endlösung to persecute Jews during the Second World War, leading them to the Holocaust, known as “death”. During the German occupation in France, the status of the Jews was applied. Polonski reacted to the situation by establishing a Zionist resistance, Jewish Army, in January 1942. Their first visions were to create a state of Israel and save the Jews as much as they could. Although the members of the group are not numerous, they represented Israel and played an important role in the rescue of the Jews in France, also in Europe. Using descriptive methods and three aspects of historical research, this article shows that the Jewish Army has played an important role in safeguarding Jewish children, smuggling smugglers, physical education and the safeguarding of Jews in other countries. In order to realize their visions, collaborations with other Jewish resistances and the French army itself were often created. With the feeling of belonging to France, they finally extended their vision to the liberation of France in 1945 by joining the French Forces of the Interior and allied troops.</p>

La “neutralidad” chilena en la Segunda Guerra Mundial (1939-1943): Un análisis historiográfico con énfasis en la literatura sobre las relaciones Chile-Japón

2016 ◽  
pp. 95
Author(s):  
Pedro Iacobelli Delpiano
Keyword(s):  
World War Ii ◽  
Vice President ◽  
Second World War ◽  
Power Dynamics ◽  
Diplomatic Relations ◽  
World War ◽  
International History ◽  
Roosevelt Administration ◽  
The Us ◽  
Second World

ResumenLa literatura sobre la historia internacional de Chile durante la Segunda Guerra Mundial ha centrado el debate en torno al juego de presiones ejercidas por los Estados Unidos hacia los gobiernos radicales de Jerónimo Méndez Arancibia y Juan Antonio Ríos Morales para conseguir que Chile se sumara a la política continental contra las fuerzas del Eje. La neutralidad chilena fue interpretada como una actitud traicionera por los estadounidenses y en un triunfo por los países del Eje durante 1941 a 1943. Este artículo introduce el debate y busca presentar las posibilidades historiográficas al incluir a Japón, tanto como actor relevante en la política chilena como receptor de la “neutralidad” chilena en el periodo.Palabras clave: Chile, Japón, Segunda Guerra Mundial, Estados Unidos, historiografíaThe Chilean “Neutrality” in World War II (1939-1943): A historiographical analysis focused on the literature of the diplomatic relations between Chile and JapanAbstractThe literature about Chile´s international history during World War II has heavily laid on the power dynamics between the US and the Chilean radical governments of vice-president (interim) Jerónimo Méndez Arancibia and president Juan Antonio Rios Morales. Since the Roosevelt administration sought to secure the rupture of diplomatic relations between Chile and the Axis powers, Santiago´s refusal to break relations was understood as treason by the US and as a diplomatic success by the Axis powers during 1941-1943.This paper delves into the historiographical possibilities in including Japan, either as a relevant actor in the Chilean politics and as receptor of the newsabout Chile´s neutrality.Keywords: Chile, Japan, Second World War, United States, historiographyA “neutralidade” chilena na segunda guerra mundial(1939-1943): uma análise historiográfica, com ênfase naliteratura sobre as relações Chile-JapãoResumoA literatura sobre a história internacional do Chile durante a Segunda Guerra Mundial tem-se centrado no debate em torno ao jogo de pressões exercidas pelos Estados Unidos aos governos radicais de Jerónimo Méndez Arancibia e Juan Antonio Rios Morales, para conseguir que o Chile pudesse se somar a política continental contra as forças do Eixo. A neutralidade chilena foi interpretada como uma atitude traiçoeira pelos norte-americanos e uma vitória para os países do Eixo durante 1941 a 1943. Este artigo introduz o debate e procura a presentar as possibilidades historiográficas ao incluir ao Japão, tanto como um ator relevante na política chilena como o destinatário da “neutralidade” chilena no período.Palavras-chave: Chile, Japão, Segunda Guerra Mundial, Estados Unidos, historiografia

Entangled Memories: Complicating the Memory of Area Bombing Through the Haunted Ruins of Anhalter Bahnhof

2021 ◽  
pp. 153270862199758
Author(s):  
Eloise Florence
Keyword(s):  
Cultural Memory ◽  
Second World War ◽  
New Materialism ◽  
World War ◽  
Train Station ◽  
The Holocaust ◽  
Normative Models ◽  
German Cities ◽  
Second World

This article investigates the possibilities for experiential encounters with ruins in Berlin to complicate the dominant articulations of the cultural memory of Allied bombing attacks on German cities during the Second World War. Building on works that seek to disrupt normative models of cultural memory of the bombings, and entangling them with existing literature that uses new materialism to engage the sensorial nature of memory site-encounters, I examine my own fieldwork visits the ruins of Anhalter Bahnhof—a former train station—as an entanglement of both. Specifically, I investigate how encountering Anhalter through this entangled method allows the site to emerge as haunted. Encountering Anhalter as haunted might complicate the linear temporality that underpins enduring the narrative that the Allies’ actions during the war were completely ethical because they are largely framed as a response to— ergo following—the Holocaust.

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