3 Berlin Alexanderplatz (1980)

2021 ◽  
pp. 65-76
Keyword(s):  
Berlin Alexanderplatz

Violently Oscillating: Science, Repetition and Affective Transmutation in Fassbinder's Berlin Alexanderplatz

2009 ◽  
Vol 3 (1) ◽  
pp. 73-96
Author(s):  
Elena del Río
Keyword(s):  
Scientific Discourse ◽  
Berlin Alexanderplatz

This essay looks at Fassbinder's Berlin Alexanderplatz to trace the  film's transformation of a mechanistic scientific discourse into  affective indeterminacy. Through patterns of repetition of a key event, the film considers its protagonist as a complex web of constantly shifting forces – a network of biological, social, political and semiotic flows coalescing in a body that exists in a state of perpetual oscillation between force and mutilation, ecstasy and pain. The role of physics and other materialist discourses in the film is thus not to fixate subjectivity, but rather to provide a passage into its affective transformations and the intense desubjectification that results.

Technique and Structure in Doblin's Berlin Alexanderplatz

1981 ◽  
Vol 54 (3) ◽  
pp. 318 ◽  
Author(s):  
Kathleen Komar
Keyword(s):  
Berlin Alexanderplatz

scholarly journals Alfred Döblin, crítico-romancista: propostas para o novo romance e a aliança da teoria e da prática em Berlin Alexanderplatz

2019 ◽  
Vol 14 (1) ◽  
pp. 37
Author(s):  
Izabela Baptista do Lago
Keyword(s):  
Literary Genre ◽  
The Novel ◽  
Artistic Practice ◽  
Work Of Art ◽  
Berlin Alexanderplatz ◽  
Alfred Döblin ◽  
Epic Novel ◽  
Theoretical Considerations

Resumo: A partir de ensaios de Alfred Döblin sobre o romance, publicados entre 1913 e 1930, o presente artigo examina as considerações críticas e teóricas do autor sobre o romance enquanto gênero literário e obra de arte em consonância com seu tempo. Considerando em especial a proposta romanesca de Döblin na forma do romance épico, uma breve análise do romance Berlin Alexanderplatz, publicado em 1929, verificará em que medida os elementos presentes nesta obra se adequam com o posicionamento expressado por seu autor. Por fim, conclui-se que Döblin concilia suas propostas teóricas com a sua prática artística, transformando-se no crítico-romancista do romance épico, alinhado com as transformações e aspirações culturais do século XX.Palavras-chave: Döblin; romance épico; crítico-romancista.Abstract: Based on Alfred Döblin’s essays on the novel, published between 1913 and 1930, this article examines the author’s critical and theoretical considerations of the novel as a literary genre and work of art in accordance with its time. Chiefly considering Döblin’s novelistic proposal in the form of the epic novel, a brief analysis of the novel Berlin Alexanderplatz, published in 1929, will verify the extent to which the elements present in this work can correspond with the position expressed by its author. Finally, it can be concluded that Döblin conciliates his theoretical proposals with his artistic practice, which turns him into a critic-novelist of the epic novel, aligned with the transformations and cultural aspirations of the 20th century.Keywords: Döblin; epic novel; critic-novelist.

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