scholarly journals The Cult of the Folk: Ideas and Strategies after Ernest Gagnon

2013 ◽  
Vol 19 (2) ◽  
pp. 16-26
Author(s):  
Gordon E. Smith

In this paper I discuss ideas of collectors (Édouard-Zotique Massicotte and Marius Barbeau) vis-à-vis the song collection of Ernest Gagnon. The Chansons populaires repertoire is viewed in different ways by Gagnon's successors as historically significant and/or insignificant, and/or an exhaustive, representative "canon" of songs. Approaches to fieldwork, transcription, and the "selection" of repertoire in these collectors' works are also studied. The second part of the paper sets up a critical frame of reference for these strategies based on current literature (e.g., Philip Bohlman, Ian MacKay). Within this discussion, Gagnon's nineteenth-century ideology of "le peuple" is considered alongside the preservationist "cult of the folk" inspiration of his successors.

Author(s):  
Adam J. Silverstein

This book examines the ways in which the biblical book of Esther was read, understood, and used in Muslim lands, from ancient to modern times. It zeroes-in on a selection of case studies, covering works from various periods and regions of the Muslim world, including the Qur’an, premodern historical chronicles and literary works, the writings of a nineteenth-century Shia feminist, a twentieth-century Iranian dictionary, and others. These case studies demonstrate that Muslim sources contain valuable materials on Esther, which shed light both on the Esther story itself and on the Muslim peoples and cultures that received it. The book argues that Muslim sources preserve important, pre-Islamic materials on Esther that have not survived elsewhere, some of which offer answers to ancient questions about Esther, such as the meaning of Haman’s epithet in the Greek versions of the story, the reason why Mordecai refused to prostrate himself before Haman, and the literary context of the “plot of the eunuchs” to kill the Persian king. Furthermore, throughout the book we will see how each author’s cultural and religious background influenced his or her understanding and retelling of the Esther story: In particular, it will be shown that Persian Muslims (and Jews) were often forced to reconcile or choose between the conflicting historical narratives provided by their religious and cultural heritages respectively.


1990 ◽  
Vol 46 (3) ◽  
pp. 291-314
Author(s):  
John D. French

During the period from Mexican independence in 1821 to the end of the French intervention in 1867, Mexico's primary tie to the outside world was based on trade. The foreign merchants, who monopolized this activity, played a crucial role in the economic, diplomatic, and political life of Mexico. The current literature on these nineteenth century merchants includes studies of foreign groups, such as the French, detailed case studies of individual entrepreneurs, firms and merchant families, and one work that provides a unique state-centered perspective on the Mexican/merchant nexus. None, however, have tried to conceptualize the role of foreign merchants as a whole, across national lines and individual rivalries, in the port cities that were the central arena of contact and conflict with the outside world.


2021 ◽  
Vol 2021 ◽  
pp. 1-9
Author(s):  
Koichi Yuki ◽  
Miho Shibamura-Fujiogi

Surgical site infections are significant health care issues, and efforts to mitigate their occurrence have been ongoing worldwide, mainly focusing to reduce the spillage of microbes to the otherwise sterile tissues. Optimization of host immunity has been also recognized including temperature regulation (normothermia), adequate oxygenation, and glucose management. A number of papers have described the role of anesthetics in host immunity. The role of anesthetics in postoperative outcomes including surgical site infections has been also studied. We will review the current literature and propose the importance of anesthetic selection to potentially mitigate surgical site infections.


Author(s):  
Michèle Milan

While Irish newspapers and magazines such as the Nation and the Dublin University Magazine featured a variety of both ‘original’ and reprinted translations, a number of Irish printers and publishers also contributed to the dissemination of translated works. This chapter illustrates the role played by translators and other actors in the process such as printers, publishers and booksellers. Throughout the nineteenth century, Irish printers and publishers such as Richard Cross, James Duffy and M. H. Gill and Sons contributed to the dissemination of what they identified as ‘good reading’ – an undertaking which also involved a careful selection of ‘good translations’. Translation in the nineteenth-century Irish literary marketplace was therefore inextricably interconnected with discourses of morality, education, and national virtues.


2021 ◽  
pp. 23-43
Author(s):  
Agnes Arnold-Forster

This chapter explores the senses and emotions that attended living with and dying from cancer in the early nineteenth century. The archives of The Middlesex Hospital consist of registers of cancer patients from 1792 through to the twentieth century, and a potted selection of casebooks. This chapter, therefore, tells the stories of sixty patients from 1805 to 1836. From these case notes, flesh and blood can be added to the lived experience of cancer and go some way towards recovering the patient voice. We can follow in their footsteps from home to hospital, and in multiple literal and metaphorical ways appreciate the distances they travelled in their ‘cancer journeys’.


Author(s):  
Laurie McManus

This brief epilogue addresses the relationship—historical and present—between the exclusivity of the priestly performing persona and the development and perpetuation of canonical compositions. The author suggests that the two reinforce each other; Clara Schumann’s status as a priestess was informed by her selection of certain repertoire, but at the same time her “restrained” performance of the pieces helped mark them as serious works worthy of preservation. Jumping to today’s world of performance, the author analyzes the rhetoric in a New York Times article by Anthony Tommasini comparing two young pianists. The juxtaposition of these sources suggests that some nineteenth-century values of priestly performance, such as “seriousness” and “modesty,” still inform music criticism today.


Societies ◽  
2019 ◽  
Vol 9 (2) ◽  
pp. 31 ◽  
Author(s):  
Reynolds ◽  
Liston

This paper examines the role of the victim through the prism of prosecutor in the first third of the nineteenth century when England did not have a public prosecutor or national police force and most crimes were prosecuted in the courts by the victim. The selection of cases is drawn from a larger investigation of female offenders punished by transportation to New South Wales, Australia. The cases demonstrate the diversity of victims, the power they held as prosecutors and highlight the process from apprehension to conviction. Historical records of regional English Assizes and Sessions were investigated to identify the victim and record the prosecution process.


Literator ◽  
2000 ◽  
Vol 21 (1) ◽  
pp. 85-98
Author(s):  
H. Roos

As has now become a familiar image in Hope’s writings, once again ttie idea of looking at a society from the position of an outsider and an exile forms the central theme of Darkest England (1996). In this satirical novel, the tradition of nineteenth-century travel writings set in a colonial context is reversed, undermined, and then remarkably recreated to portray the present-day manifestation of encounters and relations between (black) Africa and the (white) West. Presenting the (fictional) journals of a Khoisan leader, David Mungo Booi, within a dynamic frame of reference to classical colonial texts by, among others, Livingstone and Stanley. Hope writes a new travel report. This essay discusses how, by the reversal of point of view, a change in time and space, and creating a satirical mood, the colonizer and the colonized are interchanged and the original texts are evoked to be rewritten. The notions of Self/Other, colonial /(post-)colonial and primitive/civilized are placed in new and disturbing contexts, adding to the complex structure of this fascinating text.


Author(s):  
Shaul Stampfer

This chapter examines the east European rabbinate. The rabbinate in modern eastern Europe was not significantly different from the rabbinate in other Ashkenazi Jewish communities up to the eighteenth century. In the following years, many aspects of rabbinical authority changed in almost every country of Europe. During the course of the eighteenth and nineteenth centuries, a number of developments altered the conditions of rabbinic authority in eastern Europe in unique ways, and also made the selection of communal rabbis more complex than previously. Many of these changes contributed to a weakening of the power and status of the rabbinate — a power and status that were not exceptionally strong to start with. By the end of the nineteenth century, the patterns of the east European rabbinate were far from the traditional Ashkenazi model because the community, as a body that collected taxes and had internal authority, had ceased to exist.


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