scholarly journals Visual Aurality in Russian Modernist Experiments: Explorations in Synesthesia and Auditory Imagination

2018 ◽  
Vol 35 (2-3) ◽  
pp. 77-96
Author(s):  
Julia Listengarten
Keyword(s):  
Creative Process ◽  
Theory And Practice ◽  
Sensory Communication

Russian modernist experiments in sensory communication include the interplay of sound and light in Alexander Scriabin’s symphonic mysteries as well as colored sounds in Wassily Kandinsky’s stage compositions. Inspired by various philosophical principles and creative methodologies, these artists explored the dialogue between the aural and the visual and its potential to influence the creative process and impact audience perception. This article seeks to assess the role of music and sound in synesthetic experiments of Scriabin and Kandinsky and place their theory and practice within the larger philosophical, artistic, and scientific contexts of their period and beyond.

scholarly journals The Role of Misrule in the Practice of  Performance

2021 ◽  
Author(s):  
◽  
Gregor Cameron
Keyword(s):  
Creative Process ◽  
Critical Analysis ◽  
Theory And Practice ◽  
Stage I ◽  
Community Collaboration ◽  
Definition Of

<p>In the theatre we are familiar with how rehearsal and collaboration can lead to a number of unintended discoveries that can cause a production to change tack. At the heart of this thesis is discovery- of oneself as an artist, as part of community collaboration and as part of a story told on stage. Using carnival as a frame for the space we work in, accepting that the ʻtricksterʼ cultural figure can be a manifestation of the carnival, it should be possible for the role of trickster to be taken on by someone in the rehearsal process. This is often but not always the director. These ʻhappy accidentsʼ can in fact arise through the directorʼs deliberate disruption of the community. At times, problems that raise their heads are solved through this creative process. Misrule is my definition of this and I offer my experience of this within the process of bringing Saint Punch, a carnivalesque/ Grand Guignol show, to the stage. I compare this with some other practitionersʼ experience of this process of disruptive imagination as defense of my position. By recognizing it in both theory and practice through a critical analysis my aim is to seek a synthesis intended to enrich the theatrical experience of the audience.</p>

scholarly journals Creating Transcriptions and Adaptations for Viola in Kazakhstan: Retrospection, Theory and Practice

2020 ◽  
Vol 12 (6) ◽  
Author(s):  
Aizhan S. Bekenova ◽  
◽  
Gulnar B. Abdirakhman ◽  
Diana Ye. Mahmood ◽  
Arita B. Baisakalova ◽  
...  
Keyword(s):  
Creative Process ◽  
Scientific Understanding ◽  
Theory And Practice ◽  
Past Century ◽  
Musical Culture ◽  
The Past ◽  
Practical Guide ◽  
Depth Study ◽  
History And Theory

Starting from the past century, viola began to draw much interest of musicians, performers and musicologists, as it gradually acquired a new role of a solo instrument. Although these days more compositions appear written especially for this instrument, the independent role of viola was always accompanied more with transcriptions and adaptations of works composed for other related instruments, mostly violin, cello, etc. This article looks into the history and perspectives of making transcriptions for the viola in the Kazakh musical culture. The study also involves the analysis of Kazakh viola schools with a focus on their founders. Questions of the history and theory of viola transcriptions are still waiting for detailed scientific understanding. The work of musicians who successfully applied to transcriptions and adaptations in their practice and formed the technology of this creative process has not been sufficiently studied. It requires more in?depth study and can be used as a practical guide for the work of other musicians. This determines the relevance of this article.

scholarly journals The Role of Misrule in the Practice of  Performance

2021 ◽  
Author(s):  
◽  
Gregor Cameron
Keyword(s):  
Creative Process ◽  
Critical Analysis ◽  
Theory And Practice ◽  
Stage I ◽  
Community Collaboration ◽  
Definition Of

<p>In the theatre we are familiar with how rehearsal and collaboration can lead to a number of unintended discoveries that can cause a production to change tack. At the heart of this thesis is discovery- of oneself as an artist, as part of community collaboration and as part of a story told on stage. Using carnival as a frame for the space we work in, accepting that the ʻtricksterʼ cultural figure can be a manifestation of the carnival, it should be possible for the role of trickster to be taken on by someone in the rehearsal process. This is often but not always the director. These ʻhappy accidentsʼ can in fact arise through the directorʼs deliberate disruption of the community. At times, problems that raise their heads are solved through this creative process. Misrule is my definition of this and I offer my experience of this within the process of bringing Saint Punch, a carnivalesque/ Grand Guignol show, to the stage. I compare this with some other practitionersʼ experience of this process of disruptive imagination as defense of my position. By recognizing it in both theory and practice through a critical analysis my aim is to seek a synthesis intended to enrich the theatrical experience of the audience.</p>

Timing is everything: Examining the role of constraints throughout the creative process.

2018 ◽  
Vol 12 (4) ◽  
pp. 471-488 ◽  
Author(s):  
Kelsey E. Medeiros ◽  
Logan M. Steele ◽  
Logan L. Watts ◽  
Michael D. Mumford
Keyword(s):  
Creative Process

‘A disoriented vision of … fact’: Brian Friel, Francis Bacon, and Faith Healer

2020 ◽  
Vol 50 (2) ◽  
pp. 319-336
Author(s):  
Zosia Kuczyńska
Keyword(s):  
Creative Process ◽  
Francis Bacon ◽  
Major Influence ◽  
Artistic Practice ◽  
Archival Research ◽  
Faith Healer ◽  
Brian Friel ◽  
History Of ◽  
Composition Process

The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel's plays. As the archive attests, these influences manifest themselves in ways that range from the superficial to the deeply structural. In this article, I draw on original archival research into the composition process of Friel's genre-defining play Faith Healer (1979) to bring to light a model of influence that operates at the level of artistic practice. Specifically, I examine the extent to which Friel's officially unacknowledged encounter with a book of interviews with painter Francis Bacon influenced the play in terms of character, language, and form. I suggest that Bacon's creative process – incorporating his ideas on the role of the artist, the workings of chance, and the extent to which art does violence to fact – may have had a major influence on both the play's development and on Friel's development as an artist.

The problem of reflection in German philosophy of the XVIII - XIX centuries

2020 ◽  
Vol 3 (152) ◽  
pp. 141-145
Author(s):  
L. A. Checal ◽  
Keyword(s):  
Human Development ◽  
Theory And Practice ◽  
Conceptual Representation ◽  
German Philosophy ◽  
Historical Aspect ◽  
Theoretical Significance ◽  
Self Knowledge

This study focuses on a conceptual representation of the metaphysical and non-classical context of reflection in its subjective dichotomous understanding. The author successively reviews the specifics of reflection, as well as the features of methodology of cognition and self-knowledge in the context of determining the values and priorities of human development and consciousness. The article also includes an overview of the main categories of reflection through a breakdown of theoretical relationships and the most important conceptual discourses. The theoretical significance of the problem of cognition and self-knowledge is determined by the central role of man in society and history. The analysis shows that the methodology of cognition and self-knowledge should be based on the principles of axiological disengagement, a combination of logical and historical aspect, as well as on the coherence of theory and practice.

scholarly journals Problematizing leadership learning facilitation through a trickster archetype: An investigation into power and identity in liminal spaces

Leadership ◽  
2021 ◽  
pp. 174271502199822
Author(s):  
Gareth Edwards ◽  
Beverley Hawkins ◽  
Neil Sutherland
Keyword(s):  
Leadership Development ◽  
Power Relations ◽  
Theory And Practice ◽  
Liminal Spaces ◽  
Learning Facilitation ◽  
Reflective Conversations ◽  
Permanent Resident ◽  
Shadow Side ◽  
Learning Development

This study uses the archetype of a ‘trickster’ to reflect back on, and hence problematize, the role of the educator/facilitator identity in leadership learning. This is based on the view that a trickster is a permanent resident in liminal spaces and that these liminal spaces play an important role in leadership learning. Our approach was based on the reading of the trickster literature alongside reflective conversations on our own experiences of facilitation of leadership learning, development and education. We suggest that paying attention to the trickster tale draws attention to the romanticization of leadership development and its facilitation as based on a response to crisis that leads to a further enhancement of the leader as a hero. Hence, it also offers ways to problematize leadership learning by uncovering the shadow side of facilitation and underlying power relations. We therefore contribute by showing how, as facilitators, we can use the trickster archetype to think more critically, reflectively and reflexively about our role and practices as educators, in particular, the ethical and power-related issues. In our conclusions, we make recommendations for research, theory and practice and invite other facilitators to share with us their trickster tales.

scholarly journals François Fénelon: Modern philosopher or conservative theologian?

2021 ◽  
pp. 147488512110020
Author(s):  
Alexandra Oprea
Keyword(s):  
Political Philosophy ◽  
Political Economy ◽  
International Relations ◽  
Early Modern ◽  
Political Thought ◽  
Theory And Practice ◽  
Education Of Women ◽  
Political Philosopher

Ryan Patrick Hanley makes two original claims about François Fénelon: (1) that he is best regarded as a political philosopher, and (2) that his political philosophy is best understood as “moderate and modern.” In what follows, I raise two concerns about Hanley’s revisionist turn. First, I argue that the role of philosophy in Fénelon’s account is rather as a handmaiden of theology than as an autonomous area of inquiry—with implications for both the theory and practice of politics. Second, I use Fénelon’s writings on the education of women as an illustration of the more radical and reactionary aspects of his thought. Despite these limits, the book makes a compelling case for recovering Fénelon and opens up new conversations about education, religion, political economy, and international relations in early modern political thought.

The Failure of Functional Theologies of Ministry and the Promise of a Relational Alternative

Ecclesiology ◽  
2005 ◽  
Vol 1 (3) ◽  
pp. 27-43
Author(s):  
Graham Buxton
Keyword(s):  
Pastoral Theology ◽  
Pastoral Ministry ◽  
Theory And Practice ◽  
Theological Method ◽  
Systematic Theology ◽  
The Social ◽  
Practical Ministry ◽  
Pastoral Theory ◽  
The Relationship

AbstractThe author critiques inductive approaches to pastoral theology that rely on the empirical methodology of the social and human sciences, and presents an alternative Christocentric praxis model of pastoral ministry. The result is an attempt to integrate pastoral theory and practice that shifts the perspective away from functionally-determined theologies of ministry to a relationally oriented and hermeneutically coherent model of orthopraxis in which theory and practice interact in a way that is intended to both deepen faith and transform lives. Some of the key themes that inform the discussion are the importance of theological method, the role of the community as the context for care, the relationship between practical ministry and systematic theology, and the notion of praxis in articulating the nature and scope of practical theology today.

scholarly journals Reflecting on the contemporary relevance of the forgotten management pioneers: A creative auto/biography

2019 ◽  
Vol 12 (2) ◽  
pp. 205979911986328
Author(s):  
Hester Nienaber
Keyword(s):  
Reflective Practice ◽  
Well Being ◽  
Base Change ◽  
Theory And Practice ◽  
Organisational Performance ◽  
Relevant Today ◽  
Practice Gap ◽  
Theory Practice Gap ◽  
And Control

Management theory and practice are characterised by the ‘theory–practice gap’. A way of addressing this divide is to engage in reflective practice, in this instance, a creative auto/biography. This different way of presenting an old issue demonstrates how the original teachings of the management pioneers remain relevant today. The central issues are the purpose of the organisation and the role of both leadership and employees in unlocking human competence in pursuit of organisational performance. The concepts ‘autonomy’ and ‘control’ transpired as crucial, which could easily be misunderstood or misapplied. This personal reflection presents evidence on which to base change, enhancing the well-being of employees, societies and the profit of organisations. This article contributes to knowledge by making inaccessible knowledge, accessible and inclusive, and the expectation that the meaning emanating from this reflection will result in the management audience to reconsider management, advancing management science and benefitting society at large.

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