CELLA (Simona), QUADRATI (Cinzia), dir., Djibril Diop Mambéty ou le voyage de la hyène. Préface de Martin Scorsese. Paris : L’Harmattan, coll. Images plurielles, 2020, 182 p. – ISBN 978-2-343-20871-8

2021 ◽  
pp. 256
Author(s):  
Alice Chaudemanche
Keyword(s):  
Martin Scorsese ◽  
Djibril Diop Mambety

: Casino . Martin Scorsese, Barbara de Fina.

1996 ◽  
Vol 49 (3) ◽  
pp. 43-45
Author(s):  
Karen Jaehne
Keyword(s):  
Martin Scorsese

Djibril Diop Mambety: un cineaste a contre-courant

2003 ◽  
Vol 46 (2) ◽  
pp. 154 ◽  
Author(s):  
Sheila Petty ◽  
Sada Niang
Keyword(s):  
Djibril Diop Mambety

Film Comedy in Africa

2020 ◽  
pp. 211-242
Author(s):  
William V. Costanzo
Keyword(s):  
Oral Traditions ◽  
Political Humor ◽  
Ousmane Sembene ◽  
Black Africa ◽  
Pan Africanism ◽  
The World ◽  
Djibril Diop Mambety ◽  
History Of ◽  
The Rich ◽  
Sub Saharan

The rich oral traditions of storytelling in Black Africa have evolved into cinematic forms, adapting social satire and political humor to the realities of modern life. After a brief history of the region and its early encounters with the medium of motion pictures, this chapter introduces concepts like négritude, the griot storyteller, pan-Africanism, and Afropolitanism to explain how African beliefs and sub-Saharan cinema differ from others in the world and how African filmmakers like Ousmane Sembène and Djibril Diop Mambéty, Jean-Pierre Bekolo and Adama Drabo, Henri Duparc and Benoît Lamy, Flores Gomes and Fanta Régina Nacro have fashioned a cinema that reflects the way Africans see themselves and their place in the world.

Sign in / Sign up

Export Citation Format

Share Document