scholarly journals Listening to Cambodian Rock Band: An Interview with Lauren Yee and Chay Yew

2021 ◽  
Vol 6 (2) ◽  
pp. 126-132
Author(s):  
Donatella Galella

An interview with playwright Lauren Yee and director Chay Yew about Cambodian Rock Band, a memory play that uses music to call back to traumatic memories of the Khmer Rouge.

2009 ◽  
Author(s):  
Jeffrey Sonis ◽  
James Gibson ◽  
Sokhom Hean ◽  
J. T. V. M. de Jong ◽  
Nigel Field
Keyword(s):  

1987 ◽  
Author(s):  
Onno van der Hart ◽  
Paul Brown
Keyword(s):  

2017 ◽  
Vol 11 (1) ◽  
pp. 68-86
Author(s):  
Maureen S. Hiebert
Keyword(s):  

Author(s):  
Christopher M. Driscoll

This chapter explores the relationship between humanism and music, giving attention to important theoretical and historical developments, before focusing on four brief case studies rooted in popular culture. The first turns to rock band Modest Mouse as an example of music as a space of humanist expression. Next, the chapter explores Austin-based Rock band Quiet Company and Westcoast rapper Ras Kass and their use of music to critique religion. Last, the chapter discusses contemporary popular music created by artificial intelligence and considers what non-human production of music suggests about the category of the human and, resultantly, humanism. These case studies give attention to the historical and theoretical relationship between humanism and music, and they offer examples of that relationship as it plays out in contemporary music.


2017 ◽  
Vol 54 (2) ◽  
pp. 155-178 ◽  
Author(s):  
Maurice Eisenbruch

This paper reports an ethnographic study of mass fainting among garment factory workers in Cambodia. Research was undertaken in 2010–2015 in 48 factories in Phnom Penh and 8 provinces. Data were collected in Khmer using nonprobability sampling. In participant observation with monks, factory managers, health workers, and affected women, cultural understandings were explored. One or more episodes of mass fainting occurred at 34 factories, of which 9 were triggered by spirit possession. Informants viewed the causes in the domains of ill-health/toxins and supernatural activities. These included “haunting” ghosts at factory sites in the wake of Khmer Rouge atrocities or recent fatal accidents and retaliating guardian spirits at sites violated by foreign owners. Prefigurative dreams, industrial accidents, or possession of a coworker heralded the episodes. Workers witnessing a coworker fainting felt afraid and fainted. When taken to clinics, some showed signs of continued spirit influence. Afterwards, monks performed ritual ceremonies to appease spirits, extinguish bonds with ghosts, and prevent recurrence. Decoded through its cultural motifs of fear and protest, contagion, forebodings, the bloody Khmer Rouge legacy, and trespass, mass fainting in Cambodia becomes less enigmatic.


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