scholarly journals Glimpses, Glances, and Gossip: Seventeenth-century Dutch Paintings of Domestic Interiors on Their Neighbourhood’s Doorstep

2020 ◽  
Vol 45 (2) ◽  
pp. 25
Author(s):  
Linda Stone-Ferrier
2021 ◽  
Vol 7 (1) ◽  
pp. 314-336
Author(s):  
Hugo Huurdeman ◽  
Chiara Piccoli

Abstract This paper presents our ongoing work in the Virtual Interiors project, which aims to develop 3D reconstructions as geospatial interfaces to structure and explore historical data of seventeenth-century Amsterdam. We take the reconstruction of the entrance hall of the house of the patrician Pieter de Graeff (1638–1707) as our case study and use it to illustrate the iterative process of knowledge creation, sharing, and discovery that unfolds while creating, exploring and experiencing the 3D models in a prototype research environment. During this work, an interdisciplinary dataset was collected, various metadata and paradata were created to document both the sources and the reasoning process, and rich contextual links were added. These data were used as the basis for creating a user interface for an online research environment, taking design principles and previous user studies into account. Knowledge is shared by visualizing the 3D reconstructions along with the related complexities and uncertainties, while the integration of various underlying data and Linked Data makes it possible to discover contextual knowledge by exploring associated resources. Moreover, we outline how users of the research environment can add annotations and rearrange objects in the scene, facilitating further knowledge discovery and creation.


1963 ◽  
Vol 18 (1) ◽  
pp. 69-69 ◽  
Author(s):  
Jozef Cohen
Keyword(s):  

2020 ◽  
Vol 47 (2) ◽  
pp. 236-253
Author(s):  
Wu Huiyi ◽  
Zheng Cheng

The Beitang Collection, heritage of a seventeenth- and eighteenth-century Jesuit library in Beijing now housed in the National Library of China, contains an incomplete copy of Pietro Andrea Mattioli’s commentary on an Italian edition of Pedanius Dioscorides's De materia medica (1568) bearing extensive annotations in Chinese. Two hundred odd plant and animal names in a northern Chinese patois were recorded alongside illustrations, creating a rare record of seventeenth-century Chinese folk knowledge and of Sino-Western interaction in the field of natural history. Based on close analysis of the annotations and other contemporary sources, we argue that the annotations were probably made in Beijing by one or more Chinese low-level literati and Jesuit missionaries during the first two decades of the seventeenth century. We also conclude that the annotations were most likely directed at a Chinese audience, to whom the Jesuits intended to illustrate European craftsmanship using Mattioli’s images. This document probably constitutes the earliest known evidence of Jesuits' attempts at transmitting the art of European natural history drawings to China.


2016 ◽  
Vol 43 (2) ◽  
pp. 208-220 ◽  
Author(s):  
John Edgington

By an analysis of extensive and detailed annotations in copies of Thomas Johnson's Mercurius botanicus (1634) and Mercurii botanici, pars altera (1641) held in the library of the Royal Botanic Gardens, Kew, the probable author is identified as William Bincks, an apprentice apothecary of Kingston-upon-Thames, Surrey. Through Elias Ashmole, a friend of Bincks' master Thomas Agar, a link is established with the probable original owner, John Watlington of Reading, botanist and apothecary, and colleague of Thomas Johnson. The route by which the book ended up in the hands of Thomas Wilson, a journeyman copyist of Leeds, is suggested. Plants growing near Kingston-upon-Thames in the late seventeenth century, recorded in manuscript, are noted, many being first records for the county of Surrey.


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