scholarly journals Methods in examining Sense-perception : John Philoponus and Ps.-Simplicius

2009 ◽  
Vol 64 (3) ◽  
pp. 651-661
Author(s):  
Peter Lautner

Abstract The paper discusses the methods applied by Philoponus and Pseudo-Simplicius in commenting on Aristotle’s theory of sense-perception, and indicates their differences. Philoponus frequently employs medical theories and empirical material, mostly taken from Aristotle, to highlight not only the activities of the particular senses, but also a certain kind of awareness and the way we experience our inner states. By contrast, his Athenian contemporary Pseudo-Simplicius disregards such aspects altogether. His method is deductive : He relies on some general thesis, partly taken from Iamblichus, from which to derive theses on sense-perception. The emphasis falls on Philoponus’ doctrine since his reliance on medical views leads to an interesting blend of Platonic and medical/empirical theories.

Author(s):  
Yeşim Kaptan

This article investigates how Turkish audiences conceptualize authenticity in their engagement with foreign television (TV) productions in the case of Danish TV dramas. The theoretical notion of authenticity is juxtaposed with empirical material from fieldwork interactions, focus group interviews, and one-on-one interviews conducted with Turkish audiences between 2016 and 2018. By employing a semiotic analysis of fieldwork data, I argue that Turkish audiences attribute authenticity to the Danish TV drama series according to a socially created modality (truth value of a sign). This article draws on accounts about modality markers in TV drama series such as authentic portrayals of Danish TV characters and plausible-realistic depictions as a verisimilitudinous representation of everyday life. In the context of cross-cultural television viewing practices, the way Turkish audiences attribute meaning to Danish TV series in terms of authenticity, realism, and modality reveals a distinct differentiation between Danish TV dramas and other nationally and globally circulating media products.


2019 ◽  
Vol 197 (1) ◽  
pp. 25-39
Author(s):  
Elin Slätmo

When space is limited, there is often conflict over land use such as agriculture, nature conservation, housing, business and commercial enterprise. More knowledge is needed about the substance of such conflicts and the way the various uses are handled and spatially organised. Using empirical material collected in Hållnäs, Sweden, and Sandnes, Norway, between 2009 and 2012, this paper addresses the potential conflicts and synergies between the different uses of land, with agriculture as a reference point. In combining and comparing the results from Hållnäs and Sandnes, the way in which relations differ between them are also scrutinised. Through planning documents, interviews with officials in public authorities, active farmers, non-governmental organisations (NGO) and field visits, case-specific land uses are identified in the two areas. The conflicting and synergetic relations between agriculture and other ways the land is used are identified and illustrated by schematic models. The results indicate that agriculture is both in synergy and in conflict with other land uses. In the cases investigated in this study, the primary areas of conflict are between agriculture and biodiversity, between agriculture and cultural heritage, and between agriculture and climate-smart initiatives in terms of dense building structures.


1983 ◽  
Vol 1 (1) ◽  
pp. 41-44
Author(s):  
Jan Narveson

My main complaint about Dworkin's papers on equality was that he had not said much by way of arguing for it. His intriguing response to this request provides a good start, and I shall confine this brief, further comment to what he says on that basic subject. Space considerations, alas, require me to ignore the other parts of his discussion (most of them well-taken, I should say in passing).Dworkin distinguishes what he calls the “abstract egalitarian thesis” from his particular version of equalitarianism, equality of resources. His strategy is to argue, first, that the latter is the best realization or version of the former, and then to argue for the general thesis itself. In my comments, I shall reverse this order, however, for reasons that will be clear as we proceed.1. The Abstract Egalitarian ThesisDworkin states this as follows: “From the standpoint of politics, the interests of the members of the community matter, and matter equally.” (24) The statement is intended to be abstract in the sense that it would “embrace various competing conceptions of equality,” so that in principle we can divide the discussion the way Dworkin has done into the two questions, “Should we accept equality as a principle at all?” and “What is the best version of equality, at what we might call the constitutional level?” But can we really do this? I am not entirely clear that we can. In order to appreciate the difficulty here, at any rate, consider Dworkin's suggestion that ”in order to sharpen the question” – the question whether to accept equality as a principle at all, that is –“I ask you to suppose that the abstract egalitarian principle does provide a good argument for subsidized medicine…” Now, some might think that such a program is paradigm case of what ought to be rejected at the public level, and yet his reasons for such rejection might very well be based on a principle that its proponent would regard as abstractly egalitarian.


2002 ◽  
Vol 64 (1) ◽  
pp. 57-79 ◽  
Author(s):  
David D. Corey

The article examines Voegelin's understanding of nous as the ground for theorizing, and relates this back to Aristotle. Aristotle is shown to have understood the activities of nous in two distinct ways. On the one hand, nous is the divine activity of the soul exploring its own ground. But nous is also induction (epagôgê) of the first principles of science through sense perception, memory and experience. The two basic activities of nous are related, but they have different values when it comes to the world of particulars. The argument is that a substantive ethical and political science—one that sheds light on particulars—must include the inductive employment of nous and that the exclusion of this from Voegelin's political science results in some discernible limitations.The limitations of Eric Voegelin—s work are sometimes difficult to keep in view, particularly while he is expounding upon the totality of Being, the myriad dimensions of human consciousness, and the nature of order in personal, social, and historical existence. But in fact Voegelin's work is more limited than his magisterial tone might suggest. The argument of this article is that while Voegelin offers his readers profoundly important insights into the structure of human consciousness and into what Aristotle called first philosophy, the study of being qua being, he does not offer his readers much in the way of a substantive ethical or political science.


Author(s):  
Brian P. McLaughlin

We learn about the world through our five senses: by seeing, hearing, smelling, tasting and feeling. Sense perception is a primary means by which we acquire knowledge of contingent matters of fact. We can also acquire such knowledge by, for instance, conscious reasoning and through the written and spoken testimony of others; but knowledge so acquired is derivative, in that it must be based, ultimately, on knowledge arrived at in more primary ways, such as by sense perception. We can perceive something without acquiring any knowledge about it; for knowledge requires belief, and we can perceive something without having any beliefs about it. Viewing any but the most simple visual scenes we see many things we form no beliefs about. However, when we perceive something, we are acquainted with it by its sensorially appearing (looking, sounding, smelling and so on) some way to us. For we see something if and only if it looks some way to us, hear something if and only if it sounds some way to us, and so on. When, based on how they appear, we form true beliefs about things we perceive, the beliefs sometimes count as knowledge. Often the way something appears is the way it is. The red, round tomato looks red and round; the sour milk tastes sour. But the senses are fallible. Sometimes the way something appears is different from the way it is. Appearances can fail to match reality, as happens to various extents in cases of illusion. There are, for instance, optical illusions (straight sticks look bent at the water line) and psychological ones (despite being exactly the same length, the Müller-Lyer arrows drawings look different in length). In such cases, looks are misleading. The ever-present logical possibility of illusion makes beliefs acquired by perception fallible: there is no absolute guarantee that they are true. But that does not prevent them from sometimes counting as knowledge – albeit fallible knowledge. Recognitional abilities enable us to obtain knowledge about things from how they perceptually appear. Sense perception thus acquaints us with things in a way that contributes to positioning us to acquire knowledge about them. The central epistemic issues about sense perception concern its role in so positioning us.


2020 ◽  
Vol 10 (2) ◽  
pp. 113-117
Author(s):  
MINGIYAN ARISTEEV ◽  

The article presents the results of a study of the problems of forensic activities of the customs authorities of the Russian Federation, conducted in the period from 2016 to 2019. The analysis made it possible to identify and classify the so-called “factors negatively affecting the forensic activities of customs authorities”. The above classification allows us to reflect at a comprehensive level the system of forensic activities of customs authorities in terms of its weaknesses. The text gradually reveals and describes the positions of some domestic scientists on the way to solving the problems of forensic activities of customs authorities. Based on the analysis of empirical material, the work of expert scientists and forensic scientists, recommendations are made on solving specific problems of forensic activities of the customs authorities of the Russian Federation.


2016 ◽  
Vol 29 (4) ◽  
pp. 441-442 ◽  
Author(s):  
Ernst Mach

It is undisputed that all scientific knowledge proceeds from sense perception. And the way in which sense perception is fostered by the graphic arts generally, and in particular by photography (stereoscopy included), likewise needs no further explanation here.


2019 ◽  
Vol 24 (3) ◽  
pp. 563-571
Author(s):  
David V. Petrosyan

The article discusses the features of internal dialogue in such genres as letter and essay. As an empirical material, the author took examples of media files published by Armenian Internet resources (magaghat.am, azg.am/AM/culture). As a result of the analysis, were discovered the characteristic forms of the author’s relationship with the internal “I” (internal recipients). These communicative forms give the text persuasiveness and integrity, which paves the way for the audience. A number of peculiarities of the internal dialogue were examined separately in a letter (Charlie Chaplin's letter to his daughter Geraldine) and in an essay (“No, oh Tolstoy, no!”). As a conclusion the common and distinctive aspects emerging in these two genres were summed up.


2020 ◽  
Vol 11 (2) ◽  
pp. 373-384
Author(s):  
Joanna Rybarczyk-Dyjewska

The aim of the article is to present the way in which the Siberian Healer (Natal’ya Ivanova Stepanova), in her publications, creates her own image and, at the same time, encourages to use magic practices proposed by herself. Magic handbooks and compilations of charms written by Stepanova served as the empirical material. They were the basis to describe manipulative and persuasive linguistic activities used to affect the recipient. The most common of those activities is argumentation, which is usually described as ‘a set of actions taken to justify some view’. The healer – in order to sway recipients to her views – mainly uses the so-called fallacious arguments, such as e.g. argumentum ad populum or argumentum ad metum. She also uses specific lexical and stylistic means


2021 ◽  
Author(s):  
◽  
Julia Simons

<p>This thesis investigates the way that Apollonios constructs Medea’s psyche and body in response to contemporary medical and philosophical influences in order to portray realistically the way that erōs manifests itself in Medea as both sickness and mental illness. Apollonios delves into Medea’s psyche and exposes how it functions in moments of intense desire, pain, indecision and introspection while under the powerful sways of erōs. Medea’s erōs manifests as erratic and dangerous behaviour and crippling indecision, the analysis of which is done in light of Chrusippos’ discussion of Euripides’ Medea’s akrasia. Apollonios draws from Euripides’ version to depict Medea in a different stage of her life, making a similar life-altering decision: whether or not to help Jason and betray her family or stay at home and watch him die. Apollonios makes the audience sympathize with Medea by showing her as a victim of destructive erōs and by exhibiting her emotional suffering. He heightens the degree that the internal is depicted and the very fact that he does internalize Medea shows an interest in her side of the story. It humanizes her to see her motivations, her fears, her desires and her moral dilemmas. Apollonios twists the image of Medea that an audience may expect to see by focusing, in Book 3 at least, almost entirely on her maidenhood and her struggle between exercising maidenly shame and giving in to the temptation of Jason. Apollonios makes the audience understand and sympathize with Medea by delving into the workings of her psyche and explaining her pleasure and pain, and most importantly, explaining why she cannot act rationally. erōs also manifests itself inside Medea and in turn this is expressed in Medea’s outward appearance as medical symptoms, like those of fever. In addition, by incorporating contemporary medical discoveries like the nervous system Apollonios is able to utilize the new conceptions of sense-perception to realistically show the way that destructive emotions manifest themselves as perceivable physical pain. Apollonios draws on philosophical and medical influences to heighten the realism of Medea’s physical and psychological pain and pleasure while simultaneously providing a forceful warning of the destructiveness of erōs’ nature.</p>


Sign in / Sign up

Export Citation Format

Share Document