Reflexivity and Objectivity
By focusing on Helmut Käutner’s In Those Days/Stories of a Car (In jenen Tagen, 1947) this article analyses the role of the car as a cinematic object. The automobile is the narrator of Käutner’s film: by giving voice to an object to discuss the Third Reich, Käutner raises – as it is often the case in the ‘rubble films’ – the question of objectivity when dealing with the recent past. At the same time, through the motif of the automobile, which Käutner uses a reflection of and on cinema, the director questions the role that the filmic medium can or should play in postwar Germany.
2008 ◽
Vol 77
(6)
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pp. 388-403
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1982 ◽
Vol 15
(3)
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pp. 241-265
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1972 ◽
Vol 5
(4)
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pp. 330-357
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2006 ◽
Vol 66
(2)
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pp. 390-416
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1983 ◽
Vol 16
(3)
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pp. 276-294
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2019 ◽
pp. 330-343
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