8. A Caring Justice Partnership Paradigm: Transforming the World from the Inside Out

2021 ◽  
pp. 171-190
Keyword(s):  
The World ◽  
Inside Out

Carnival Poetics of B. Vasilyev’s Story «Tomorrow Was the War»

2021 ◽  
pp. 33-45
Author(s):  
Valentina Kovaleva ◽  
Oleg Pokhalenkov
Keyword(s):  
New World ◽  
World Order ◽  
State Machine ◽  
Hierarchical System ◽  
New World Order ◽  
The World ◽  
Inside Out ◽  
Usual Order ◽  
Better Than ◽  
The Revolution

The article deals with such categories of carnivalization as a free familiar contact, eccentricity, profanation, carnival ambivalence, crowning, and debunking the carnival king. Taking these categories to the analysis of B. Vasilyev’s story «Tomorrow Was the War» into consideration allows not only to reveal the features of the carnival poetics of the work, but also to understand more deeply the atmos-phere of total Stalinist terror reigned in the country on the eve of the war. Turning to the theory of carnivalization helps to draw a conclusion about how heavy was the atmosphere of suspicion, informers, and unjustified repression created by the NKVD with the support ofthe state machine. B. Vasi-lyev makes the reader wonder whether the new world order that is being estab-lished can be considered better than the old one that has been swept away by the revolution. Thus, the main goal of the carnival is realized in the story–to turn inside out the usual ideas about the world as a reasonable hierarchical system, to turn the usual order of things upside down, to ridicule everything familiar and frozen, so that through denial, ridicule (symbolic death) to promote the re-vival and renewal of the world.

Mobility, Liminality, and Digital Materiality

2013 ◽  
pp. 27-45 ◽  
Author(s):  
Martin Rieser
Keyword(s):  
Virtual Reality ◽  
Digital Media ◽  
Digital Age ◽  
Research And Practice ◽  
The Real ◽  
Digital Materiality ◽  
The World ◽  
Inside Out

This chapter will examine and critically align a number of pioneering projects from around the world, using mobile and pervasive technologies, which have challenged the design and delivery of mobile artworks, as documented on the author’s weblog and book The Mobile Audience (Rodopi, 2011). These will be presented together with examples from the artist’s own research and practice, which have been concerned with the liminal nature of digital media and the intersection of the real and virtual, the physicality of place, and the immateriality of the imaginary in artistic spaces. Two projects in process are also referenced: The Prisoner—a motion-captured, emotionally responsive avatar in the round—and Secret Garden—a virtual reality digital opera. Lastly, this chapter considers the nature of digital materiality in the exhibition of miniature Internet transmitted sculptures: Inside Out: Sculpture in the Digital Age.

From the Inside Out: The Policies and Diplomacy Shaping India’s Foreign Policy in the Twenty-first Century

2018 ◽  
Vol 74 (3) ◽  
pp. 347-355
Author(s):  
Madhu Bhalla
Keyword(s):  
Foreign Policy ◽  
21St Century ◽  
First Century ◽  
New Delhi ◽  
The World ◽  
Twenty First Century ◽  
Inside Out

Shiv Shankar Menon, Choices: Inside the Making of India’s Foreign Policy. Gurgaon: Allen Lane, Penguin, 2016, pp. 243, ₹599. ISBN: 9780670089239. Shyam Saran, How India Sees the World: Kautilya to the 21st Century. New Delhi: Juggernaut, 2017, pp. 312, ₹599. ISBN: 9789386228406.

For the Sake of the World: Stephen B. Bevans and Johannes C. Hoekendijk in Dialogue

2019 ◽  
Vol 44 (1) ◽  
pp. 20-32
Author(s):  
Dale T. Irvin
Keyword(s):  
Holy Spirit ◽  
Starting Point ◽  
Key Points ◽  
The World ◽  
The Holy Spirit ◽  
Inside Out ◽  
The Church

In his 1998 article titled “God Inside Out: Toward a Missionary Theology of the Holy Spirit,” Stephen Bevans referred to Johannes Hoekendijk’s 1964 publication The Church Inside Out as his starting point. This article follows Bevans’s lead in exploring Hoekendijk’s legacy and contribution to theology and mission today. At key points I draw the connection of Hoekendijk’s thinking with that of Bevans, highlighting in the end the manner in which they both agree that the church itself is not of ultimate importance to God, but the world into which the Spirit still sends us in mission.

scholarly journals IN THE INSIDE-OUT WORLD: MADNESS AS A THEME AND PLOT

2021 ◽  
pp. 57-75
Author(s):  
Vadym Vasylenko
Keyword(s):  
Mental Disorders ◽  
Mentally Ill ◽  
Conveyor Belt ◽  
Self Awareness ◽  
The Novel ◽  
Romantic Poet ◽  
The World ◽  
Functional Features ◽  
Split Personality ◽  
Inside Out

The paper focuses on the madness as a theme and plot in Ukrainian literature of the 1st half of the 20th century. The researcher analyzes ideological and aesthetic tendencies associated with the understanding of the madness phenomenon, clarifies its functional features, symbolic and ideological significance, and emphasizes the connection between the psychological atmosphere of the totalitarian reality and literary interpretations of madness. The analysis involves works of different genres, styles, and dates of writing in which the theme of madness acquires ideologically engaged and symbolically significant content. In “Sanatorium Zone” by M. Khvylovyi the madness phenomenon is associated with the problems of split personality and suicide. It may be explained in a modernist context, as a reflection of the internally conflicting nature of a man, incapable of changing the existing world or getting adjusted to it. In the tragicomedy “People’s Malakhiy”, M. Kulish introduced the idea of madness into the complex sociopolitical context of the soviet reality which he revealed in various forms (from mythological to social-political) using satirical and grotesque images, philosophical generalization, etc. An episode of madness in the novel “The Garden of Gethsemane” by I. Bahrianyi emphasizes the anomality of the soviet world which is symbolized by the punishment cell and characterized as a “conveyor belt for dismantling human souls”. The story of the romantic poet Hӧlderlin in the novel by V. Domontovych is socially and politically conditioned. It reveals the state of a man and the world in a difficult transitional era. In “The Enameled Bowl”, Domontovych elaborates the theme of illness through the idea of the lack of consistency between the internal and external and understands it as an artistic convention that marks the absurdity of the world. T. Osmachka in his prose was especially focused on the theme of madness. He was interested in mental disorders both as a form of the character’s self-awareness and as a clinical story. The mythological and ideological image of a mentally ill man, reflecting a creative person subjected to repression and persecution, is a symbol of his own biography. In general, the changes in the interpretation of mental disorders are associated with the renewal of the modernist poetics and caused by the writers’ attempts to clarify the connection between the external and internal.

scholarly journals Puzzling Politics: A Methodology for Turning World-Systems Analysis Inside-Out

2019 ◽  
Vol 25 (1) ◽  
pp. 59-82
Author(s):  
Leslie C. Gates ◽  
Mehmet Deniz
Keyword(s):  
Systems Analysis ◽  
Political Process ◽  
World System ◽  
Historical Sociology ◽  
World Systems ◽  
Political Transformations ◽  
Social Bases ◽  
The World ◽  
World Systems Analysis ◽  
Inside Out

Can world-systems analysis illuminate politics? Can it help explain why illiberal regimes, outsider parties, and anti-immigrant rhetoric seem to be on the rise? Can it help explain any such nationalchanges that seem destined to shift how nations relate to world markets? Leading surveys of historical sociology seem to say no. We disagree. While there are problems with Wallerstein’s early mode of analyzing politicsin the capitalist world-system from the outside-in, historical sociologists have been too quick to dismiss world-systems analysis. We propose an alternative inside-out approach anchored in a methodology for selecting what to study: those national political transformations which constitute puzzling instances within a given world-historical political process. We recommend promising theoretical lineages to guide empirical research on the selected puzzle: those that specify the elite social bases of politics. We thereby  turn  world-systems  analysis  inside-out.  Our  inside-out  approach  advances  the  project  of  world-systems analysis as a methodology, rather than a theoretical prescription in several ways. First, it addresses an important but largely overlooked question: how to select what to study. Second, it devises a methodology that can, but does not have to, pair with the methodology of incorporated comparisons. Third, it offers a methodology that stimulates, rather than forecloses, theoretical flexibility and fresh interpretations of politics and the world-economy. We illustrate the strengths of this new approach with three books, two of which won the best book award from ASA’s Political Economy of the World System (PEWS) Section.

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