scholarly journals Seeking Byzantium on the Borders of Narration, Identity, Space and Time in Julia Kristeva's Novel Murder in Byzantium

Nordlit ◽  
2009 ◽  
Vol 13 (1) ◽  
pp. 31 ◽  
Author(s):  
Helena Bodin

This article discusses the notion of Byzantium and Byzantium's potential capacities as a multifaceted borderland, as shaped and perceived in Julia Kristeva's novel Murder in Byzantium. In spite of its title, this is not a historical, but rather a so-called total novel, which reconciles several different plots - romantic, criminal, political and philosophical. It relies on both fictive and historical texts, especially on The Alexiad, written in the 12th century by the Byzantine princess and the first female historian ever, Anna Comnena. Through a literary analysis, this article shows how Byzantium is shaped in the novel by transgressions of the borders of narration, identity, space and time. Byzantium is thus of great interest to the general public and an academic discussion of borders, origin, history and culture, so important for the discussion of Europe's role today in - or, as suggested in the novel, perhaps between - Eastern and Western cultures. 

2021 ◽  
pp. 287-302
Author(s):  
T. V. Shvetsova ◽  
V. E. Shakhova

The results of the study of the chronotope in Russian-language compositions based on the novel about Robinson’s adventures are presented. The material for the work was A. E. Razin’s novel “The Real Robinson” (1860) and Lev Tolstoy’s story “Robinson” (1862). The issues of the specifics of the representation of the chronotopic in the works of Russian writers are considered. The relevance of the study is due to the appeal to the universal of the chronotope, which contains an exhaustive toolkit for the artistic embodiment of images of space and time; as well as the search for new methods of literary analysis of the text. It is shown that in the analyzed texts, a kind of fusion of Russianlanguage compositions with a foreigncultural text in the aspect of a chronotope is realized. The similarities and differences in the rethinking of the story of Robinson are shown on the example of the model of textual connexity, the national specifics of the representation of the image of Robinson are indicated. It is noted that the external and internal chronotopes are retransmitted from work to work and create the basis for the emergence of the author’s intentions. It is proved that chronotopic analysis allows one to form an idea of the peculiarities of the Russian-language interpretation of the story of Robinson.


2019 ◽  
Vol 16 (6) ◽  
pp. 584-594
Author(s):  
Olga A. Nesterova

The article examines the chronotope of fairy tale as a basic plot component in the structure of the novel “My Children” by the contemporary Russian writer Guzel Yakhina. The article investigates the ways of archetypical space functioning within the system of mythological time, and analyzes the principal space and time coordinates of the lives of main characters and their interaction. There is shown that Yakhina’s appeal to the genre elements of fairy tale allows her to underscore the universal and all-encompassing nature of the historical processes that shaped the tragic fate of the Volga Germans in Soviet Russia. In the novel “My Children”, the plots and images of German folklore serve as a basic model for organizing different types of space arising from the stable archaic communicative mo­dels and cultural archetypes of folk tradition. The no­vel presents such elements of the space and time continuum of fairy tales as the existence of borders (both open and closed) and the character’s travels within different worlds; the transformative capacity of space and time (extension and compression, appearance and disappearance, plasticity and rigidity, dynamic and static properties, etc.); the link between the “lower” and the “upper” worlds or the “space of giants” and the “space of dwarves”; and the mutual influence of space and time characteristics. The article identifies the semiotic and semantic properties of the underground, underwater, aquatic, terrestrial and aerial spaces presented in the novel. The everyday and socio-historical space and time continua in the novel are a mirror reflection of the space and time characteristics of fairy tale, while archetypes are incarnated in the domain of social interaction. Yakhina’s novel “My Children” presents such chronoto­pic features as relativism, invariance, and symmetry. The use of the archetypical structure of fairy tale allowed the writer to make a literary analysis of complex socio-cultural and socio-psychological processes.


2015 ◽  
Vol 8 (2) ◽  
pp. 127-141
Author(s):  
Margrete Lamond

Literary analysis tends to be conceptual and top-down driven. Data-driven analysis, although it belongs more to the domain of scientific method, can nevertheless sometimes reveal elements of narrative that conceptual readings may fall short of identifying. In critiques of Burnett's The Secret Garden, the children's return to health is generally understood to be the result of their interactions with nature. Some readings add the power of storytelling as a healing force in the novel. Burnett's concept of magic has tended to be treated with uneasy abstractions, and the influence of affect on health remains open for further investigation. This article bases its argument on data-driven analysis that charts how affective content in the novel occurs in conjunction with references to magic. It identifies the narrative significance of negative allusions to nature and how concepts of magic occur alongside representations of positive affect, and suggests that the magic of healing in The Secret Garden is not the transforming power of biological nature, nor the transforming power of storytelling, but the transforming power of surprise, wonder and happiness in conjunction with all these factors. Positive affect represents the essence of what Burnett means by magic.


2017 ◽  
Vol 4 (1) ◽  
pp. 70
Author(s):  
Sri Sabakti

This research is aimed to expose the narrative structure of the novel Ca Bau Kan by using semiotical theory. The source of the data is the novel Ca Bau kan written by Remy Silado and published by KPG, eight edition, 2004. The data is collected by doing the library research. The teory applied in this research is the emiotical theory, especially the literary analysis of Subur Laksono Wardoyo that the analysis of the text of prose can be applied by using three fases; the analysis of the basic scheme narrative, the analysis of mean signifier, and the analysis of syntagmatics and pragmatics. The result of this research showed that the narrative structure in the novel CBK that (1) the life of Tinung before being a ca bau kan, (2) the life of Tinung as a ca bau kan, and (3) the life of Tinung after not being a ca bau kan anymore. Based on the narrative structure, it was found that “ Love is only one. No measurement is needed” is the mean signifier and able to be clarified by the analysis of syntagmatics-paradigmatics based on the biner oposition of weak x strong.AbstrakPenelitian ini bertujuan mengungkapkan stuktur narasi dalam novel Ca Bau Kan (CBK) dengan menggunakan teori semiotika. Penelitian ini menggunakan sumber data novel CBK karya Remy Silado yang diterbitkan oleh KPG, cetakan kedelapan tahun 2004. Pengumpulan data dilaksanakan dengan teknik kepustakaan. Teori yang digunakan dalam penelitian ini adalah teori semiotika, khususnya analisis sastra menurut Subur Laksono Wardoyo bahwa analisis teks prosa dapat dilakukan melalui tiga tahap, yaitu: analisis skema naratif dasar, analisis signifier utama, dan analisis sintagmatik-paradigmatik. Hasil penelitian menggambarkan bahwa struktur narasi pada novel CBK adalah sebagai berikut: 1) kehidupan Tinung sebelum menjadi ca bau kan, 2) kehidupan Tinung sebagai ca bau kan, dan 3) kehidupan Tinung setelah tidak menjadi ca bau kan. Berdasarkan struktur narasi, maka didapatkan bahwa “Cinta cuma satu, kagak perlu takaran” merupakan penanda utama dan dapat diperjelas melalui analisis sintagmatik-paradigmatik yang didasarkan atas sebuah oposisi biner lemah x kuat.


2020 ◽  
Vol 11 ◽  
Author(s):  
Rongrong Luan ◽  
Weidan Pu ◽  
Lilei Dai ◽  
Rui Yang ◽  
Peng Wang

Objective: We aimed to conduct a comparative analysis of the psychological stress experienced by healthcare workers, frontline workers, and the general public and to assess the factors associated with psychological stress in each of these groups.Methods: We conducted an online survey targeting healthcare workers, frontline workers, and the general public. Psychological stress was assessed with the revised impact of event scale (IES-R). Univariable and multivariable logistic regression analyses were conducted.Results: We surveyed 1,336 participants (64.6% female; mean age, 36.6). The occupation group distribution of respondents was 50.7% healthcare workers, 27.2% frontline workers, and 22.1% general public. The healthcare (23.6 ± 15.8) and frontline (23.6 ± 17.8) workers had higher IES-R scores than the general public (15.3 ± 10.6; p < 0.01). Poor health perception and perception of infection avoidance were associated with psychological stress in the healthcare and frontline workers, but not in the general public.Conclusion: Both healthcare and frontline workers are suffering elevated psychological stress, compared to the general public, and this elevated stress may be related especially to their perceptions of their own health and infection risk. Interventions addressing these factors should be developed to alleviate psychological stress in these populations, and thus reduce their risk of mental illness pathogenesis.


2017 ◽  
Vol 8 (5) ◽  
pp. 158
Author(s):  
Robert S.P. Jones

James Joyce’s Portrait of the Artist as a Young Man has fascinated readers for more than a century and there are layers of psychological meaning to be found throughout the novel. The novel is the perfect vehicle to discuss the relationship between form language and emotion as Joyce deliberately manipulated the emotional response of the reader through innovations in form and language, departing dramatically from previous literary traditions. This paper attempts to take a fresh look at the novel from a psychological perspective and seeks to examine underlying conditioning processes at work in the narrative – particularly the concept of associative learning. Understanding emotional responses to different stimuli is the bedrock of psychological investigation and 100 years after the date of its publication, Portrait of an Artist presents remarkably fresh insights into the human experience of emotion. Despite its age, Portrait of the Artist contains many contemporary psychological insights.


2011 ◽  
Vol 24 (2) ◽  
pp. 171-188
Author(s):  
Ahmad Thamrini Fadzlin Syed Mohamed ◽  
◽  
Noraini Md. Yusof ◽  
Ruzy Suliza Hashim ◽  
◽  
...  

This paper attempts to provide an alternative perspective of Abdullah Hussain’s Interlok (2010) by examining the original version of the novel published in 1971. Exploring the controversy through claims made by the general public, academics and experts through the Internet, we argue that those who found the novel racist in essence are themselves guilty of racism. The paper will further suggest that Abdullah Hussain is a fierce nation builder who attempts to redefine the nation’s idea of citizenship and nationhood that can be explained by using the Race Relations Cycle theory. Most importantly, the article demonstrates the writer’s desire to try and redefine citizenship among the Malaysian people by deconstructing well-perceived stereotypical race constructions and promoting unity in a new nation. Keywords: Interlok, racism, nationalism, Abdullah Hussain


2021 ◽  
Vol 61 ◽  
pp. e20216110
Author(s):  
Paulo Sérgio Amorim ◽  
Mariana Fonseca Rossi ◽  
André de Camargo Guaraldo

Many bird species avoid traditional traps such as mist nets, thus alternative trapping methods are often needed. The Rufous Hornero (Furnariidae: Furnarius rufus) is one such species that was captured so far using conventional mist netting in rural areas or using nest-targeted traps, which risk nest damage and abandonment. Here we describe the novel rise-up mist-netting (RUM) protocol and its catchability for the wary and territorial Rufous Hornero in an urban area. The RUM trap allowed us quickly capturing 40 Rufous Hornero individuals even in paved parking lots and streets during the bird’s breeding period. The RUM is an active and targeted protocol that demands a single and quickly trainable field assistant. Therefore, it should also enable the capture of many understudied territorial but wary species. Moreover, it has enough mobility to fit studies in urban areas, and whenever researchers may deal with limited space and, at the same time, should reduce negative visual impacts to the general public of birds’ capturing and banding procedures.


2021 ◽  
Vol 21 ◽  
pp. 826-832
Author(s):  
Kizhan Salar Abdulqadr ◽  
Roz Jamal Omer ◽  
Ranjdar Hama Sharif

This paper examines the short poems of Ezra Pound, a group of works that have long been the subject of academic discussion in the field of literary analysis. Although Ezra Pound is typically considered a Modernist poet, some clear elements of Victorianism can be discerned within his revolutionary forms of poetry. The paper will offer a historical and biographical background to Pound's work before moving on to an analysis and discussion of the poet's short poems. While previous studies of Ezra Pound's poetry have adopted various critical approaches, we believe that this is the first study that compares the influence of Modernism and Victorianism on the work of this important figure in English verse of the early twentieth century.


2021 ◽  
Vol 40 (45) ◽  
pp. 111-121
Author(s):  
Svetozar Poštič

This paper analyses the concept of thrownness and the related notions of immediacy and actuality in a 1961 short science fiction story “Wall of Crystal, Eye of Night” by Algis Budrys. It first defines the concept of thrownness (Geworfenheit), created and coined by the German philosopher Martin Heidegger in his classic book Being and Time, and it explains how this notion can be employed in literary analysis in general and applied to this work in particular. The article then analyses how certain stylistic devices in the short story, namely similes, change of pace and the presentation of an inner conflict in the main character, contribute to the feeling of authenticity. In other words, it attempts to exhibit the means used in a prose work to make it seem more realistic and immediate. Finally, the work also argues that science fiction is in many ways more real than other fictional works. Although it belongs to the genre that has traditionally been denied serious literary merit, the novel view and interpretation of this story aims to disclose new horizons of artistic expression that illuminate human mental and physical frailty and stimulate a valuable inquiry into the meaning of life.


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