scholarly journals Protestants, the Liberal State, and the Practice of Politics: Revisiting R.J. Fleming and the 1890s Toronto Streetcar Controversy

2014 ◽  
Vol 24 (1) ◽  
pp. 89-129
Author(s):  
Marguerite Van Die

Through the lens of R. J. Fleming, Irish Methodist businessman, alderman, and four times mayor of Toronto in the 1890s, this paper re-examines the moral reform campaigns of middle-class Protestants described by Christopher Armstrong and H. V. Nelles in their now classic study, The Revenge of the Methodist Bicycle Company (1977). Instead of looking at the Sunday car issue from the perspective of the promoters and as evidence of secularization, it presents as a case study Fleming’s conflicted and controversial role as an evangelical politician confronted with a divisive moral and religious issue within the late nineteenth-century liberal state. Scholarly debates on the process of secularization in late nineteenth-century Canada have given little attention to the influence of the timing and nature of the country’s political arrangements and have thus neglected the contradictions and tensions devout politicians faced within the new state and social order. This paper argues the need to make an important but often overlooked distinction between political and social secularization. With close attention to detail, it examines Fleming as an “evangelical modernizer” who as a politician had to maintain the neutrality of the state and at the same time address the concerns of a religious constituency that feared a favourable vote on Sunday cars would lead to social secularization.

2018 ◽  
Vol 49 (3) ◽  
pp. 445-463
Author(s):  
Hans Pols ◽  
Warwick Anderson

In the 1920s and 1930s, the Mestizos of Kisar, a dry, almost barren island in the Dutch East Indies off the coast of East Timor, were a model for the study of race mixing or human hybridity. Discovered in the late nineteenth century, these ‘anomalous blondes’ of Dutch and Kisarese ancestry became subjects of intense scrutiny by physical anthropologists. As a German specialist in tropical medicine in search of a convenient empire after 1918, Ernst Rodenwaldt favourably evaluated the physique and mentality of the isolated, fair Mestizos in the Dutch East Indies (now Indonesia). Back in Germany in the 1930s, as professor of hygiene at Heidelberg, his views on race hardened to accord with Nazi doctrine. Yet after the war, Rodenwaldt successfully cited his earlier appreciation of mixed-race peoples in the eastern Malay Archipelago as grounds for rehabilitation. Once a celebrated case study in human hybridity, the Mestizos of Kisar were erased from anthropological discussion in the 1950s, when race mixing ceased to be a biological issue and became instead a sociological interest. Still, Rodenwaldt's work continues to exert some limited influence in the eastern parts of the archipelago and among the Kisarese diaspora, indicating the penetrance and resilience of colonial racialisation projects.


2014 ◽  
Vol 14 (1) ◽  
pp. 28-40 ◽  
Author(s):  
Chris Brickell

Purpose – Many scholarly disciplines are currently engaged in a turn to affect, paying close attention to emotion, feeling and sensation. The purpose of this paper is to locate affect in relation to masculinity, time and space. Design/methodology/approach – It suggests that historically, in a range of settings, men have been connected to one another and to women, and these affective linkages tells much about the relational quality and texture of historically experienced masculinities. Findings – Spatial settings, in turn, facilitate, hinder and modify expressions and experiences of affect and social connectedness. This paper will bring space and time into conversation with affect, using two examples from late nineteenth-century New Zealand. Originality/value – If masculinities scholars often focus on what divides men from women and men from each other, the paper might think about how affect connects people.


Author(s):  
Marion Thain

Chapter 1 offers important historical and conceptual contexts for the late nineteenth century. The chapter suggests that ‘aestheticist lyric poetry’ might be usefully conceptualised ‘through the twin impetuses of conceptual expansion and formal reduction’. It then goes on to outline the context of ‘cultural modernity’, to which it is suggested aestheticist lyric poetry is responding, in order to define further the ‘crisis’ in lyric. It also introduces the three conceptual frames that set the remit for the three parts of the book; these are three key axes around which lyric poetry operates: time, space and subjectivity. Chapter 1 ends with a preliminary case study from the work of ‘Michael Field’ (the assumed name of Katharine Bradley and Edith Cooper) to demonstrate in practice the relevance of the three frames to aestheticist poetry.


Author(s):  
Brianna Theobald

This chapter lays the groundwork for the book’s use of the Crow Reservation in Montana as an extended case study. After providing an overview of Crow history to the late nineteenth century, the chapter sketches the parameters of a Crow birthing culture that prevailed in the decades surrounding the turn of the twentieth century. Crow women navigated pregnancy and childbirth within female generational networks; viewed childbirth as a sex-segregated social process; and placed their trust in the midwifery services of older women. The chapter further explores government employees’ attitudes toward and interventions in Indigenous pregnancy, childbirth, and especially family life in these years, as these ostensibly private domains emerged as touchstones in the federal government’s ongoing assimilation efforts.


2017 ◽  
Vol 86 (1) ◽  
pp. 86-119 ◽  
Author(s):  
Hillary Kaell

A century ago, the mite box (penny collection box) was ubiquitous in North America as a religious fundraising tool, especially for women and children. Using the Methodist Woman's Foreign Missionary Society as a case study, I ask what these boxes reveal about the intersection of gender, consumerism, and capitalism from circa 1870–1930. By cutting across traditional Weberian and Marxist analyses, the discussion engages a more complex understanding of religion and capital that includes emotional attachments and material sensations. In particular, I argue that mite boxes clarify how systematic giving was institutionalized through practices that created an imaginative bridge between the immediacy of a sensory experience and the projections of social policies and prayers. They also demonstrate how objects became physical points of connection that materialized relationships that were meant to be present, but were not tangible. Last, they demonstrate the continued salience of older Christian ideas about blessings and sacrifice, even in an era normally associated with the secularization of market capitalism and philanthropy.


2021 ◽  
Author(s):  
Michelle Macleod

This thesis is a case study of 39 disbound album pages with 579 albumen photographic portraits, most attributed to James Inglis (1835-1904), an accompanying index book, four related documents, and two notes concerning the objects’ provenance. This object-based examination of these objects is intended to serve as a model for photographic and social historians when presented with inter-related, multi-part photographic objects. This extensively illustrated case study, which is supported by four appendices, reveals aspects of Montreal’s social history in the late nineteenth century and facilitates the objects incorporation into the McCord Museum’s collection. A brief biography and information on Inglis’ studio are included to contribute to the study of his career and nineteenth century portraiture in Montreal. While the exact function of these objects is still uncertain, this thesis explores their overall intellectual and historical value and is intended to foster further research in the collection.


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