scholarly journals Rationality and Creativity Interplay in Research by Design as Seen from the Inside

Interiority ◽  
2019 ◽  
Vol 2 (2) ◽  
pp. 177-194
Author(s):  
M. Mirza Y. Harahap ◽  
Kate Tregloan ◽  
Anna Nervegna

While research by design is critical in the development of architecture and design knowledge, there is still a need to deeply understand the design knowledge about the interplay between rationality and creativity in research-by-design projects. This paper attempts to address this issue by illustrating, rather than conceptualising, the inside process of a research by design project. The inside process will be discussed from three different points of view: (1) research or design interest tendency, (2) the performance of reflective attitude, and (3) a combination of views (1) and (2). The study resulted in an illustration of the interplay that suggests a dynamic forward-backwards act of thinking and making of a research-by-design project.

2021 ◽  
Author(s):  
Filippo A. Salustri ◽  
W. Patrick Neumann

The design experience of 3rd year undergraduates in Mechanical Engineering at Ryerson University, and the assessment of student design work, was found to be disjointed and highly variable across the program. To attempt to address this, the authors are constructing courseware to help instructors of non-design engineering courses embed rich and consistent design projects into their courses. A “lightweight” Fast-Design process was developed. Course-specific design project examples of the process are being developed for five 3rd year courses using this design process. Current versions of all courseware are freely available. This paper details the nature of the courseware and how it was designed, developed,and deployed for the project. To date, one case has been deployed, two developed, and two more are under development. While results are so far only anecdotal, there is reason to believe that our approach can noticeably improve the design experience of students in non-design engineering courses.


2021 ◽  
Author(s):  
Filippo A. Salustri ◽  
W. Patrick Neumann

The design experience of 3rd year undergraduates in Mechanical Engineering at Ryerson University, and the assessment of student design work, was found to be disjointed and highly variable across the program. To attempt to address this, the authors are constructing courseware to help instructors of non-design engineering courses embed rich and consistent design projects into their courses. A “lightweight” Fast-Design process was developed. Course - specific design project examples of the process are being developed for five 3rd year courses using this design process. Current versions of all courseware are freely available. This paper details the nature of the courseware and how it was designed, developed, and deployed for the project. To date, one case has been deployed, two developed, and two more are under development. While results are so far only anecdotal, there is reason to believe that our approach can noticeably improve the design experience of students in non-design engineering courses.


Author(s):  
Sainath Varikuti ◽  
Jitesh H. Panchal ◽  
John M. Starkey

A well formed senior design project is known to have significant benefits in terms of project outcome, student motivation, team cohesiveness, engagement, and student learning. Defining a good problem statement, forming a team of compatible and appropriately skilled students, and selecting an appropriate faculty mentor are critical aspects of project formation. Therefore, students in Mechanical Engineering at Purdue University are encouraged to suggest project ideas, form teams, and have them approved by the course coordinator before the semester starts. While there is significant literature on senior design projects, most of the existing work is focused on activities after the problem is defined and the teams are formed. There is a lack of mechanisms and tools to guide the project formation phase in senior design projects, which makes it challenging for students and faculty to collaboratively develop and refine project ideas and to establish appropriate teams. To address this challenge, we have implemented an online collaboration tool to share, discuss and obtain feedback on project ideas, and to facilitate collaboration among students and faculty prior to the start of the semester. Through an online survey and questionnaire to students, we are exploring the impact of the collaboration tool on the senior design project formation process. In this paper we present the design of the tool and the results from our ongoing study in the senior design class at Purdue Mechanical Engineering.


Author(s):  
Hong Wee Lim ◽  
Kim Hoo Goh ◽  
Wen Feng Lu

With the recommendation from ABET, each engineering student should go through a major engineering design experience and understand how to go from design specifications to a final artifact. The Department of Mechanical Engineering at the National University of Singapore (NUS) started automotive design projects including competition vehicles and proof of concept vehicles for its undergraduate students many years ago. These projects aim to provide practical engineering education to the students through vehicle design and fabrication with hands-on experience. The project lifecycle usually does not last longer than one year as it is governed by the competition and the academic cycle. With many years of experience supervising students, the best practice of guiding students learning through this engineering design project within one academic year is developed. Before each project, students will first go through training and apprenticeship. Such project usually starts with problem formulation that studies the requirements of vehicle for the competition and the resources available. The team of students will go from design specifications to a final vehicle prototype with generating alternatives, synthesizing, analyzing, fabrication, testing and evaluating. This method allows sustainability in vehicle design projects. NUS Eco-car project is used as a case study to illustrate the best practice. Our past experience showed that students trained in this project have strong practical and analytical skills and are able to manage and communicate in a team well.


2020 ◽  
Author(s):  
Lilia Mironov

Throughout the 20th century and into the 21st, the emergence of airports as gateways for their cities has turned into one of the most important architectural undertakings. Ever since the first manned flight by the Brothers Orville and Wilbur Wright on December 17th 1903, utilitarian sheds next to landing strips on cow pastures evolved into a completely new building type over the next few decades – into places of Modernism as envisioned by Le Corbusier and Frank Lloyd Wright (who themselves never built an airport), to eventually turn into icons of cultural identity, progress and prosperity. Many of these airports have become architectural branding devices of their respective cities, regions and countries, created by some of the most notable contemporary architects. This interdisciplinary cultural study deals with the historical formation and transformation of the architectural typology of airports under the aspect of spatial theories. This includes the shift from early spaces of transportation such as train stations, the synesthetic effect of travel and mobility and the effects of material innovations on the development, occupation and use of such spaces. The changing uses from mere utilitarian transportation spaces to ones centered on the spectacular culture of late capitalism, consumption and identity formation in a rapidly changing global culture are analyzed with examples both from architectural and philosophical points of view. The future of airport architecture and design very much looks like the original idea of the Crystal Palace and Parisian Arcades: to provide a stage for consumption, social theatre and art exhibition.


2021 ◽  
Vol 74 (74) ◽  
Author(s):  
Andrea Facchetti

Starting from Morozov’s thoughts, this paper uses the concept of solutionism to analyze and criticize some trends that today define and lead practices of the so-called social design. To what is referred to as solutionist design, another design approach is here opposed, in which tools and methodologies of the discipline are oriented towards the articulation of a specific problem, rather than its solution. The theoretical background refers to the concepts of “antagonism” described by Mouffe, which has been recently translated within the design field. According to this perspective, a design project develops a political dimension through processes of reframing of a given problem. In this way a social issue will be represented as the product of specific choices or agencies and will therefore emerge as a political problem. This theoretical framework is described and discussed through the analysis and comparison of design projects addressing the issue of refugees and the refugee camp.


2021 ◽  
Vol 3 (2) ◽  
pp. 205-221
Author(s):  
Rahman Tafahomi ◽  
◽  
Reihaneh Nadi ◽  

The purpose of this study is to gain an understanding of how the architecture students deploy a range of graphical features to visualize SWOT, standing for Strengths, Weaknesses, Opportunities, and Threats. Architectural design studios provide students with a range of analytical techniques, and SWOT analysis is considered to be useful and effective, particularly at urban-scale design projects. However, it is a text-based framework and needs to be converted to thematic analysis maps across architecture and design fields. The main issue is that the determining factors affecting the way in which students choose graphical features to map the outputs of SWOT analysis is unclear at architectural design studios. The research employed qualitative methods, specifically observation, focus group, and graphical analysis, to examine SWOT maps produced by the architecture students. The findings demonstrated that the selection of graphical features in the process of producing SWOT analysis maps are dependent on scale of study (macro, meso, and micro), as well as location, spatial connection, and size of elements derived from SWOT matrix. For instance, lines and planes were most frequent features at macro level while the variety of symbols remarkably increased at micro level. In conclusion, the students personalized the process of mapping, meaning that they applied point, line, plane (shape), color, texture, and typography in several different ways. Therefore, SWOT analysis not only help architecture students to better understand the problems of their design projects, organize and consolidate information, and visualize opportunities and constraints, but could lead to the representation of realistic solutions in an innovative way.


2007 ◽  
Vol 2 (2) ◽  
pp. 151-160 ◽  
Author(s):  
Melissa Bilec ◽  
Robert Ries

The selection of the project delivery method (PDM) for any project is critical—it establishes the communication, coordination, and contractual interfaces between the owner, contractor, and designer. With an increase in the number of green design projects, understanding the relationship between the PDM and green design is paramount to project and contract management. While it is reasonable to assume that a relationship between green design and design-build (DB) exists since both theoretically are intended to foster an integrated, holistic, team-based collaborative project; it is also appropriate to understand the relationship between green design and other PDMs. This preliminary research examined possible relationships between design-bid-build (DBB), construction management (CM), and DB PDMs and green design with the goal of beginning to identify potential positive correspondence between them. To develop an initial understanding, two main tasks were completed. First, existing published research was evaluated to reveal aspects of projects and PDMs independent of green design. Second, the research collected primarily qualitative information by conducting structured interviews with approximately twenty-five individuals, including owners, contractors, and designers involved in completed green design projects, mainly in the public sector. Upon completion of the structured interviews, responses from the interviews were reviewed for green design project characteristics. Additionally, the interviews provided insight on the initial understanding of the current state of knowledge and experience in green design and PDMs. After the two main tasks were completed, both were evaluated for commonalities. Preliminary results found that seven green design project characteristics emerged that in some cases related to a specific PDM, but in other cases were independent of a PDM. Future research will quantitatively investigate the relationship between green design projects, PDMs, and success factors.


Author(s):  
Paul V. Straznicky ◽  
R. G. Langlois ◽  
M. McDill ◽  
R. Miller ◽  
S. A. Sjolander ◽  
...  

The engineering design curriculum is receiving much-deserved attention at all universities in Canada and abroad, and many interesting approaches to design education are under development. One such approach is the topic of this paper. Its key feature is a 4th-year integrated team design project at M&AE, a culmination of systematic design education that starts in the first year. The paper will describe this approach, the accomplishments and the plans for the future.


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