scholarly journals CUMS Remembered

2013 ◽  
Vol 20 (1) ◽  
pp. 1-4
Author(s):  
John Beckwith
Keyword(s):  
Honorary Member ◽  
Personal Reflection ◽  
Hybrid Form ◽  
Canadian Music ◽  
Canadian Composers

On the occasion of his induction as a lifetime honorary member of the Canadian University Music Society, the Dean of Canadian composers, John Beckwith, offers a personal reflection on the triumphs and vicissitudes across more than thirty years of the Society. From its 1964 founding as a network of music deans and directors under the acronym CAUSM, through its metamorphosis into a learned society in the 1980s, to its present day hybrid form, CUMS is remembered—with affection and whimsy—as an agent in development of the Canadian music establishment.

A “League Against Willan”? The Early Years of the Canadian League of Composers, 1951–1960

2011 ◽  
Vol 5 (4) ◽  
pp. 445-480
Author(s):  
BENITA WOLTERS-FREDLUND
Keyword(s):  
Cultural Landscape ◽  
Early Years ◽  
Avant Garde ◽  
Concert Programming ◽  
Canadian Music ◽  
The 1950S ◽  
Stylistic Influences ◽  
Musical Modernism ◽  
Canadian Composers ◽  
League Of Composers

AbstractThe founders of the Canadian League of Composers were young modernists who resented the conservative musical climate in Canada epitomized by the traditional British style of Canada's most famous composer, Healey Willan. In their first decade (1951–60), during which their membership grew from eight to more than forty and they presented dozens of concerts of new Canadian music, they struggled to find a balance between two competing goals: championing the cause of all Canadian composers, regardless of style, and promoting modern and avant-garde styles, which had been virtually ignored by the older Canadian musical establishment. This article probes how those tensions played out in two of the league's early activities: membership decisions and concert programming. Although the league did admit composers and feature works representing a wide variety of stylistic influences, its membership and concerts were nonetheless dominated by younger composers interested in modern styles, especially the group of composers in John Weinzweig's circle in Toronto. The group earned a reputation as young radicals because of their modernistic programming choices and a controversial policy that limited membership to composers younger than sixty. Although its members may not have been entirely successful in their efforts at inclusivity, the league's ground-breaking activities in the 1950s did help to establish a place for composition generally and musical modernism in particular in the postwar Canadian cultural landscape.

A Personal Reflection

1997 ◽  
Author(s):  
Doug Haldeman ◽  
Keyword(s):  
Personal Reflection

In memory of professor L.S. Rosenstrauch. To the 100th anniversary

2019 ◽  
pp. 131-135
Author(s):  
T. Sh. Morgoshiia ◽  
N. A. Syroezhin
Keyword(s):  
Medical Education ◽  
Nuclear Medicine ◽  
Board Member ◽  
Postgraduate Medical Education ◽  
Editorial Board Member ◽  
100Th Anniversary ◽  
Honorary Member ◽  
Scientific Papers ◽  
Important Direction

The article presents the main stages of life and work of the professor L.S. Rosenstrauch (1918–2016). L.S. Rosenstrauch is the author of more than 300 scientific papers including 10 monographies. The important direction of his scientific works was development of new radiological techniques such as parasternal mediastinography, and development and integration of the domestic contrast agents. L.S. Rosenstrauch intensively engaged in teaching. More than 30 doctoral and more than 60 candidate dissertations were defended under his guidance or consultation. Professor was a honorary member of domestic and foreign societies of radiology, editorial Board member of the “Journal of radiology and nuclear medicine” and the international journal “Radiology – diagnostics”, coeditor of radiological section of the BME. Under his guidance a unified program of postgraduate medical education in radiology was developed.

Geography of Chinese rock and roll: cultural, political and economic forces intertwined

2018 ◽  
Author(s):  
June Wang ◽  
Li Chen
Keyword(s):  
Role Models ◽  
Western China ◽  
Rock And Roll ◽  
Hybrid Form ◽  
Economic Forces ◽  
Live Rock ◽  
Material Space

<p>This chapter mines the literature to bring out the richness and heterogeneity of Chinese rock. The first part charts the geography of music as the intersection of situated material space and networked topology. Chinese rock thus assembles disparate elements from the two wests: the capitalist-west and, the western China of the silk roads. The second part addresses the live rock scenes that has mushroomed in cities, some as forces of dissenters, some as state-sanctioned role models, or, as a hybrid form of both. </p>

In and Around Canadian Music

2000 ◽  
Vol 35 (3) ◽  
pp. 173-183 ◽  
Author(s):  
Will Straw
Keyword(s):  
Canadian Music
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