Kissing and Killing: A Short History of Brighton on Film

Film Studies ◽  
2007 ◽  
Vol 10 (1) ◽  
pp. 64-71 ◽  
Author(s):  
Frank Gray
Keyword(s):  
Short History ◽  
Feature Films ◽  
History Of ◽  
A Site ◽  
The City

Over fifty feature films have been made either in or about Brighton and they have all contributed to popular understandings of Brighton‘s history and its character. Collectively, they present the city as a site for extreme emotions and conflicts found within narratives that are always set either on the seafront or at the Royal Pavilion. It can be argued that these Brighton films are not about Brighton at all but instead serve as vehicles for the expression of popular anxieties, concerns and desires. As such, they transcend the specificities of place and history and become projections of what could be described as a national unconscious.

scholarly journals ‘Policing Is a Profession of the Heart’: Evangelicalism and Modern American Policing

Religions ◽  
2021 ◽  
Vol 12 (3) ◽  
pp. 194
Author(s):  
Aaron Griffith
Keyword(s):  
Law Enforcement ◽  
Police Officers ◽  
American Politics ◽  
Short History ◽  
Carceral State ◽  
American Life ◽  
Politics And Culture ◽  
American Law ◽  
History Of ◽  
A Site

Though several powerful explorations of modern evangelical influence in American politics and culture have appeared in recent years (many of which illumine the seeming complications of evangelical influence in the Trump era), there is more work that needs to be done on the matter of evangelical understandings of and influence in American law enforcement. This article explores evangelical interest and influence in modern American policing. Drawing upon complementary interpretations of the “antistatist statist” nature of modern evangelicalism and the carceral state, this article offers a short history of modern evangelical understandings of law enforcement and an exploration of contemporary evangelical ministry to police officers. It argues that, in their entries into debates about law enforcement’s purpose in American life, evangelicals frame policing as both a divinely sanctioned activity and a site of sentimental engagement. Both frames expand the power and reach of policing, limiting evangelicals’ abilities to see and correct problems within the profession.

The new Basrah Museum: dedicated to the archaeological and historical inheritance of Basrah and Iraq

Antiquity ◽  
2019 ◽  
Vol 93 (369) ◽  
pp. 811-813
Author(s):  
Adil Hashim Ali
Keyword(s):  
Material Culture ◽  
Middle Ages ◽  
Gulf Coast ◽  
Arabian Gulf ◽  
Fertile Crescent ◽  
History Of ◽  
The Rich ◽  
A Site ◽  
Different Cultures ◽  
The City

Located in the Fertile Crescent and at the head of the Persian/Arabian Gulf, the city of Basra is steeped in history. Close to the heart of ancient Mesopotamia, the territory of modern Iraq was occupied variously by Achaemenids and Seleucids, Parthians, Romans and Sassanids, before the arrival of Islam in the early middle ages. In more recent history, the city's strategic position near the Gulf coast has made Basra a site of contestation and conflict. This exposure to so many different cultures and civilisations has contributed to the rich identity of Basra, a wealth of history that demands a cultural museum able to present all of the historical periods together in one place. The original Basra Museum was looted and destroyed in 1991, during the first Gulf War. The destruction and loss of so much of Iraq's history and material culture prompted official collaboration to build a new museum that would represent the city of Basrah and showcase its significance in the history of Iraq. The culmination of an eight-year collaborative project between the Iraq Ministry of Culture, the State Board of Antiquities and the Friends of Basrah Museum, the new museum was opened initially in September 2016. Already established as a cultural landmark in the city, with up to 200 visitors a day and rising, the museum was officially opened on 20 March 2019. The author was fortunate to be present for this event and able to explore the new galleries (Figure 1).

JEFFREY A. NEDOROSCIK, The City of the Dead: A History of Cairo's Cemetery Communities (Westport, Conn.: Bergin and Garvey, 1997). Pp. 140.

2000 ◽  
Vol 32 (4) ◽  
pp. 574-575
Author(s):  
Camilla Gibb
Keyword(s):  
Housing Sector ◽  
Religious Leaders ◽  
Housing Crisis ◽  
Informal Housing ◽  
The Poor ◽  
The Family ◽  
History Of ◽  
The Dead ◽  
A Site ◽  
The City

Jeffrey Nedoroscik's book is a sensitive sociological survey of life in Cairo's City of the Dead, where more than 500,000 people are now enlisted to reside. In an attempt to both demystify and account for this phenomenon, Nedoroscik argues that life in the City of the Dead is as old, and as rich, as life in Cairo itself. Today, residence in and among the family tombs stretching across some five square miles at the base of the muqattam Hills, constitutes an informal housing sector that has developed as a response to Cairo's severe housing crisis. Historically, though, the cemetery also teemed with life as a religious center housing some of the Muslim world's most important monuments, and a site of temporary and permanent shelter to relatives to the deceased, guardians of tombs, itinerants, the poor, the sick, Sufis, and other religious leaders.

scholarly journals Image of the city and modern architecture in the Polish feature films of the 1960s’

2019 ◽  
Vol 22 (31) ◽  
pp. 135-144
Author(s):  
Adam Nadolny
Keyword(s):  
Urban Planning ◽  
Modern Architecture ◽  
Historical Background ◽  
Feature Films ◽  
Film Image ◽  
The Status ◽  
History Of ◽  
Post War ◽  
The 1960S ◽  
The City

This article focuses on the inter-dependencies between the film image and architecture. The author has attempted to define what sort of historical background preconditions the film image to gain the status of a source for research on the history of Polish urban planning and post-war architecture, with particular emphasis placed on the 1960s.

scholarly journals Ikere-Ekiti in Art and Cultural Narratives

2021 ◽  
Vol 1 (1) ◽  
Author(s):  
Dele Jegede
Keyword(s):  
Collective Identity ◽  
Art History ◽  
Central Feature ◽  
Cultural Narratives ◽  
Southwestern Nigeria ◽  
Continuity And Change ◽  
History Of ◽  
A Site ◽  
Art And Architecture ◽  
The City

Ikere, a city in Ekiti State of southwestern Nigeria, comes up often in the literature of art history on two principal accounts: first, its art and architecture, and second, its major annual fesitval. These are the two central concerns of this paper. In the first part, the unique architecture of the afin and the traditional sculptures that were its central feature present the opportunity to examine the interconnectedness of continuity and change, tradition and modernity, and the centrality of art in the Oba's quest for political pre-eminence. Ikere came to in­ternational attention through the vlrtuoslc sculptures of one of Africa's master carvers--Olowe (ca. 1873-1938), who lived in Ise-Ekiti, a town about 15 miles east of Ikere. In addition to offering new insights into the relevance of Olowe to Ikere, this essay posits a re-examination of the birth year of Olowe. In the sec­ond part, this essay dissects the Olosunta festival, which remains central to the collective identity of a people who subscribe to different religious doctrines. The early history of Ikere acknowledges the city as a site for the simultaneous reign of two rulers, the Ogoga and the Olukere. But it is the annual celebration of the Olosunta festival that serves as the rallying point for the indigenes of the city at the same time that it provides a time-honored structure for handling potentially explosive cultural and political contestations.

scholarly journals Interethnic festivals: The celebrations of multiculturalism and/or the guardians of ethnicity

2012 ◽  
pp. 151-157
Author(s):  
Mirjana Pavlovic
Keyword(s):  
Ethnic Diversity ◽  
Local Community ◽  
Regional Identity ◽  
Short History ◽  
History Of ◽  
The Media ◽  
City Policy ◽  
The City

Apart from a short history of Banat Zrenjanin, as well as descriptions of inter-ethnic events that take place in the city, the paper analyzes the function of inter-ethnic events in the city, based on evidence collected from the literature and the media. The analysis showed that inter-ethnic events in Zrenjanin primarily reflect the multicultural city policy to promote ethnic diversity and tolerance, as well as contribute to the development of the regional identity of Banat. Despite that fact they are often used for the revival of ethnicity, which contributes to the division in the local community.

The Archaic Acropolis: Some Problems

1960 ◽  
Vol 80 ◽  
pp. 127-159 ◽  
Author(s):  
Hugh Plommer
Keyword(s):  
Archaic Period ◽  
Present Evidence ◽  
North West ◽  
The North ◽  
History Of ◽  
A Site ◽  
The City ◽  
Large Building

The literature on the Acropolis seems to me as untidy as the site itself. Every discovery that could, on the present evidence, be made about its history, every truth that could be pertinently stated has already appeared, I should imagine, in one or other of the books or articles devoted to it since the Greek excavations of the eighties. I am merely attempting the humble but, I think, necessary task of sifting out what seem to me the more interesting discoveries, the more significant conclusions. Before we form any more theories, we must try to discover what under present circumstances we can reasonably know.In this paper I shall have space only to consider the history of the main buildings, one or perhaps two large temples and perhaps a large propylon, up to the Persian destruction of the archaic Acropolis in 480 and 479. The minor buildings of poros, with triglyphs barely 1 foot or 15 inches wide, and walls or columns consequently less than 15 feet high, will interest me only incidentally. I have found no clear evidence for the sites of any of these, not even Wiegand's ‘Building B’, considered by J. A. Bundgaard (pp. 55 ff.) to be the precursor of the north-west wing in the Periclean Propylaea. Moreover I can isolate the problem of the large buildings more conveniently and with a clearer conscience, because it has already been isolated by C. J. Herington in his stimulating book,Athena Parthenos and Athena Polias(Manchester, 1955). His thesis is an interesting one, that from far back in the archaic period two important temples stood on the Acropolis. The more southerly, dedicated to Athena the Warrior Maiden (Parthenos), occupied a site somewhere within the limits of the present Parthenon. The more northerly and the more important in state ritual was dedicated to Athena as the City Goddess, and occupied the site between the present Parthenon and Erechtheum, generally known as the ‘Doerpfeld Foundation’. Every visitor to Athens will know this series of old broken walls just south of the Caryatid Porch. Wiegand's is still, I think, the most workmanlike plan of it (Wiegand, figs. 72 and 117—my Fig. 1). Herington's thesis, then, enables me to arrange my questions as follows. How many successive temples occupied the Doerpfeld Foundation, what did they look like and how were they related to one another? And again, was there any important temple on the site of the present Parthenon before the decade 490–480, generally considered the date when a marble Parthenon was first attempted ? Because of its possible scale, I shall also have to consider the date and form of the archaic Propylon. If it were a large building, it could be the source of various large fragments hitherto assigned to temples; and Heberdey, the latest American books, and now Bundgaard all make it rather large, between 15 and 20 metres square. (For the actual dimensions they give, see below, pp. 146 ff.)

A Work for the Jewish Soul of Warsaw, Old and New

2017 ◽  
Vol 27 ◽  
pp. 57-58
Author(s):  
Lukas Ligeti
Keyword(s):  
Jewish Community ◽  
Computer Technology ◽  
Jewish Life ◽  
Site Specific ◽  
Interactive Performance ◽  
History Of ◽  
Polish Jews ◽  
A Site ◽  
The City

In 2015, Lukas Ligeti created a site-specific, audience-interactive performance work while in residence at the Museum of the History of Polish Jews in Warsaw. Based on interviews with residents of Warsaw, the piece examined aural memories of Jewish life in the city, tracing the extermination and re-emergence of the Jewish community through speech and songs as well as creative musicians’ reimaginings of these memories, with computer technology as a mediator.

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