scholarly journals Academe vs. Hollywood: Sweet Liberty, or the Dilemmas of Historical Representation on Film

2021 ◽  
Vol 40 ◽  
pp. 165
Author(s):  
Guy Spielmann
Keyword(s):  
Historical Representation

Gitanas without a tambourine: Notes on the historical representation and personal self-representation of the Spanish Romani woman

2020 ◽  
Vol 27 (2) ◽  
pp. 145-165
Author(s):  
Ester Alba Pagán ◽  
Aneta Vasileva Ivanova
Keyword(s):  
Collective Action ◽  
Ethnic Group ◽  
Historical Memory ◽  
Memory Studies ◽  
Self Perception ◽  
Historical Representation ◽  
Social Agents ◽  
The Social ◽  
The Feminine ◽  
Roma Women

The performative representation of the Spanish Roma woman reveals a historical journey that brings her closer to many symbolic elaborations of the feminine, giving her a special affinity with the imaginary concerning the colonized woman, particularly with the Orientalist vision. Developed initially by the travelling intellectuals in Spain who sought a fusion of the topics of sexualized exoticism, the myth was reworked by local artists and thinkers without undermining their power to silence and make invisible the reality of the most vulnerable and most represented members of the ethnic group, their women. Today, a growing awareness of the importance of collective action directs Roma women to initiatives such as the revision of their historical memory, at the intersection between the external gaze and self-perception. These searches lead to the pioneering creation of community museum institutions, which have arisen around feminine Roma associations and are a symptom of an emerging desire to be heard. Based on the terminological tools shared by women and memory studies, this article seeks the personal dimension of this invitation to listen. The authors analyse a series of interviews with Roma women that investigate the social agents of representation, self-representation and their conceptual and experiential foundations.

scholarly journals A especificidade da representação dos fatos históricos em "Esaú e Jacó", de Machado de Assis * The specificity of historical representation in "Esaú e Jacó", by Machado de Assis

2014 ◽  
Vol 3 (1) ◽  
pp. 140
Author(s):  
LUDMYLLA MENDES LIMA
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
Machado De Assis ◽  
The Novel ◽  
Historical Events ◽  
Historical Representation ◽  
Late Nineteenth ◽  
The Republic ◽  
Brazilian History

<p><strong>Resumo: </strong>O presente artigo trata de analisar o modo particular como Machado de Assis constrói a representação dos fatos históricos brasileiros no romance <em>Esaú e Jacó</em>. Este romance traz em seu enredo dois importantes fatos históricos ocorridos no final do século XIX: a Abolição da Escravatura, em 1888 e a Proclamação da República, em 1889. O tratamento literário dado pelo autor aos fatos, imprimindo irrelevância aos mesmos no contexto do enredo, revela que para ser Realista ‘à brasileira’, naquelas circunstâncias específicas, era necessário mostrar o curso da História tendo como base a ausência de transformação.</p><p><strong>Palavras-chave</strong>: Machado de Assis – <em>Esaú e Jacó</em> – História do Brasil.</p><p> </p><p><strong>Abstract: </strong>This paper intends to analyze the special way Machado de Assis builds the representation of Brazilian historical facts in the novel <em>Esaú e Jacó</em>. This novel brings in its plot two important historical events that happened in the late Nineteenth century: the Abolition of Slavery, in 1888; and the Proclamation of the Republic, in 1889. The literary treatment given by the author to the events, printing irrelevance to them, in the context of the plot, reveals that to build a Brazilian realism, in those circumstances, it was necessary to show the course of history based on the absence of transformation.</p><p><strong>Keywords</strong>: Machado de Assis – <em>Esaú e Jacó –</em> Brazilian History.</p>

scholarly journals Malaria Trigram: improving the visualization of recurrence data for malaria elimination

2021 ◽  
Vol 20 (1) ◽  
Author(s):  
Cleber Matos de Morais ◽  
Kayo Henrique de Carvalho Monteiro ◽  
Jose Diego Brito-Sousa ◽  
Wuelton Marcelo Monteiro ◽  
Vanderson Souza Sampaio ◽  
...  
Keyword(s):  
Malaria Elimination ◽  
Brazilian Amazon ◽  
Amazon Region ◽  
Primary Data ◽  
Malaria Surveillance ◽  
Historical Representation ◽  
Policy Makers ◽  
Individual Level ◽  
Public Health Professionals ◽  
Brazilian Amazon Region

Abstract Background Although considerable success in reducing the incidence of malaria has been achieved in Brazil in recent years, an increase in the proportion of cases caused by the harder-to-eliminate Plasmodium vivax parasite can be noted. Recurrences in P. vivax malaria cases are due to new mosquito-bite infections, drug resistance or especially from relapses arising from hypnozoites. As such, new innovative surveillance strategies are needed. The aim of this study was to develop an infographic visualization tool to improve individual-level malaria surveillance focused on malaria elimination in the Brazilian Amazon. Methods Action Research methodology was employed to deal with the complex malaria surveillance problem in the Amazon region. Iterative cycles were used, totalling four cycles with a formal validation of an operational version of the Malaria Trigram tool at the end of the process. Further probabilistic data linkage was carried out so that information on the same patients could be linked, allowing for follow-up analysis since the official system was not planned in such way that includes this purpose. Results An infographic user interface was developed for the Malaria Trigram that incorporates all the visual and descriptive power of the Trigram concept. It is a multidimensional and interactive historical representation of malaria cases per patient over time and provides visual input to decision-makers on recurrences of malaria. Conclusions The Malaria Trigram is aimed to help public health professionals and policy makers to recognise and analyse different types of patterns in malaria events, including recurrences and reinfections, based on the current Brazilian health surveillance system, the SIVEP-Malária system, with no additional primary data collection or change in the current process. By using the Malaria Trigram, it is possible to plan and coordinate interventions for malaria elimination that are integrated with other parallel actions in the Brazilian Amazon region, such as vector control management, effective drug and vaccine deployment strategies.

Larraín’s Ambivalence

2018 ◽  
pp. 42-60
Author(s):  
James Harvey
Keyword(s):  
The Political ◽  
Political Art ◽  
Political Resistance ◽  
Art Cinema ◽  
Historical Representation ◽  
Latent Potential ◽  
Ambivalent Relationship

This chapter brings together the political aesthetic writings discussed thus far with works on historiography and ethics in Rancière’s work, in order to understand how historical representation contains its own latent potential for politics. Focusing on No (2012), the film’s ambivalent relationship to the effects of atrocity is, I argue, representative of what Rancière describe as an essential ambivalence at the heart of political resistance: ‘to resist is to adopt the posture of someone who stands opposed to the order of things, but simultaneously avoids the risk involved with trying to overturn that order’ (Rancière, 2010: 169). No offers a deeper understanding of the forms and concerns of contemporary political art cinema through its rejection of partisan narratives, its ironic employment of classical conventions (like stardom and linearity) and its artful use of obsolete technologies.

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