scholarly journals William Wordsworth and Samuel Taylor Coleridge. Lyrical Ballads. Ed. Michael Mason. Second edition, Harlow: Pearson Education, 2007. ISBN: 978-I-4058-4060-6. Price: £13.99 William Wordsworth and Samuel Taylor Coleridge. Lyrical Ballads 1798 and 1800. Eds. Michael Gamer and Dahlia Porter. Ontario: Broadview Editions, 2008. ISBN: 978-I-4058-4060-6. Price: US and C$ 19.95 William Wordsworth and Samuel Taylor Coleridge. Lyrical Ballads. An electronic scholarly edition. Eds. Bruce Graver and Ron Tetreault; technical editor, Vivien Hannon:

2010 ◽  
Author(s):  
C.C. Barfoot
Keyword(s):  
William Wordsworth ◽  
Samuel Taylor Coleridge ◽  
Technical Editor ◽  
Scholarly Edition ◽  
Lyrical Ballads

Walt Whitman and the Week of Modern Arts in Brazil

1980 ◽  
Vol 1 (1) ◽  
pp. 61
Author(s):  
Alita Sodré Dawson
Keyword(s):  
William Wordsworth ◽  
Walt Whitman ◽  
Samuel Taylor Coleridge ◽  
18Th Century ◽  
English Literature ◽  
New Age ◽  
Poetic Tradition ◽  
The Past ◽  
Lyrical Ballads ◽  
Significant Change

In English Literature a significant change took place in 1798 originated by William Wordsworth and Samuel Taylor Coleridge who in Lyrical Ballads broke with the reigning school of Pope and the spirit of the 18th century to achieve a new art freer in form and suited to the spirit of their time: Coleridge with poems of romantic wonder, Wordsworth with poems of nature and simple humanity. The new poetic tradition established by them and later romantic poets remained in authority in America until 1855 when the revolt of Walt Whitman, breaking away from the past, proclaimed a new age for America's poetry. Whitman considered himself - and was to some extent for his time - a literary radical, and as such he did not hesitate to write essays, poems, or utter remarks which among other things anathematized the poetry of his day.

Madness Writing Poetry/ Poetry Writing Madness

2017 ◽  
Author(s):  
James Whitehead
Keyword(s):  
William Wordsworth ◽  
Samuel Taylor Coleridge ◽  
English Literature ◽  
Percy Bysshe Shelley ◽  
John Keats ◽  
William Blake ◽  
Lord Byron ◽  
The Public ◽  
John Clare ◽  
Romantic Poetry

The final chapter returns to the scene of Romantic poetry, looking at poetry by William Blake, William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley, and John Clare. It reads these Romantic texts as poised articulations of the idea of poetic madness, and discusses generally how these writers contributed to, or interwove with their own lives and works, new and rediscovered mythologies of madness, sometimes anticipating or resisting the public images created by journalism, criticism, or biography, previously described. Finally, the Romantic mad poet is considered in relation to criticism and the canonical role of Romanticism in English literature.

Contexts (II)

2020 ◽  
pp. 95-132
Author(s):  
John Scholar
Keyword(s):  
Immanuel Kant ◽  
Intellectual History ◽  
Jacques Derrida ◽  
William Wordsworth ◽  
Samuel Taylor Coleridge ◽  
Judith Butler ◽  
Walter Pater ◽  
History Of ◽  
The Aesthetic ◽  
De Man

Chapter 3, continuing Chapter 2’s intellectual history of the impression, begins by exploring British aestheticism and its roots in Kant and romanticism (Walter Pater, Oscar Wilde, Immanuel Kant, Samuel Taylor Coleridge, William Wordsworth). It then turns to twentieth-century theories of performativity, which, it argues, combine elements of the empiricist and the aesthetic (J. L. Austin, Jacques Derrida, Paul de Man, Judith Butler, J. Hillis Miller). James followed Pater in resurrecting the ‘impression’. Pater found in Hume’s impression a role for the imagination at the heart of consciousness. But the interpretive excesses of James’s protagonists’ cognitive impressions must also be understood alongside the more flamboyant aestheticism of Pater’s disciple Wilde, and his ‘critic as artist’. The most active of James’s impressions, however, are performative: they are impressions made, not received. Performativity helps frame an account of the impression that encompasses both the receiving and making of impressions, and the confusion between the two.

scholarly journals Dorothy Wordsworth’s Journals of Scotland: The Creation of the Romantic Author

2021 ◽  
Vol 27 (1) ◽  
pp. 51-67
Author(s):  
Gillian Beattie-Smith
Keyword(s):  
William Wordsworth ◽  
Samuel Taylor Coleridge ◽  
Samuel Johnson ◽  
James Boswell ◽  
Construction Of Identity ◽  
The Social ◽  
The Creation ◽  
Dorothy Wordsworth ◽  
Individual Self ◽  
The 19Th Century

The increase in popularity of the Home Tour in the 19th century and the publication of many journals, diaries, and guides of tours of Scotland by, such as, Samuel Johnson and James Boswell, led to the perception of Scotland as a literary tour destination. The tour of Scotland invariably resulted in a journal in which identities such as writer, traveller, observer, were created. The text became a location for the pursuit of a sense of place and identity. For women in particular, the text offered opportunities to be accepted as a writer and commentator. Dorothy Wordsworth made two journeys to Scotland: the first, in 1803, with William Wordsworth and Samuel Taylor Coleridge, and the second, in 1822 with Joanna Hutchinson, the sister of Mary, her brother’s wife. This paper considers Dorothy’s identity constructed in those Scottish journals. Discussions of Dorothy Wordsworth have tended to consider her identity through familial relationship, and those of her writing by what is lacking in her work. Indeed, her work and her writing are frequently subsumed into the plural of ‘the Wordsworths’. This paper considers the creation of individual self in her work, and discusses the social and spatial construction of identity in Dorothy’s discourse in her journals about Scotland.

scholarly journals Transcending Self-Consciousness: Imagination, Unity and Self-Dissolution in the English Romantic and Sufis Epistemology

2021 ◽  
Vol 3 (8) ◽  
pp. 08-18
Author(s):  
Maryam Soltan Beyad ◽  
Mahsa Vafa
Keyword(s):  
William Wordsworth ◽  
Samuel Taylor Coleridge ◽  
Percy Bysshe Shelley ◽  
William Blake ◽  
Human Mind ◽  
Comparative Approach ◽  
Specific Reference ◽  
Romantic Literature ◽  
States Of Consciousness ◽  
Life Journey

English Romantic literature of the late eighteenth and early nineteenth centuries often recounts an individual life journey which depicts physical and spiritual pilgrimage and traverses both the inner and outer world to liberate the self and reach a revelatory moment of unification where the division between human mind and the external world is reconciled. For the Romantic poets this reconciliatory state cannot be achieved through rational investigation but via the power of imagination. In this regard, there is striking resemblance between the mystical and philosophical thought of Sufism and the idealistic thought of the English Romantic poets as they both strive for a sense of unification with the Divine or the Ultimate reality, and they both rely on imagination and intuitive perception to apprehend reality. Applying an analytical-comparative approach with specific reference to Northrop Frye’s anagogic theory (1957) which emphasizes literary commonalities regardless of direct influence or cultural or theological distinctions, this study endeavors to depict that certain Romantic poets’ longing for the reconciliation of subject and object dualism via imagination and its sublime product, poetic language, echoes the mystic’s pursuit of transcendental states of consciousness and unification with the divinely infinite. Through analysis of the concept of self-dissolution (fana) in Islamic mysticism and Sufi literature, particularly the poems of Jalal ad-Din Mohammad Balkhi (1207-1273) known in the West as Rumi, the outcome of this study reveals that the Romantics’ yearning for a state of reconciliation, which is prevalent in the major works of the Romantic poets such as William Blake (1757-1827), William Wordsworth (1770-1850), Samuel Taylor Coleridge (1772-1834), Percy Bysshe Shelley (1792-1822), and John Keats (1795-1821), corresponds to the mystic’s pursuit of unity or the Sufi’s concept of self-annihilation or fana.

scholarly journals Discursive Constructions of the Self in British Romanticism

2008 ◽  
pp. 0
Author(s):  
Christoph Bode
Keyword(s):  
William Wordsworth ◽  
Samuel Taylor Coleridge ◽  
John Keats ◽  
William Blake ◽  
Lord Byron ◽  
Wallace Stevens ◽  
Robert Frost ◽  
British Romanticism ◽  
Charlotte Smith ◽  
Discursive Constructions

Abstract This essay examines how subjective identities are discursively constructed in William Blake and P.B. Shelley, making brief references to William Wordsworth, Samuel Taylor Coleridge, Lord Byron, John Keats, and Charlotte Smith. It is argued that, although the poets come up with strikingly divergent solutions to the challenge of self-modelling, they face the same fundamental problems of self-grounding, working as they do within the paradox-prone paradigm of a Romantic self that tries to constitute itself out of itself. Comparing these Romantic poets with twentieth-century poetic models of selfhood and identity in Robert Frost and Wallace Stevens, this essay provides a tentative answer to the question of whether we continue to operate within the Romantic framework of discursive self-construction or whether in fact we have moved beyond this mode of self-construction.

Introduction

2012 ◽  
Author(s):  
Frederick Burwick
Keyword(s):  
William Wordsworth ◽  
Critical Analysis ◽  
Samuel Taylor Coleridge ◽  
Early Years ◽  
Literary Influence ◽  
Biographical Information ◽  
Introductory Article ◽  
Romantic Poet ◽  
The World

This introductory article explains the coverage of this book, which is about the works of the English Romantic poet Samuel Taylor Coleridge. This book provides biographical information about Coleridge, including his early years at Jesus College Cambridge and his later collaboration with William Wordsworth, and presents critical analysis of some of his most notable prose and poetic works. It examines sources and influences on Coleridge's writings and describes his literary influence throughout the world following his death.

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