scholarly journals Robert Rosenblum and H.W. Janson, 19th Century Art. Harry N. Abrams Inc., 1984. 527 pp., 413 illus., 89 colour pl., $63.00 (cloth)

1986 ◽  
Vol 13 (1) ◽  
pp. 85
Author(s):  
Robert J. Lamb
Keyword(s):  
19Th Century ◽  
19Th Century Art

scholarly journals Two new cellulolytic fungal species isolated from a 19th-century art collection

2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Carolina Coronado-Ruiz ◽  
Roberto Avendaño ◽  
Efraín Escudero-Leyva ◽  
Geraldine Conejo-Barboza ◽  
Priscila Chaverri ◽  
...  
Keyword(s):  
19Th Century ◽  
Fungal Species ◽  
Art Collection ◽  
19Th Century Art

19th-Century Art

1985 ◽  
Vol 6 (1) ◽  
pp. 41
Author(s):  
Amy M. Fine ◽  
Robert Rosenblum ◽  
H. W. Janson
Keyword(s):  
19Th Century ◽  
19Th Century Art

scholarly journals Rethinking the stylistic categories of Portuguese 19th century sculpture: the work of António Teixeira Lopes

2018 ◽  
pp. 157
Author(s):  
Marta Barbosa Ribeiro ◽  
Joana Brites
Keyword(s):  
19Th Century ◽  
Art History ◽  
Professional Life ◽  
Concrete Art ◽  
19Th Century Art ◽  
Mainstream Literature

This paper aims to rethink 19th century Portuguese sculpture’s stylistic categories from the analysis of the work of António Teixeira Lopes, who is considered the major representative of naturalism in this country. First, the concept of naturalism in Portuguese art history is examined, with a critical characterization of its separation from romanticism (contrasting with mainstream literature) and demonstrating that its emergence from painting research and its adoption in sculpture is inoperative when observing a concrete art work. Secondly, with the Portuguese art reality as a backdrop, Teixeira Lopes’ academic and professional life is contextualised. Finally, based on the analysis of the sculptor’s work and the knowledge of his methods and views on art, the labelling of Lopes as a naturalist is questioned and the necessity for a less compartmentalized understanding of 19th century art is stressed.

scholarly journals SOBRE A ARTE ENTRE OS S�CULOS 19 E 20: UMA ABORDAGEM A PARTIR DAS REPRESENTA��ES DO ATELI� VAZIO / On art between the 19th and 20th centuries: an approach from representations of the empty studio

2022 ◽  
Vol 27 (42) ◽  
pp. 172-187
Author(s):  
Nat�lia dos Santos Nicolich
Keyword(s):  
Nineteenth Century ◽  
Present Article ◽  
20Th Century ◽  
19Th Century ◽  
Art History ◽  
Paradigm Shifts ◽  
Starting Point ◽  
The Aesthetic ◽  
The 19Th Century ◽  
19Th Century Art

O estudo da hist�ria da arte no Brasil costumava tratar o s�culo 19 e o 20 como dois per�odos bastante distintos, quase conflitantes, sobre os quais n�o era poss�vel conceber que houvesse di�logo. Nos �ltimos anos, com as revis�es historiogr�ficas sobre a abordagem modernista, os pesquisadores valorizaram a produ��o oitocentista e por consequ�ncia abriram o campo para novas possibilidades de estudo sobre a arte nas primeiras d�cadas dos anos 1900. O presente artigo intenciona contribuir com essas pesquisas, propondo uma leitura para al�m das transforma��es est�ticas ocorridas nesse per�odo, tendo como ponto de partida as representa��es do ateli� vazio. Assim, considerando o ateli� vazio um tema por excel�ncia na arte do s�culo 19, investigamos sua persist�ncia no s�culo 20 apesar das mudan�as de paradigma na pintura. Para tanto, reunimos algumas obras realizadas entre os anos 1880 e 1950 aproximadamente, nas quais observamos aspectos sobre a posi��o do artista como profissional, a concep��o da arte e da realidade que os cerca.Palavras-chaveAteli� vazio. S�culos 19 e 20. Pintura. Artista.�AbstractThe study of Art History in Brazil used to treat the 19th century and the 20th century as two very distinct, almost conflicting periods, about which it was not possible to conceive that there were dialogues. In recent years, with the historiographic revisions on the modernist approach, researchers have valued the nineteenth-century production and consequently opened the field to new possibilities of studying art in the early 1900s. The present article intends to contribute to this research, proposing a reading beyond the aesthetic transformations that occurred in this period, taking as a starting point the representations of the empty studio. Thus, considering the empty studio a theme par excellence in 19th century art, we investigate its persistence in the 20th century despite the paradigm shifts in painting. To this end, we gathered some works from approximately 1880 to 1950, in which we observed aspects about the position of the artist as a professional, the conception of art and the reality that surrounds them.Keywords:Empty studio. 19th and 20th centuries. Painting. Artist.

Sign in / Sign up

Export Citation Format

Share Document