Authenticity of the Sign: Travels of a Lahu Song1
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This is a paper about a song which requires rather complex semiotic operations to be Lahu. The Wedding Oath song indexes, in different contexts, a desirable modern quality in a pre-modern society, a connection between an ethnic minority group and the modern state which implies obligations toward that ethnic group, and the positive quality of cosmopolitanism as a characteristic of a modern nation state. The nature of authenticity as a feature of these indexical relationships creates the possibility that one might extend Mendoza-Denton’s (2011) concept of “semiotic hitchhiker” to incorporate a non-material feature of a discursive performance.
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2000 ◽
Vol 32
(1)
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pp. 164-166
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2021 ◽
Vol 2
(2)
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pp. 311-321
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2013 ◽
Vol 39
(3)
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pp. 401-414
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