Hitler’s Voice
2011 ◽
pp. 83-104
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Keyword(s):
This article examines the mechanisms through which acoustic-political power was claimed in the era of National Socialism. It shows that the “loud speaker” as a technical medium, framed as an extensively communicative apparatus, was constitutive for National Socialism’s political culture. Different operative scenarios of the loudspeaker are analyzed with regard to new forms of spatial-acoustic development. As a result, the article brings to light the temporal re-structuring by which the technically and medially performed voices of National Socialist speakers, and Hitler in particular, were established.